Description: Rockwell Museum in Stockbridge exhibit a collection of Norman Rockwell's paintings in celebration of Black History Month. The paintings in the exhibit depict African Americans, often in subservient positions, as well a his later works depicting moments in the Civil Rights Movement and African American history. People from the museum give historical context. Closeups on many of the paintings. Following the story is b-roll of the exhibit and individual paintings.
1:00:10: Visual: Footage of Maureen Hart Hennessey (curator, Rockwell Museum) saying that American painter Norman Rockwell's work tells a lot about how America viewed the civil rights movement. Hennessey points out that there was often a lag time between the occurrence of an actual event and the publishing of a Rockwell painting portraying the event. Hennessey says that it took time before these events entered "the mainstream consciousness." Shots of the Rockwell paintings, The Problem We All Live With and Murder in Mississippi. Shots of visitors on a tour of the Rockwell Museum in Stockbridge, MA. Carmen Fields reports that the Rockwell Museum is commemorating Black History Month by exhibiting Rockwell's work featuring African Americans. V: Shots of paintings on display for the exhibit. Fields notes that Rockwell's first piece of work featuring an African American was from 1934. V: Footage of a tour guide at the Rockwell Museum speaking to visitors. She stands in front of a painting. The tour guide talks about illustrations for the Saturday Evening Post done by Rockwell. The tour guide notes that the Saturday Evening Post was aimed at white readers; that African Americans were often pictured in a subserviant position or not at all. Shots of two pieces of art hanging on the wall of the museum. Fields says that Peter Rockwell was the model for The Boy in the Dining Car, which was on the cover of the Saturday Evening Post in the 1940s. V: Shot of The Boy in the Dining Car. Footage of Hennessey being interviewed by Fields. Hennessey says that the painting focuses on the white boy in the painting; that many people are more drawn to the African American waiter who is standing beside the table in the painting. Hennessey notes that most white Post readers encountered African Americans as workers in subserviant positions. Fields reports that none of Rockwell's work from the late 1940s to the early 1960s featured people of color; that Rockwell was caught up in the turbulence of the 1960s while working for Look Magazine. Fields notes that one of Rockwell's most famous paintings portrays school desegregation in the South. V: Shots of a male tour guide at the Rockwell Museum talking to visitors. Shots of visitors in the gallery. Shots of paintings in the gallery. Shot of the painting, The Problem We All Live With. Footage of Hennessey saying that Rockwell paid great attention to detail. Hennessey talks about Rockwell's efforts to capture the details of the painting, The Problem We All Live With. Footage of a tour guide at the Rockwell Museum speaking to visitors about the painting, Murder in Mississippi. Shots of the tour guide; of the painting. The tour guide talks about the details of the painting. Fields reports that Look Magazine opted to publish a less detailed version of the painting, Murder in Mississippi; that the original was too graphic. V: Shot of a less detailed version of the painting. Fields reports that Rockwell used his neighbors as models for his paintings of African Americans; that his neighbors were the only African Americans in the area. V: Shots of black and white photographs of Rockwell's models. Footage of Hennessey talking about an African American family who lived in Stockbridge. Hennessey says that the children of the family were used as models in the paintings The Problem We All Live With and New Kids in the Neighborhoodl Shot of the painting, New Kids in the Neighborhood. Fields reports that Rockwell has been described as apolitical; that his works were commissioned by others. V: Shot of a black and white photo of Rockwell sitting in front of his painting, The Golden Rule. Shots of the painting The Golden Rule. Audio of Hennessey saying that Rockwell was a "social commentator." Hennessey says that Rockwell could have retired when he left the Saturday Evening Post in 1963; that Rockwell began doing paintings about the civil rights movement after 1963. Hennessey says that she believes that Rockwell supported the civil rights movement.
