Description: Aerials of fire fighters responding to an accident on a bridge. Aerials of traffic on highways.
Collection: WHDH
Description: Massachusetts State Senator Bill Owens speaking at a press conference about how the governor's affirmative action director does not have enough power. Interview with a woman from the administration about how surprised they are to be receiving criticism about their affirmative action policies. Closing reporter standup in front of the state house. Mix of sound and wild sound.
Collection: WCVB Collection
Date Created: 03/01/1977
Description: Meg Vaillancourt interviews Sterling Anderson of the Association of Community Organizations for Reform Now (ACORN) outside of the Dudley Branch Library about the lack of affordable housing in the Roxbury, Dorchester, and Mattapan areas. Anderson says that the city is not doing enough to provide affordable housing for low-income residents. Anderson questions the city's definition of low-income. He adds that most residents do not make enough money to meet the city's definition of low-income. Anderson and a group of ACORN protesters march to the offices of the Boston Redevelopment Authority on Washington Street in Dudley Square. Anderson and the protesters enter the office and confront Ricardo Millet of the Boston Redevelopment Authority (BRA) about the city's affordable housing policies. The protesters read a list of demands including that 70% of all new developments in the area must target low and moderate-income residents. The protesters demand information on all new planned developments in the Roxbury/Dorchester/Mattapan neighborhoods. Millet discusses the city's affordable housing policy with the protesters. He gives them handouts including a list of planned developments in the area. Millet says that the BRA is trying to provide affordable housing despite a lack of subsidies from the federal government.
1:00:14: Visual: A fire engine pulls out onto Washington Street. Elevated train tracks are visible. An African American firefighter operates the rear of the truck. Cars pull to the side of a congested street to let another fire engine pass. 1:01:22: V: Meg Vaillancourt sets up an interview with Sterling Anderson (ACORN). Vaillancourt asks about the march organized by ACORN (Association of Community Organizations for Reform Now) to protest the affordable housing policies of the Boston Redevelopment Authority (BRA). Anderson says that redevelopment in the areas of Roxbury, Dorchester, and Mattapan is not geared toward the current residents of those areas; that ACORN is trying to put pressure on the mayor and the BRA to include housing for current residents. Anderson says that most of the residents of those areas do not make more than $13,000 per year; that one-bedroom apartments are selling for $18,000 in one of the new developments. Anderson says that Ray Flynn (mayor of Boston) deserves credit for developing housing; that these efforts are insignificant if the residents of these areas cannot live in the new housing. Anderson talks about how poor people have been thrown out of areas like the South End. Anderson says that the residents need housing, not shelters; that the city needs to commit itself to affordable housing. Anderson says that the city defines low income as a salary of $18,000 to $23,000 per year; that the city defines a moderate income as an income of $23,000 per year. Anderson says that he defines low income as under $13,000; that he defines moderate income as $13,000 to $24,000 per year. Vaillancourt asks if the city is really serving its lower income residents. Anderson says that the city is not serving those residents; that a lot of people cannot afford housing; that the city is pushing low-income residents out of the areas of Roxbury, Dorchester, and Mattapan. Vaillancourt asks if race is the issue. Anderson says that it is an economic issue; that the low-income residents of Roxbury are African American; that there are low-income whites with the same problems in South Boston, Chelsea, and East Boston. Vaillancourt asks if Anderson doubts Flynn's commitment to the neighborhoods. Anderson says that he respects Flynn; that Flynn needs to understand that low-income residents are committed to fighting for affordable housing; that he needs to help these people. Anderson says that he cannot afford to give up on the fight for affordable housing; that he will have no place to live in five years if he does not put up a struggle. Anderson says that shelters are not the answer to the housing problem; that poor people do not want to live in shelters. Anderson says that there are some people who benefit from shelters; that the majority of people with low incomes are intelligent and hard-working. Anderson says that he hears the same statistics from the city at every meeting on affordable housing; that the city needs to make a commitment because working people cannot afford housing right now. The crew takes cutaway shots of Vaillancourt and Anderson. Anderson says that the BRA says the same thing at every meeting; that public housing advocates are always pushing for more low-income housing. Anderson says that 70% of the housing in the areas of Roxbury, Dorchester, and Mattapan needs to be for low- and moderate-income people. Anderson says that people in these areas have no place to live, despite the BRA's commitment to affordable housing; that developments in these areas should be priced at $35,000 instead of $65,000. 