Description: Carmen Fields reports on the restoration of the African Meeting House on Beacon Hill. The Meeting House is the oldest African American church in the nation and it was gutted by fire in 1973. Interview with Philip Hart (Board of Directors, African Meeting House) and Ruth Batson (Director, African Meeting House). Hart talks about the significance of the Meeting House. Batson talks about plans for music, scholarly debate, and religious services at the Meeting House. Fields notes that a series of rededication programs will begin soon. Footage of construction workers and staff at the Meeting House and photographs documenting the history of African Americans in Boston.
1:00:01: Visual: Footage of woodworkers and construction workers doing restoration work at the African Meeting House on Beacon Hill. Carmen Fields reports that the African Meeting House is being restored; that the African Meeting House is the oldest African American church in the nation. V: Shots of the exterior of the Meeting House; of a commemorative stone reading, "A gift to Cato Gardner. First promoter of this building, 1806." Footage of Fields interviewing Philip Hart (Board of Directors, African Meeting House). Hart says that Frederick Douglass (abolitionist) spoke at the Meeting House; that the Meeting House was important to the Underground Railroad. Hart talks about the history of the Meeting House. Hart says that the Meeting House hosted notable figures and the average citizens. Shots black and white images of Douglass and William Lloyd Garrison (abolitionist). Fields reports that the Meeting House was gutted by fire in 1973; that a series of rededication programs begin on Sunday. V: Shots of the interior of the Meeting House with scaffolding; of white and African American workers involved in the rededication programs. Shots of Ruth Batson (Director, African Meeting House); of a black and white image of the Meeting House; of a 19th century photograph of a group of African Americans. Footage of Batson saying that she would like to have music, scholarly debate, and special religious services in the Meeting House. Batson says that the building will serve multiple purposes; that she hopes it will unite the people of Boston. Shots of photographs by Hamilton Smith, documenting the late-nineteenth and early-twentieth century African American community. Fields notes that photographs by Hamilton Smith will be part of a permanent exhibit at the Meeting House. Field adds that the nineteenth-century African American community was centered on the north slope of Beacon Hill. V: Shot of a black and white photo of three African American women; of a black and white image of the Meeting House. Footage of Batson saying that the African American community began on Beacon Hill; that the African American community must celebrate their heritage. Footage of Hart saying that the building is a reminder of the role of the African American community in the history of Boston. Shots of black and white images of African Americans in the nineteenth century. Shot of the exterior of the Meeting House. Footage of Batson saying that she can hear the voices of past generations when she stands in the building.
Collection: Ten O'Clock News
Date Created: 10/09/1987
Description: Carmen Fields marks the death of author James Baldwin with a retrospective profile. Fields reports on Baldwin's accomplishments as an author and his social criticism. Baldwin challenged American society to deal with racism. Interview with Floyd Barbour (Professor, Simmons College) about Baldwin. Barbour says that Baldwin's voice was truthful and angry. He adds that Baldwin's work bears witness to the African American experience in the twentieth century. Fields's report includes footage of Baldwin talking about race in the United States. Fields reports that Baldwin dealt with religious themes in his later work. Fields's report is accompanied by shots of Baldwin's books and by footage from the American Playhouse production of Go Tell it on the Mountain. Fields reports that Baldwin lived in France for forty years. She notes that he returned to the US three years ago to serve as a professor at the University of Massachusetts in Amherst.
0:59:07: Callie Crossley reports that James Baldwin (author) was able to capture the African American experience honestly in his books. V: Shots of black and white photos of Baldwin; of Baldwin's book, The Evidence of Things Not Seen; of Baldwin's book, The Amen Corner; of a framed print of a program for the Black-Hispanic Convocation at Princeton University in 1954, which was delivered by Baldwin. Shot of a program for a musical production of Amen Corner. Crossley reports that Floyd Barbour (Professor, Simmons College) was inspired by Baldwin as an undergraduate. V: Footage of Barbour being interviewed by Crossley. Barbour says that Baldwin's voice was truthful and full of rage; that Baldwin wrote about his background and about race in society. Crossley notes that Baldwin challenged US society to deal with racism. V: Shot of a cover of Time Magazine, featuring Baldwin. Footage of Baldwin talking about racism at a public forum. Baldwin says that the US needs to face up to its racial problems; that racial violence may erupt if US society does not deal with racism. Baldwin says that African Americans have received no support from the government or most of the citizenry. Shots of Baldwin's photo and biography from the back of a book cover; of Baldwin's books, Go Tell It on the Mountain and The Fire Next Time. Crossley talks about Baldwin's first book, Go Tell It on the Mountain. Crossley notes that it was later televised on PBS (Public Broadcasting Service). V: Footage from the American Playhouse televised production of Go Tell It on the Mountain. Crossley notes that Baldwin deals with religious themes in Go Tell It on the Mountain and in his later work. V: Footage of Barbour saying that Baldwin wrote about the pain endured by African Americans in the US; that Baldwin's work bears witness to the experience of African Americans in the twentieth century. Crossley reports that Baldwin lived in France for forty years; that he returned to the US occasionally; that Baldwin returned to the US three years ago to serve as a professor at the University of Massachusetts at Amherst. V: Shot of Baldwin exiting a car and entering a building in France; of Baldwin typing at a typewriter. Footage of Baldwin saying that there is no "black problem"; that there is a "white problem." Baldwin says that he has no problem living with whites in the white world. Baldwin says that white people cannot see beyond skin color to the person underneath; that whites are threatened by African Americans.
Collection: Ten O'Clock News
Date Created: 12/01/1987