Collection: Ten O'Clock News
Date Created: 02/24/1989
Description: Meg Vaillancourt reports on the annual Black/Jewish Seder Supper at the Union United Methodist Church. Interviews with Leonard Zakim from the Anti-Defamation League, Charles Stith from the Union United Methodist Church, and Eric Karp from the Temple Ohabei Shalom about the importance of the Black/Jewish Seder supper. Zakim says that the supper celebrates the continuing struggle for freedom and civil rights on the part of both communities. Stith talks about the kinship between the two communities. Karp says that both communities have struggled against oppression. Interviews with attendees about the significance of the supper. Vaillancourt notes that this year's Seder supper falls on the eve of the assassination of Martin Luther King, Jr. This edition of the Ten O'Clock News also included the following item: James Williams protests lack of minority faculty at MIT
1:00:07: Visual: Shot of the steeple of the Union United Methodist Church at dusk. Shots of the annual Black/Jewish Seder supper at the Union United Methodist Church. Shot of an African American woman and a white man speaking at the supper. A choir sings, "Swing Low, Sweet Chariot." Meg Vaillancourt reports that a group of local African Americans and Jews celebrated the Seder. V: Footage of Leonard Zakim (Anti-Defamation League) being interviewed by Vaillancourt. Zakim says that the supper celebrates the continuing struggle for freedom and civil rights. Footage of Charles Stith (Union United Methodist Church being interviewed. Stith says that society is polarized along racial lines; that the supper is an celebrates efforts to promote peaceful coexistence between groups of people. Stith says that the supper affirms the goals of Martin Luther King Jr. (civil rights leader). Vaillancourt reports that attendees gathered at the Union United Methodist Church) for the eleventh Black/Jewish Seder. V: Shots of attendees reading from a religious text. The attendees hold pieces of matzoh in their hands. Footage of Eric Karp (Temple Ohabei Shalom) being interviewed. Karp says that the Seder celebrates the deliverance of the Jewish people from oppression; that the African American community has fought a long battle against oppression. Karp says that the two communities can learn from one another. Footage of an African American woman being interviewed at the supper. The woman says that she is attending her first Seder; that the two communities are brought together through their belief in God. Footage of an older Jewish woman being interviewed by Vaillancourt. Vaillancourt asks what the two communities have in common. The woman says that the two communities share a lot of things including prejudice and hard times. Footage of an older African American woman being interviewed by Vaillancourt. The woman says that African Americans and Jews are treated the same way. Footage of a young Jewish boy being interviewed. The boy says that "prejudice stinks." Shots of attendees at the supper. Vaillancourt reports that the ceremony is Jewish; that the date is important to those involved in the civil rights struggle. Vaillancourt notes that King gave his last speech twenty-three years ago tonight; that King was murdered in Memphis on the following day. Vaillancourt stands outside of the room where the supper is held. Vaillancourt reports that the Passover meal is symbolic of the exodus from Egypt by the Israelites after 400 years of slavery. V: Footage of Stith being interviewed. Stith says that enslaved African Americans identified with the struggle of Moses and the people of Israel. Stith says that there is a theological kinship between the two communities. Footage from the Seder supper. A choir sings, "Swing Low, Sweet Chariot."
Collection: Ten O'Clock News
Date Created: 04/03/1991
Description: Christy George reports from Atlanta on African American residents' views of the Democratic presidential ticket and the Democratic National Convention. George notes that Michael Dukakis needs to show African American voters that he wants their support. Interviews with employees and customers at the Auburn Rib Shack. The interviewees support Jesse Jackson and hope that Jackson will be named as Dukakis's running mate. George notes that both Dukakis and Lloyd Bentsen have good records on civil rights and that Jackson's supporters may be waiting for Jackson to throw his support behind Dukakis. Interviews with African Americans in Atlanta about Jackson and Dukakis. Many interviewees are skeptical about Dukakis. George's report also features footage of Jackson speaking to an audience and footage of Dukakis addressing the Democratic National Convention.
1:00:21: Visual: Footage of James Wyatt (Atlanta resident) driving his cab in Atlanta. Wyatt talks about how life has changed in Atlanta since the civil rights movement. Christy George reports that Wyatt is 84 years old; that he has been driving a cab for 52 years. V: Footage of Wyatt talking about how is mother used to work in the cafeteria of a white school. Wyatt says that she would bring the leftovers home to him. Footage of Jesse Jackson (African American leader) addressing an audience. Jackson talks about how his mother could not prepare a Thanksgiving meal for his family. Jackson say that his mother was busy serving another family's meal. Footage of Wyatt saying that he would have liked to have seen Jackson as the Democratic nominee or as the running mate of Michael Dukakis (Democratic nominee for US President). Christy George stands in front of the Auburn Rib Shack in Atlanta. George reports that Dukakis needs to ask African American voters what they want. V: Footage of an African American female working behind a counter in a restaurant. The woman says that some voters may vote for the Republican ticket if they are disappointed in the Democratic ticket. Footage of an African American male saying that many voters will be upset if Jackson is left off of the Democratic ticket. Shot of an African American man working in the kitchen of the Auburn Rib Shack. George reports that workers and customers at the Auburn Rib Shack are hoping that Jackson will named to the Democratic ticket. V: Footage of an African American man saying that many African Americans registered to vote in order to vote for Jackson. Footage of Dukakis speaking from a podium at the Democratic National Convention. Jackson and Lloyd Bentsen (US Senator) stand on each side of Dukakis. Dukakis says that he wants Jackson and his supporters to play a major role in the presidential campaign. George reports that Dukakis and Bentsen both have good civil rights records. George notes that African American voters may be waiting for Jackson to throw his support behind Dukakis. V: Footage of an African American woman in the driver's seat of a car. The woman says that Jackson deserves a chance. Footage of an African American woman saying that it is time for a change; that the US is ready for an African American candidate. Footage of two women wearing T-shirts which read, "Jesse Walk Out." The women say that Dukakis should go back to Massachusetts. Footage of Wyatt talking about Dukakis. Wyatt says that he has not heard much about Dukakis; that the Democratic Party needs a good leader. Shot of Wyatt's cab turning a corner.
Collection: Ten O'Clock News
Date Created: 07/18/1988
Description: Christy George reports from the Democratic National Convention in Atlanta. George reports that Atlanta is the heart of the new South; she adds that the region is becoming more diverse, and has been energized by an influx of industry and culture. George reports that the Mississippi Delegation to the Democratic National Convention is said to lead the region on issues of race relations. George notes that the Mississippi delegates are representative of the new South. Interviews with Mississippi delegates Jesse Banks, Ed Cole, Isaiah Frederides, Sherry Fisher, Deborah Dunn and Joe Gaitlin. Each delegate expresses pride in the political process and talks about the changes in the state of Mississippi. George reviews the struggle by African Americans for inclusion in the Democratic Party. George discusses the history of African Americans at the Democratic National Convention from 1948 to 1968. George's report includes footage of civil rights protesters in the 1960s and footage of the Democratic National Convention in the 1960s. George's report is also accompanied by footage of Jesse Jackson at the 1988 Democratic National Convention. George notes that Jackson has led a new group of people into the Democratic Party.