1:08:18: V: Housing protesters gather on the sidewalk on Washington Street, outside of the BRA's Dudley Office. The elevated train tracks are visible. The protesters chant, "We want housing. We won't wait. 2, 4, 6, 8." The protesters gather behind a banner reading, "ACORN." Shot of the BRA sign above the entrance to the office. The protesters march slowly into the BRA offices. The protesters chant, "What do we want? Housing. When do we want it? Now." The majority of the protesters are African American. The protesters file into the building. 1:10:48: V: The housing protesters enter a large room swith chairs set up for a meeting. The protesters chant, "2, 4, 6, 8. We want housing. We won't wait." The protesters stand at the side of the room, holding protest signs and chanting. Shot of a sign reading, "Third notice: Please be advised that you are required to build affordable housing." Shots of individual protesters. Ricardo Millet (BRA) sits in one of the chairs in the meeting room. He watches the protesters with interest. Millet invites the protesters to sit down. Anderson says that the protesters will remain standing. Anderson addresses Millet. Anderson says that there is a housing shortage in the areas of Roxbury, Dorchester, and Mattapan; that the BRA housing policy is ineffective; that residents of these areas need housing that they can afford. Anderson says that the newly developed housing target people with incomes of at least $23,000 per year; that most residents make less than $13,000 per year. Anderson says that the BRA and the city of Boston need to make a commitment to low-income housing; that 70% of the new development needs to target low-income residents. Anderson demands information on new developments planned for the Roxbury, Dorchester, and Mattapan areas. Anderson says that the BRA has not been forthcoming with that information; that the BRA needs to work with developers work with developers who have committed to building low-income housing. 1:14:34: V: An African American woman addresses Millet. She reads a list of ACORN demands: the cessation of development on Fountain Hill by June 15 unless the development is 70% affordable to those with low- and moderate-incomes; 70% of all new housing must target low- and moderate-income residents; that ACORN wants information on plans for new development in the area. Another protester says that the 70% quota applies to housing in the Roxbury, Dorchester, and Mattapan areas; that many residents of these areas make less than $13,000 per year; that an average income is more than $26,000 per year. The protester says that the voices of the poor must be heard. The protesters applaud. Anderson asks for a map of planned developments in the Roxbury/Mattapan area. Anderson says that the protesters will not allow new developments to be built if they cannot live in them. Millet stands to face the protesters. He listens as Anderson speaks. 1:16:10: V: Millet addresses the protesters. He invites the protesters to sit down and to discuss the issues with him. Anderson says that the protesters have been sitting in meetings for months; that the protesters want a list of the planned developments in the area. Millet says that he has never been asked for a list of the planned developments before now. Millet offers to provide the protesters with a list of projects currently undertaken by the BRA. Millet gives copies of a handout to the protesters. Millet notes that the BRA, under the Flynn administration, has approved 912 units of housing. Millet adds that the handout includes a list of approved projects as well as their locations, developers and affordablility. Shot of the printed handout. Millet says that 60% of the units in the approved developments are affordable to low- and moderate-income people. Shot of statistic on the handout reading, "60.4% of units below market rate." Anderson asks Millet to define low- and moderate-income. Millet says that the BRA will work with the protesters on the issue of low-income housing; that the BRA and the city want to respond to the needs of low-income people. Millet notes that it is hard to achieve these goals because the federal government has stopped subsidizing housing. Millet adds that the city has done well to achieve a 60% affordability rate in its new projects. Millet gives out copies of another handout. Millet explains that the handout covers the BRA's and the city's positions on affordable housing; that the handout describes the problem of affordable housing. Millet notes that the city is aware of the housing shortage. Anderson says that he gets the same responses every time he meets with the city and the BRA about housing; that no one is responding to their concerns. Shot of the crowd of protesters. Millet says that he has met with ACORN representatives in the past; that the BRA agrees with ACORN on the need to provide affordable housing; that the BRA is trying to achieve these goals without subsidies from the federal government. Millet stresses the fact that the BRA is committed to achieving these goals; that the BRA is trying their best to build affordable housing; that the BRA's achievement of a 60% affordabliltiy rate is remarkable.