1:00:16: Visual: Black and white footage from Eyes on the Prize of Fannie Lou Hamer (Mississippi Freedom Delegation) at the Democratic National Convention in 1964. Black and white footage from "Eyes on the Prize" of African Americans exiting a bus; of white political officials. Shots of a uniformed man taking American flags from the hands of African American demonstrators; of African American demonstrators marching with American flags. Shots of a Democratic National Convention from the 1960s. Christy George reports that African Americans have been fighting for inclusion in the Democratic Party since 1948; that white delegates from Mississippi and Alabama walked out of the convention in 1948 to protest a civil rights plank in the party platform. George notes that the Mississippi Freedom Delegation was seated at the Democratic National Convention in 1968. V: Footage of Jessie Banks (resident of Tchula, Mississippi) talking about the seating of the Mississippi Freedom Delegation at the 1968 convention. George reports that Banks is now a Mississippi delegate to the Democratic National Convention; that the Mississippi delegation is said to lead the South on the issue of race relations. V: Shot of the Mississippi delegation on the floor of the 1988 Democratic National Convention. Footage of Jesse Jackson (African American political leader) addressing the convention on July 19, 1988. Jackson announces that Ed Cole (Mississippi delegate) is the leader of the Mississippi delegation; that Cole is African American. Shots of Jackson exiting a building. He waves to voters. A bus awaits Jackson. A banner on the bus reads, "Rainbow voter registration campaign." Jackson stands in the entrance to the bus, waving to supporters. George reports that Jackson has a led a new group of people into the Democratic Party. V: Footage of State Representative Isaiah Frederides (resident of Gulfport, Mississippi) says that his mother was a domestic servant; that his mother was fired from her job when he tried to register to vote; that his father-in-law's job was threatened. Frederides says that he and his wife were the first two African Americans to register to vote in his county. Footage of Sherry Fisher (resident of Vicksburg, Mississippi) saying that she is attending a convention for the first time; that she wants to be a part of the US democracy. She says that it feels good to be a part of the changes in Mississippi and the US. Shot of delegates on the floor of the 1988 convention. George says that the "new South" is focused on sharing power between those of common backgrounds. V: Footage of Deborah Dunn (resident of Bruce, Mississippi) being interviewed by George. Dunn says that she is a white woman who has picked cotton and worked hard for what she has. Dun says that all southerners are proud of what they have achieved. Footage of Jackson addressing the 1988 Democratic National Convention. Jackson calls Atlanta the "crucible of the new South." V: Shots of the Atlanta skyline; of construction workers working on a new building in Atlanta. George reports that Atlanta is becoming a major urban center. V: Footage from WNEV-TV of an Atlanta Hawks basketball game. Footage of Joe Gatlin (resident of Laurel, Mississippi) saying that industry has come to Atlanta from the north; that industry has brought culture and diversity. Gatlin says that the South is diversifying while keeping some of its old values. Shots of the Atlanta skyline. George reports that diversity and new people may energize the Democratic Party as it is energizing the South. V: Footage of Banks saying that she has great hope for the nation; that the Democratic Party has great African American and white leaders. Christy George stands in downtown Atlanta. George reports that African Americans and whites live in harmony and prosperity in Atlanta; that the Democratic Party will begin to understand the "new South" after holding its convention in Atlanta.
Collection: Ten O'Clock News
Date Created: 07/20/1988
Description: Hope Kelly reports that students from the Boston University School of Theology held a ceremony to celebrate the life of Martin Luther King, Jr. She notes that attendees at the gathering also prayed for peace in the Persian Gulf. Interviews with BU Theology students Virgil Hammett, Leon Chestnut, Jessica Davis, and Roxie Coicou. The students talk about civil rights, the legacy of King, and their desire for a peaceful resolution to the Persian Gulf Crisis. Chestnut, Hammett and Davis address the gathered students and lead prayers to end the war. This edition of the Ten O'Clock News also included the following item: Carmen Fields reports on African American soldiers in the Persian Gulf War
1:00:16: Visual: Footage of students from the Boston University School of Theology walking on the Boston University (BU) campus at dusk. The students sing, "We Shall Overcome." The students gather together and link arms near the Martin Luther King Memorial statue near Marsh Chapel. Shots of the students. Hope Kelly reports that students at the BU School of Theology were celebrating the life of Martin Luther King Jr. (civil rights activist); that the celebration of peace is happening while the nation is at war. V: Footage of Virgil Hammett (student, BU School of Theology) being interviewed. Hammett says that he sees the connection that King saw between civil rights and the Vietnam War. Hammett says that some US soldiers in Kuwait are fighting for rights that they do not possess at home. Footage of Leon Chestnut (student, BU School of Theology) being interviewed. Chestnut says that charity begins at home. Chestnut says that the US must set its own house in order before going off to war. Footage of Jessica Davis (student, BU School of Theology) being interviewed. Davis says that a lot of money is spent on weapons; that the government is not providing for the needs of the people. Kelly reports that Davis is a divinity student who is studying to be a minister. Kelly notes that Chestnut is a Hebrew Bible scholar and a preacher. V: Shot of Chestnut and Davis standing in a chapel. Footage of Chestnut addressing the gathering of divinity students on the BU campus. Chestnut quotes from a psalm. Footage of Chestnut being interviewed. Chestnut talks about the importance of having faith. Footage of Chestnut addressing the gathering of divinity students. Chestnut talks about faith. Footage of Roxie Coicou (student, BU School of Theology) being interviewed. Coicou says that people need to pray and to talk about the war. Kelly reports that Coicou was born in 1968, which was the year that King was assassinated. V: Footage of Davis being interviewed. Davis talks about seeing King speak when she was a little girl. Davis says that society's problems have changed little since the 1960s. Footage of Coicou being interviewed. Coicou says that politics will continue; that people need to pray. Shot of BU students at the gathering. Footage of Hammett addressing the gathering. Hammett prays for love and understanding. Hammett prays for the realization of King's goals. Footage of Davis addressing the gathering. Davis prays for an end to the war. Shots of the students at the gathering.