Collection: Ten O'Clock News
Date Created: 05/28/1986
Description: Carmen Fields reports on differing opinions of the African American studies program at Harvard University. Interviews with Harvard professors Harvey Mansfield and Orlando Patterson. Mansfield says that conservative scholars are excluded from the African American studies program at Harvard. He adds that the program is too political and not concerned enough with the study of the African American experience. Mansfield calls African American studies an "advocacy major" which promotes a certain point of view. Patterson notes that many academic departments are too political. He adds that history and English departments also often teach history from only one perspective. Patterson says that African American studies offers an inter-disciplinary approach to the study of one area of life. Patterson discusses his concerns over the lack of African American scholars entering academia. Fields's report is accompanied by footage of the Harvard campus and footage of students in a class taught by Derrick Bell at the Harvard Law School.
1:00:05: Carmen Fields reports that Harvey Mansfield (professor, Harvard University) has been a professor of government at Harvard University since 1965; that Orlando Patterson (professor, Harvard University) has been a professor of sociology at Harvard since 1970. Fields says that both men believe that students should learn about the African American experience; that Mansfield is critical of how it has been taught. V: Shots of Mansfield; of Patterson; of Harvard students in a lecture hall. Footage of Mansfield being interviewed by Fields. Mansfield says that teaching on the African American experience has been politicized; that teaching on the African American experience has been forced to be "politically correct." Mansfield says that the Afro-American Department at Harvard is too concerned with questions of power and the status of African Americans at Harvard; that the Afro-American Department is not concerned enough with the black experience in America. Shots of Harvard students in a lecture hall. Fields reports that Mansfield believes that African American Studies departments have lost sight of the richness and diversity of the African American experience. Fields reports that Mansfield believes that "leftists" and "liberals" are encouraged in the departments; that Mansfield believes that African American conservatives are ignored. V: Footage of Mansfield being interviewed by Jones. Mansfield says that African American conservatives are not welcomed by the Afro-American Department at Harvard. Mansfield says that the limited scope of the department has a bad effect on the university. Shot of Harvard Yard through one of the gates. Fields reports that Mansfield believes that African American studies departments turn academics into activism. Fields reports that Mansfield says that African American Studies departments and Women's Studies departments design their majors to promote particular points of view. V: Shot through an iron gate of the window to a classroom. Footage of Mansfield being interviewed. Mansfield says that "advocacy majors" promote certain points of view. Mansfield says that the classes for these majors presuppose a certain viewpoint; that questions are not raised; that professors address a "rally" of like-minded people. Footage of Patterson being interviewed. Patterson says that many history and English departments contain like-minded professors and like-minded students; that many of these departments take a narrow view of their subject. Patterson says that American history was taught in a narrow way until the 1960s and 1970s; that history and English are still taught in a narrow way in some places. Fields reports that Patterson agrees that overly politicized departments are a problem; that Patterson is more worried about a lack of African American scholars. Fields reports that there has been a decline in African American scholars since the late 1960s. V: Shot of Derrick Bell (Professor, Harvard Law School) teaching a class at Harvard Law School in December of 1990. Shots of the students in Bell's class. Footage of Patterson being interviewed. Patterson says that he is concerned about the low numbers of African American students entering graduate schools in all areas. Patterson says that the African American culture does not have an "intellectual tradition." Patterson says that African American culture has made major contributions to American life. Fields reports that African American Studies departments may encourage more African American students to pursue higher education in a variety of fields. V: Shots of students on the Harvard campus; of Bell teaching a class; of an African American female student in Bell's class. Footage of Patterson saying that African American Studies offers an inter-disciplinary approach to the study of a particular area of life.