Collection: Ten O'Clock News
Date Created: 01/21/1991
Description: Marcus Jones reports on the civil rights documentary series, Eyes on the Prize. Jones notes that Eyes on the Prize is a six-part series documenting the first decade of the civil rights movement, using historical footage and first-hand accounts to tell the story. Jones interviews Henry Hampton (documentary filmmaker). Jones notes that Hampton's production company, Blackside Incorporated, produced the series. Hampton says that the civil rights movement is often overshadowed by the memory of Martin Luther King, Jr. Hampton says that Eyes on the Prize attempts to tell the stories of lesser-known civil rights activists. Hampton adds that the series is a testament to the power of ordinary people to effect great changes. Jones's report is accompanied by footage from Eyes on the Prize.
1:00:12: Visual: Black and white footage of A. Philip Randolph (civil rights leader) introducing Martin Luther King (civil rights leader) at the March on Washington in 1963. Shots of the crowd on the National Mall; of King standing before the crowd. Black and white footage of King being arrested by police; of King in prison with another African American civil rights protester. Shot of white people standing in the bed of a pickup truck. The Confederate flag is draped over the side of the truck; of two white boys making racist comments while waving a small Confederate flag. Marcus Jones talks about the legacy of King. Jones notes that King was a martyr for civil rights; that he was taunted by white racists. V: Black and white footage of John Patterson (Governor of Alabama) saying that King should leave Alabama because he is a "menace." Shot of King marching peacefully with other protesters. Jones reports that King was mocked by Black Power advocates; that student leaders second guessed his plans. V: Footage of H. Rap Brown (Black Power advocate) saying that the civil rights movement is dead. Footage of Stokely Carmichael (black student leader) saying that white leaders do not know what is good for black America. Footage of King preaching against violence. Audio of a gunshot. Jones reports that King embodies the civil rights movement for many; that King's memory sometimes overshadows the civil rights movement. V: Shot of King lying in his casket. Footage of King and civil rights supporters in January, 1956. King talks about the right of African Americans to protest. Footage of Henry Hampton (documentary filmmaker) saying that King would want to be seen as a small part of the civil rights movement; that Martin Luther King Day should be a testament to King as well as the accomplishments of the civil rights movement. Jones says that Hampton wants to set the record straight about the civil rights movement; that the civil rights movement was America's "second revolution;" that the civil rights movement is most often recounted through the life of King. V: Footage of civil rights demonstrators marching. One of the black demonstrators is being interviewed by a white journalist. Shots of the feet of the marching demonstrators. Jones notes that the experiences of the lesser-known demonstrators are important. V: Footage of the animated opening to the Eyes on the Prize series. Footage of Hampton saying that the series is a testament to the power of ordinary people to effect great changes. Excerpt from Eyes on the Prize, showing civil rights supporters picketing lunch counters in the South. Jones reports that Eyes on the Prize was produced by Hampton's company, Blackside Incorporated; that Eyes on the Prize recalls the first decade of the civil rights movement. Jones notes that the series is comprised of six parts; that the series will air on PBS. V: Shots of signs for "colored lunch counters" and "colored waiting rooms." Shots of King; of Lyndon B. Johnson (US President) signing the Voting Rights Act of 1965. Footage from Eyes on the Prize of African American students entering Central High School in Little Rock, Arkansas. Melba Pattillo Beals (Central High School Junior) talks about her experiences as an African American student integrating the school. Jones says that the series uses first-hand accounts and historical footage to tell the story of the civil rights movement. V: Footage of a group of white men pushing an African American man down a street; of King reciting the "I have a dream" speech. Audio of Hampton saying that King was only a small part of a very large civil rights movement. Footage of Reverend C.T. Vivian (civil rights leader) confronting Sheriff Jim Clark in Selma, Alabama. Footage of Hampton saying that the stories of lesser-known civil rights activists have not been told. Hampton talks about the efforts of Diane Nash (civil rights acitivist) in Nashville. Shots of civil rights demonstrators in Nashville. Footage of Nash saying that she asked the Ben West (Mayor of Nashville) if segregation was wrong. Footage of West saying that Nash made him realize that segregation was morally wrong. Shots of Nash; of King. Jones says that many Americans remember the civil rights movements through the memory of King; that the civil rights movement was made up of many dreamers like King. V: Footage of King at the March on Washington. Shots of marchers at the March on Washington; of civil rights demonstrators being arrested by police; of civil rights demonstrators chanting and clapping.
Collection: Ten O'Clock News
Date Created: 01/19/1987
Description: This tape features Marcus Jones's first report in a three-part series on the life of Jackie Robinson (baseball player) in honor of the fortieth anniversary of Robinson's entry into major league baseball. Jones reviews the history of African Americans in professional baseball. He notes that the Negro League was successful in the 1930s and 1940s. Jones reports that Robinson was one of three African American players to try out for the Boston Red Sox in the 1940s. Jones reports that Robinson was signed to the Brooklyn Dodgers as the first African American in major league baseball. Jones notes that Robinson encountered virulent racism and even received death threats. Jones reports that Robinson went on to become one of the greatest players of all time and was inducted to the Baseball Hall of Fame in 1962. Jones' report includes footage from interviews with Larry Whiteside (Boston Globe sportswriter), Clem Labine (former Brooklyn Dodger), Rachel Robinson (wife of Jackie Robinson), and Frank Robinson (Baltimore Orioles). Jones' report also features footage and photographs of Robinson and early African American baseball players. Jones' report is accompanied by footage from the films The Jackie Robinson Story and The Bingo Long Traveling All-Stars. Tape 1 of 3
1:00:17: Visual: Shots of a Red Sox baseball player signing autographs for fans at Fenway Park. Text on screen reads, "Jackie Robinson's American Dream." Marcus Jones reports that Jack Roosevelt Robinson was the first African American baseball player to play in the major leagues. V: Black and white footage of Robinson playing baseball. Jones talks about the history of African Americans in baseball. V: Black and white photographs of early African American baseball players including John "Bud" Fowler, Moses Fleetwood Walker and Wellday Walker. Jones talks about early African American players including Fowler and the Walker brothers. V: Footage of Larry Whiteside (Boston Globe sportswriter) saying that racial issues in Major League Baseball reflect the racial issues in American life. Footage from the film, The Bingo Long Traveling All-Stars. Jones talks about the formation of the Negro Leagues. Jones reports that African American players still wanted to break into the major leagues; that some tried to pass as Latino. V: Footage of Whiteside talking about racism in early baseball. Jones talks about the success of the Negro League in the 1930s and 1940s. V: Black and white footage of Negro League baseball games. Black and white shots of players including Josh Gibson, Satchel Paige, and Jackie Robinson. Black and white photos of teams from the Negro League. Jones reports that three African American players were given a one-day tryout for the major leagues at Fenway Park in Boston. V: Black and white shots of African American fans; of the exterior of Fenway Park. Footage of Whiteside talking about the events leading up to the tryouts. Whiteside says that Marvin Williams, Sam Jethroe, and Robinson were given tryouts. Black and white footage of players at Fenway Park; of Jethroe; of Robinson; of the exterior of Fenway Park. Jones reports that the Red Sox did not give any of the players a spot on the team; that Branch Rickey (Owner, Brooklyn Dodgers) signed Robinson to play for the Brooklyn farm team. V: Black and white footage of Red Sox players at Fenway Park; of Rickey. Black and white footage of Robinson and Rickey signing a contract. Shot of a newspaper article with a headline reading, "Dodgers purchase Robinson, first negro in modern major league baseball." Footage of Rickey talking about his efforts to warn Robinson about the abuse that Robinson would receive in the major leagues. Footage from the film, The Jackie Robinson Story. Jones reports that Rickey challenged Robinson to hold his temper in the face of racial slurs and hostility; that Robinson moved into the Dodgers' starting line-up in 1947; that Robinson played great baseball despite the racial hostility. V: Black and white footage of the press and fans at a baseball game; of Robinson playing for the Dodgers. Black and white shots of African American and white fans cheering for Robinson. Footage of Clem Labine (former Brooklyn Dodger) saying that Robinson had no fear; that Labine had never played with a more exciting player than Robinson. Jones talks about the extreme pressure under which Robinson played. V: Shots of a newspaper headline reading, "Robinson reveals written threats;" of a hand-written letter to Robinson reading, "We are going to kill you if you attempt to enter a ballgame at Crosley Field." Footage of Rachel Robinson (Jackie Robinson's wife) talking about the threatening letters received by Robinson. Footage of Labine saying that he received hate mail after a photo of him and Robinson was printed in the paper. Shot of a black and white photo of Labine with his arm around Robinson. Labine says that Robinson received a lot of hate mail. Footage of Frank Robinson (Baltimore Orioles) saying that few people would be able to perform under pressure like Robinson did. Black and white footage of a newscaster speculating on Robinson's performance. Black and white footage of Robinson playing baseball for the Dodgers. Jones reports that Robinson's first year in baseball was outstanding; that Robinson was named Rookie of the Year for the National League. V: Black and white footage of Robinson receiving the Rookie of the Year award; of the Dodgers playing in the World Series in 1947. Jones reports that Robinson's fondest memories were of playing in the World Series; that Robinson was the first African American player to play in a World Series. V: Shot of a black and white photo of Robinson. Audio of Robinson saying that his goal was to break the color barrier; that he wanted to show that African American and white players could play together. Black and white footage of Robinson playing baseball. Shot of a Dodgers' team photo with Robinson. Jones reports that Robinson played for 10 years in the Major League; that Robinson was the MVP in 1949; that he appeared in the World Series six times. V: Black and white shots of fans at a stadium; of Robinson; of the Dodgers World Series victory in 1955; of Robinson being inducted into the Baseball Hall of Fame. Jones reports that Robinson was inducted into the Baseball Hall of Fame in 1962. Jones stands in front of Freedom National Bank in Harlem. Jones reports that Robinson turned his attention to civil rights, business, and politics at the end of his baseball career.