Collection: Ten O'Clock News
Date Created: 02/27/1991
Description: Marcus Jones reports that some African American leaders, including Jesse Jackson, are promoting the use of the term "African American" instead of the term "black." Comedian Charles Cozart on the Arsenio Hall Show. Interview with Northeastern lecturer Robert Hayden, who promotes the use of the term. Hayden says that it is an accurate term that reflects the roots and history of African Americans. Interview with Elma Lewis, the Director of the National Center of Afro-American Artists, who believes that the term "black" is more inclusive. Lewis says that not all black people in the US are Americans. Interviews with students and teachers at the Ellis School in Roxbury about which term they prefer. Following the edited story is additional footage of Jones speaking to students and teachers at the Ellis School. Jones answers questions about his report on Jackie Robinson and the race relations of the time. This edition of the Ten O'Clock News also included the following item: Meg Vaillancourt reports that the Boston School Committee is deeply divided over whether to renew the contract of Laval Wilson
1:00:11: V: Footage from the Arsenio Hall Show. Charles Cozart (comedian) tells jokes in front of the audience. Marcus Jones reports that the African American community is debating the use of the term "black." Jones notes that Jesse Jackson (African American political leader) is urging the use of the term "African American" instead of "black." V: Shots of Jackson addressing an audience. Shots of African Americans in the audience. Footage of Robert Hayden (Lecturer, Northeastern University) saying that many people of color have been calling themselves "African Americans" for years. Hayden says that many universities have departments of African American studies. Hayden says that people of African descent were living in Boston in the eighteenth century; that those people referred to their community as "African." Hayden says that the term is "accurate" and "useful." Footage of Elma Lewis (Director, National Center of Afro-American Artists) being interviewed by Jones. Lewis says that she does not have to follow the trend. Jones notes that Lewis is opposed to using the term "African American." V: Footage of Lewis saying that Africa is a whole continent. Lewis says that the terms "Nigerian American" or "Jamaican American" are more appropriate than "African American." Lewis says that the term "black American" is more inclusive. Footage of Jones addressing a class at the David A. Ellis School in Roxbury. Jones asks how many of the students are aware of the debate surrounding the term "African American." A few students raise their hands. Jones says that he asked students and teachers at the Ellis School in Roxbury about the terms "African American" and "black." V: Shots of students. Footage of an African American female student saying that it does not matter which term is used. Footage of a Latina teacher saying that there should be no mention of race in identification terms. Footage of an African American teacher asking if the term would be extended to "Afro-English" for blacks living in England. Footage of an African American male student saying that he likes the term "brown." Footage of a female student saying that it doesn't matter. Footage of Hayden saying that the term might inspire some to think about their African roots. Hayden says that some people might begin to look into their family histories. Footage of Lewis saying that it is important to teach children to be proud of their African roots. Lewis says that not all black people in the US are American; that all black people in the US are black. Shots of African Americans walking on a street; of a group of students walking away from a school.
Collection: Ten O'Clock News
Date Created: 02/15/1989
Description: Rockwell Museum in Stockbridge exhibit a collection of Norman Rockwell's paintings in celebration of Black History Month. The paintings in the exhibit depict African Americans, often in subservient positions, as well a his later works depicting moments in the Civil Rights Movement and African American history. People from the museum give historical context. Closeups on many of the paintings. Following the story is b-roll of the exhibit and individual paintings.
1:00:10: Visual: Footage of Maureen Hart Hennessey (curator, Rockwell Museum) saying that American painter Norman Rockwell's work tells a lot about how America viewed the civil rights movement. Hennessey points out that there was often a lag time between the occurrence of an actual event and the publishing of a Rockwell painting portraying the event. Hennessey says that it took time before these events entered "the mainstream consciousness." Shots of the Rockwell paintings, The Problem We All Live With and Murder in Mississippi. Shots of visitors on a tour of the Rockwell Museum in Stockbridge, MA. Carmen Fields reports that the Rockwell Museum is commemorating Black History Month by exhibiting Rockwell's work featuring African Americans. V: Shots of paintings on display for the exhibit. Fields notes that Rockwell's first piece of work featuring an African American was from 1934. V: Footage of a tour guide at the Rockwell Museum speaking to visitors. She stands in front of a painting. The tour guide talks about illustrations for the Saturday Evening Post done by Rockwell. The tour guide notes that the Saturday Evening Post was aimed at white readers; that African Americans were often pictured in a subserviant position or not at all. Shots of two pieces of art hanging on the wall of the museum. Fields says that Peter Rockwell was the model for The Boy in the Dining Car, which was on the cover of the Saturday Evening Post in the 1940s. V: Shot of The Boy in the Dining Car. Footage of Hennessey being interviewed by Fields. Hennessey says that the painting focuses on the white boy in the painting; that many people are more drawn to the African American waiter who is standing beside the table in the painting. Hennessey notes that most white Post readers encountered African Americans as workers in subserviant positions. Fields reports that none of Rockwell's work from the late 1940s to the early 1960s featured people of color; that Rockwell was caught up in the turbulence of the 1960s while working for Look Magazine. Fields notes that one of Rockwell's most famous paintings portrays school desegregation in the South. V: Shots of a male tour guide at the Rockwell Museum talking to visitors. Shots of visitors in the gallery. Shots