Collection: Ten O'Clock News
Date Created: 08/04/1987
Description: This tape features Marcus Jones' second report in a three-part series on the life of Jackie Robinson (baseball player) in honor of the fortieth anniversary of Robinson's entry into major league baseball. Jones reports on Robinson's career after baseball and his active participation in the civil rights movement. Jones notes that Robinson was the first African American to reach the level of vice-president in a major corporation when he was named to that post at the Chock Full O'Nuts company. Jones reviews Robinson's role in the civil rights movement and his political activity during the 1960 presidential elections. Jones reports that Robinson co-founded the Freedom National Bank in Harlem in 1963, which was the first bank in the US to be run by African Americans. Jones talks about Robinson's disappointment when white teammates from professional baseball refused to join him for the March on Washington in 1963. Jones' report includes footage from interviews with Rachel Robinson (wife of Jackie Robinson), Ambassador Franklin Williams (friend of Jackie Robinson), Mal Goode (journalist), and Clem Labine (former Brooklyn Dodger). Jones' report also features footage of the civil rights movements and footage of Robinson in the 1960s. Jones' report includes footage from the film Jackie Robinson: An American Journey. Tape 2 of 3
1:00:01: Visual: Footage of Jackie Robinson walking off of a baseball field. Text on screen reads, "Jackie Robinson's American Dream." Black and white shot of an older Robinson waving goodbye; of the exterior of Ebbets Field; of a newspaper headline reading, "Giants get Robinson." Shot of a black and white photo of Robinson in a suit. Marcus Jones reports that Jackie Robinson left baseball in 1957; that Robinson chose to retire instead of be traded to the New York Giants. Jones reports that Robinson signed on as vice-president of personnel for Chock full o'Nuts company; that Robinson was the first African American to reach the level of vice-president in a major corporation. V: Black and white footage of Robinson in a baseball uniform; of Robinson in a business suit; of a sign for "Chock full o'Nuts." Black and white footage of Robinson with his employees; of Robinson meeting with a group of people. Jones reports that Robinson played an active role in the civil rights movement. V: Footage of Rachel Robinson (Jackie Robinson's wife) saying that Robinson wanted to be a part of the civil rights movement. Black and white footage of African American students integrating white schools; of African American picketers outside of a Woolworth lunch counter; of an African American man confronting a police officer; of Martin Luther King (civil rights leader); of an African American man being pushed by white men; of fire hoses being used on African American demonstrators; of African American picketers with protest signs. Footage of Ambassador Franklin Williams (friend of Robinson) saying that Robinson identified with the NAACP; that Robinson was an active chairman of the Freedom Fund Campaign. Jones reports that Robinson advocated equal opportunities for African Americans in all areas; that Robinson's stature drew attention to the cause. V: Footage from Jackie Robinson: An American Journey. Footage shows Robinson campaigning for civil rights. Robinson rides in a convertible through an African American neighborhood. Footage of Williams saying that Robinson drew great crowds; that women would pay to have him kiss them on the cheek. Footage of a Nelson Rockefeller presidential campaign rally in 1960. Robinson is visible in the crowd. Jones reports that Robinson supported Nelson Rockefeller (presidential candidate) in 1960; that Robinson campaigned for the Republican nominee Richard Nixon (1960 Republican presidential nominee) after Rockefeller lost the nomination. V: Shot of a black and white photo of Nixon and Robinson. Footage of Williams saying that Robinson believed that African Americans would be strengthened if they were represented by both of the major parties. Footage of a campaign debate in 1960 between Nixon and John F. Kennedy (1960 Democratic presidential nominee). Footage of Williams saying that Robinson had great respect for Nixon at the beginning of the 1960 presidential campaign; that Robinson eventually became disillusioned with the Republican Party. Shot of a black and white photo of Nixon and Robinson. Black and white footage of Kennedy's inaugural speech. Jones reports that Robinson continued to fight for equality for African Americans; that Robinson pushed for Mal Goode (journalist) to be hired as the first African American TV news correspondent. V: Shots of black and white photos of Robinson; of Robinson and Goode. Footage of Goode reflecting on the sacrifices made by the previous generation of African Americans. Jones reports that Robinson co-founded Freedom National Bank in Harlem in 1963; that the bank was the first bank to be run by African Americans. V: Shots of Freedom National Bank in Harlem. Black and white footage of Robinson talking about the importance of Freedom National Bank. Jones stands in front of Freedom National Bank. Jones reports that Robinson worked to free the African American community from the constraints of racism. V: Footage of Williams talking about the idea of a bank run by African Americans, in which whites could participate. Black and white footage of Robinson talking about the importance of registering African Americans to vote. Black and white footage of African Americans marching in the South in 1963; of whites standing behind a Confederate flag; of two white men waving a small Confederate flag. Jones reports that Robinson spent a lot of time in the South in 1963. V: Black and white footage of Robinson and King; of Robinson addressing a crowd about the need for equal rights. Shots of a black and white photo of King. Black and white shot of Robinson picking up a telephone. Black and white aerial shot of the March on Washington in 1963. Jones reports that Robinson was disappointed when his white Dodger teammates refused to join him for the March on Washington in 1963. V: Footage of Clem Labine (former Brooklyn Dodger) saying that he regrets not joining Robinson for the March on Washington. Black and white shot of Robinson addressing a crowd. Jones reports that Robinson started a construction company in 1970; that the company was dedicated to building low-income housing. V: Shots of Robinson at a construction site; of Robinson looking at architectural plans; of Robinson throwing out a baseball at a ballgame. Jones reports that Robinson died in October of 1972. Jones stands outside of Ebbets Field Apartments. Jones says that Robinson's ideals still live on.