of paintings in the gallery. Shot of the painting, The Problem We All Live With. Footage of Hennessey saying that Rockwell paid great attention to detail. Hennessey talks about Rockwell's efforts to capture the details of the painting, The Problem We All Live With. Footage of a tour guide at the Rockwell Museum speaking to visitors about the painting, Murder in Mississippi. Shots of the tour guide; of the painting. The tour guide talks about the details of the painting. Fields reports that Look Magazine opted to publish a less detailed version of the painting, Murder in Mississippi; that the original was too graphic. V: Shot of a less detailed version of the painting. Fields reports that Rockwell used his neighbors as models for his paintings of African Americans; that his neighbors were the only African Americans in the area. V: Shots of black and white photographs of Rockwell's models. Footage of Hennessey talking about an African American family who lived in Stockbridge. Hennessey says that the children of the family were used as models in the paintings The Problem We All Live With and New Kids in the Neighborhoodl Shot of the painting, New Kids in the Neighborhood. Fields reports that Rockwell has been described as apolitical; that his works were commissioned by others. V: Shot of a black and white photo of Rockwell sitting in front of his painting, The Golden Rule. Shots of the painting The Golden Rule. Audio of Hennessey saying that Rockwell was a "social commentator." Hennessey says that Rockwell could have retired when he left the Saturday Evening Post in 1963; that Rockwell began doing paintings about the civil rights movement after 1963. Hennessey says that she believes that Rockwell supported the civil rights movement.
Collection: Ten O'Clock News
Date Created: 02/24/1989
Description: Mayor Ray Flynn welcomes a delegation of African diplomats to Boston at a ceremony in City Hall. Irene Smalls (Director of Public Information for Flynn) and Flynn present a book about Boston to each diplomat. Charles Yancey (Boston City Council) addresses the delegation. He reads a proclamation from the Boston City Council, welcoming the diplomats to Boston. City Councilors David Scondras, Bruce Bolling and Maura Hennigan are introduced to the delegation. The ambassador from Gambia thanks Flynn and the city of Boston for receiving their visit. Yancey delivers closing remarks at the ceremony. He thanks the ambassadors. The diplomats and city officials socialize at a reception at City Hall. Flynn circulates among the members of the delegation. Flynn and one of the diplomats raise their glasses in an informal toast. Members of the delegation speak to one another.
1:00:00: Visual: Ray Flynn (Mayor of Boston) addresses a delegation of African diplomats at City Hall. Flynn speaks into a microphone about the historic heritage of Boston. The African delegation stands and listens. Flynn talks about John F. Kennedy (former US President) and other political leaders from Boston. Shots of the members of the African delegation. Flynn welcomes the delegation to Boston. Shot of Flynn from the back of the room. Shots of the members of the delegation. Flynn presents books to the members of the delegation. Irene Smalls (Director of Public Information for Flynn) reads out the names of the delegation members. Flynn hands gifts of the book "A Book for Boston," to ambassadors and representatives from Benin, Burundi, the Central African Republic, Guinea, the Ivory Coast, Liberia, Madagascar, Malawi, Mauritius, Niger, Nigeria, Rwanda, Senegal, Togo, Uganda, Cameroon, Lesotho, Swaziland, Mali, the Congo, Sierra Leone, Kenya, and Gambia. Smalls has trouble pronoucing some of the ambassadors' names. Flynn shakes hands with each ambassador as he hands him the book. The ambassadors from Chad and Gabon are absent. Shots of the books on a table. Shots of the members of the delegation. 1:06:54: V: Smalls introduces Charles Yancey (Boston City Council). Yancey addresses the delegation. Yancey reads a proclamation from the Boston City Council. The proclamation notes that the delegation has come to visit Boston as part of the African Diplomats' Project, sponsored by the United States Information Agency and the African American Institute of Washington DC. The proclamation talks about the mission of the African Diplomats' Project. The proclamation welcomes the diplomats to Boston. Shots of the members of the delegation; of the proclamation in Yancey's hands. Yancey compliments Flynn on his sensitivity to the interests of all people. Yancey says that he has a copy of the proclamation for each ambassador. The delegation applauds Yancey's speech. 1:09:10: V: Flynn invites City Councillors David Scondras, Bruce Bolling and Maura Hennigan to the front of the room. Scondras, Bolling and Hennigan walk to the front of the room. Bolling shakes hands with the members of the delegation. Chris Ianella (Boston City Council) is announced. The ambassador from Gambia addresses the group. The ambassador thanks Flynn and extends greetings from the people of Africa to the people of Boston. The ambassador says that the group has come to Boston to learn from the city; that the group will return to their countries more able to meet the needs of modern Africa. The ambassador thanks Flynn and the city for giving the delegation a warm welcome. He wishes continued success to the city. The ambassador shakes hands with the councillors. Small invites Yancey to give closing remarks. Yancey notes that the city of Boston is honored to receive the delegation. He says that there are strong ties between Boston and the countries and Africa. Yancey thanks the delegation. The delegation applauds. 1:13:25: The delegation enters a room where refreshments have been set up. The diplomats sip champagne and punch while they socialize. Shot of the ambassador from the Central African Republic talking with another ambassador. An official directs the diplomats to the food table. V: Shots of glasses of champagne arranged on a table. An African American catering worker gives a glasses of punch to the ambassador from Madagascar and another diplomat. Flynn circulates among the members of the delegation. Shots of Flynn and various members of the delegation. Flynn and one of the diplomats raise their glasses in an informal toast. Members of the delegation stand near the food table. Shots of hors d'oevres in warming pans. A member of the media approaches one of the diplomats. A few of the diplomats serve themselves from the food table. Two diplomats confer with one another.
Collection: Ten O'Clock News
Date Created: 02/10/1985
Description: Footage of people marching with signs and flags, a van with "African Liberation Month" signs tapes to the side, and people gathered in the street. Edited footage followed by cuts. Silent. Slug: (midday) story #8296B.
Collection: WCVB Collection
Date Created: 05/20/1974
Description: Carmen Fields reports on the restoration of the African Meeting House on Beacon Hill. The Meeting House is the oldest African American church in the nation and it was gutted by fire in 1973. Interview with Philip Hart (Board of Directors, African Meeting House) and Ruth Batson (Director, African Meeting House). Hart talks about the significance of the Meeting House. Batson talks about plans for music, scholarly debate, and religious services at the Meeting House. Fields notes that a series of rededication programs will begin soon. Footage of construction workers and staff at the Meeting House and photographs documenting the history of African Americans in Boston.
1:00:01: Visual: Footage of woodworkers and construction workers doing restoration work at the African Meeting House on Beacon Hill. Carmen Fields reports that the African Meeting House is being restored; that the African Meeting House is the oldest African American church in the nation. V: Shots of the exterior of the Meeting House; of a commemorative stone reading, "A gift to Cato Gardner. First promoter of this building, 1806." Footage of Fields interviewing Philip Hart (Board of Directors, African Meeting House). Hart says that Frederick Douglass (abolitionist) spoke at the Meeting House; that the Meeting House was important to the Underground Railroad. Hart talks about the history of the Meeting House. Hart says that the Meeting House hosted notable figures and the average citizens. Shots black and white images of Douglass and William Lloyd Garrison (abolitionist). Fields reports that the Meeting House was gutted by fire in 1973; that a series of rededication programs begin on Sunday. V: Shots of the interior of the Meeting House with scaffolding; of white and African American workers involved in the rededication programs. Shots of Ruth Batson (Director, African Meeting House); of a black and white image of the Meeting House; of a 19th century photograph of a group of African Americans. Footage of Batson saying that she would like to have music, scholarly debate, and special religious services in the Meeting House. Batson says that the building will serve multiple purposes; that she hopes it will unite the people of Boston. Shots of photographs by Hamilton Smith, documenting the late-nineteenth and early-twentieth century African American community. Fields notes that photographs by Hamilton Smith will be part of a permanent exhibit at the Meeting House. Field adds that the nineteenth-century African American community was centered on the north slope of Beacon Hill. V: Shot of a black and white photo of three African American women; of a black and white image of the Meeting House. Footage of Batson saying that the African American community began on Beacon Hill; that the African American community must celebrate their heritage. Footage of Hart saying that the building is a reminder of the role of the African American community in the history of Boston. Shots of black and white images of African Americans in the nineteenth century. Shot of the exterior of the Meeting House. Footage of Batson saying that she can hear the voices of past generations when she stands in the building.
Collection: Ten O'Clock News
Date Created: 10/09/1987
Description: Footage from a piece on an exhibit of art by African American artists. Close ups on many of the pieces of art. Interview with an artist, who talks about his interactions with African art. A man addresses a group of school children who want to be artists. Interview with that man on the prevalence of African American artists throughout America.
Collection: WHDH