Collection: Ten O'Clock News
Date Created: 08/05/1987
Description: Third report in Marcus Jones' three-part series on the life of Jackie Robinson in honor of the fortieth anniversary of Robinson's entry into major league baseball. Jones reports on the lack of African American managers and coaches in major league baseball. Jones notes that Robinson spoke out against discrimination in baseball during the last years of his life. Jones adds that Robinson never received an offer to manage a major league baseball team. Jones' report includes footage of Al Campanis (former Vice-President, Brooklyn Dodgers) and Lee MacPhail (General Manager, New York Yankees) making discriminatory comments about the abilities of African Americans to manage professional sports teams. Jones reports that Frank Robinson (bench coach, Baltimore Orioles) became the first African American manager in professional baseball. Jones adds that many current African American players have expressed interest in management positions. Jones interviews Frank Robinson. Jones also interviews Tommy Harper (former Boston Red Sox coach) about his experiences with the Boston Red Sox. Jones notes that Harper was fired for speaking out against the team's discriminatory practices. Jones notes that affirmative action plans are under review for major league baseball. Jones' report includes footage of Rachel Robinson (wife of Jackie Robinson), Clem Labine (former Brooklyn Dodger), Elrod Hendricks (Baltimore Orioles), Larry Whiteside (Boston Globe sportswriter), Billy Williams (Chicago Cubs), Howard Cosell (sportscaster) and Ambassador Franklin Williams (friend of Jackie Robinson) speaking about Jackie Robinson and African Americans in baseball. Jones' report includes footage of Jackie Robinson as well as footage and photographs of current baseball players and officials. Tape 3 of 3
1:00:03: Visual: Black and white shot of the exterior of Ebbets Field in Brooklyn. Text on screen reads, "Jackie Robinson's American Dream." Black and white shots of fans at the stadium. Footage of Clem Labine (former Brooklyn Dodger) saying that the heart and soul of Brooklyn were destroyed when the Brooklyn Dodgers left town. Black and white shot of Jackie Robinson playing baseball for the Dodgers. Marcus Jones stands in front of Ebbets Field Apartment Complex in Brooklyn. Jones reports that opportunities for minorities are still lacking in one area. V: Footage of Al Campanis (former Dodgers' Vice President) on Nightline. Campanis says that African Americans do not have what it takes to manage a baseball team. Campanis says that there are not many African American quarterbacks or pitchers. Black and white shots of Robinson in a baseball uniform; of a group of Brooklyn Dodgers players. Footage of Campanis speaking to the media. Jones reports that Campanis is a former teammate of Robinson; that Campanis's remarks show that African Americans still face barriers in major league baseball. V: Shots of a major league baseball game. Footage of Robinson addressing a crowd. Footage of Clem Labine (former Brooklyn Dodger) saying that Robinson looked forward to the day when there would be African American managers in major league baseball. Shot of Robinson throwing out a ball at a major league baseball game. Jones reports that Robinson spoke out against discrimination in baseball management during the last year's of his life. Jones notes that Lee MacPhail (General Manager, New York Yankees) claimed in 1969 that African Americans were not prepared to be managers; that Robinson publicly rebutted MacPhail's claims. Jones reports that Robinson never received an offer to manage a major league baseball team. V: Footage of MacPhail at a press conference. Black and white shot of Robinson standing with three white baseball players. Footage of Rachel Robinson (Jackie Robinson's wife) saying that Robinson was disappointed that he never had the opportunity to manage a baseball team. Shots of Robinson's funeral. Shots of Frank Robinson (bench coach, Baltimore Orioles) at a baseball game. Jones notes that Frank Robinson became the first African American manager of a baseball team in 1972. V: Footage of Frank Robinson being interviewed by Jones. Frank Robinson says that he wishes Jackie Robinson could have lived to see him appointed as a manager. Jones reports that Larry Doby and Maury Wills were the only two other African Americans have been field managers in professional baseball. V: Shots of Doby and Wills; of a white Chicago player. Jones notes that Don Baylor (Boston Red Sox), Reggie Jackson (Oakland Athletics) and Elrod Hendricks have expressed interest in becoming managers. V: Shots of Baylor, Jackson and Hendricks; of a white manager arguing with an umpire. Footage of Elrod Hendricks (catching coach for the Baltimore Orioles) saying that he would like to be a manager if the right opportunity presented itself. Footage of Tommy Harper (former Boston Red Sox coach) saying that African Americans want an equal opportunity to compete for jobs. Shots of Harper at a non-professional baseball field. Jones reports that Harper had hopes of moving up in the ranks of the Red Sox organization; that Harper was fired in 1975 for protesting against the team's discriminatory practices. V: Shot of a newspaper headline reading, "Harper still shut out because he spoke out." Footage of Harper saying that minorities have been shut out of management positions all over baseball; that the minority officials in baseball right now have no authority. Footage of Larry Whiteside (Boston Globe sportswriter) talking about the lack of opportunities for African Americans in baseball. Jones reports that there is pressure on team owners to hire more minorities. V: Shots of a ceremony honoring Robinson at a Major League ballpark; of a newspaper headline reading, "No shortage of black candidates." ESPN footage of Billy Williams (Chicago Cubs batting coach) at a Hall of Fame Ceremony. Williams says that team owners must look beyond skin color in hiring management. Shots of an African American man talking to the press; of white team owners; of Peter Ueberroth (Baseball Commissioner). Jones says that affirmative action plans are under review for major league baseball. V: Footage of Frank Robinson saying that he hopes that African Americans will soon have the same opportunities as whites to become managers. Black and white footage of Jackie Robinson playing baseball for the Brooklyn Dodgers; of fans cheering for Robinson. Jones notes that Jackie Robinson's courage inspired the nation. V: Footage of Howard Cosell (sportscaster) saying that Jackie Robinson is an important figure in American history, not just sports history. Footage of Rachel Robinson (Jackie Robinson's wife) saying that she had no idea that his legacy would become as important as it is. Black and white shots of Jackie and Rachel Robinson; of Jackie Robinson campaigning for civil rights. Footage of Labine saying that Robinson will be remembered for what he did for the African American race. Black and white shots of Robinson with Chock full o'Nuts company employees; of Robinson receiving an award. Footage of Ambassador Franklin Williams (Robinson's friend) saying that a lesser man would not have succeeded like Robinson did. Black and white shots of Rachel and Jackie Robinson with their child; of Robinson with a friend.
Collection: Ten O'Clock News
Date Created: 08/06/1987
Description: Carmen Fields marks the death of author James Baldwin with a retrospective profile. Fields reports on Baldwin's accomplishments as an author and his social criticism. Baldwin challenged American society to deal with racism. Interview with Floyd Barbour (Professor, Simmons College) about Baldwin. Barbour says that Baldwin's voice was truthful and angry. He adds that Baldwin's work bears witness to the African American experience in the twentieth century. Fields's report includes footage of Baldwin talking about race in the United States. Fields reports that Baldwin dealt with religious themes in his later work. Fields's report is accompanied by shots of Baldwin's books and by footage from the American Playhouse production of Go Tell it on the Mountain. Fields reports that Baldwin lived in France for forty years. She notes that he returned to the US three years ago to serve as a professor at the University of Massachusetts in Amherst.
0:59:07: Callie Crossley reports that James Baldwin (author) was able to capture the African American experience honestly in his books. V: Shots of black and white photos of Baldwin; of Baldwin's book, The Evidence of Things Not Seen; of Baldwin's book, The Amen Corner; of a framed print of a program for the Black-Hispanic Convocation at Princeton University in 1954, which was delivered by Baldwin. Shot of a program for a musical production of Amen Corner. Crossley reports that Floyd Barbour (Professor, Simmons College) was inspired by Baldwin as an undergraduate. V: Footage of Barbour being interviewed by Crossley. Barbour says that Baldwin's voice was truthful and full of rage; that Baldwin wrote about his background and about race in society. Crossley notes that Baldwin challenged US society to deal with racism. V: Shot of a cover of Time Magazine, featuring Baldwin. Footage of Baldwin talking about racism at a public forum. Baldwin says that the US needs to face up to its racial problems; that racial violence may erupt if US society does not deal with racism. Baldwin says that African Americans have received no support from the government or most of the citizenry. Shots of Baldwin's photo and biography from the back of a book cover; of Baldwin's books, Go Tell It on the Mountain and The Fire Next Time. Crossley talks about Baldwin's first book, Go Tell It on the Mountain. Crossley notes that it was later televised on PBS (Public Broadcasting Service). V: Footage from the American Playhouse televised production of Go Tell It on the Mountain. Crossley notes that Baldwin deals with religious themes in Go Tell It on the Mountain and in his later work. V: Footage of Barbour saying that Baldwin wrote about the pain endured by African Americans in the US; that Baldwin's work bears witness to the experience of African Americans in the twentieth century. Crossley reports that Baldwin lived in France for forty years; that he returned to the US occasionally; that Baldwin returned to the US three years ago to serve as a professor at the University of Massachusetts at Amherst. V: Shot of Baldwin exiting a car and entering a building in France; of Baldwin typing at a typewriter. Footage of Baldwin saying that there is no "black problem"; that there is a "white problem." Baldwin says that he has no problem living with whites in the white world. Baldwin says that white people cannot see beyond skin color to the person underneath; that whites are threatened by African Americans.
Collection: Ten O'Clock News
Date Created: 12/01/1987