Description: Rockwell Museum in Stockbridge exhibit a collection of Norman Rockwell's paintings in celebration of Black History Month. The paintings in the exhibit depict African Americans, often in subservient positions, as well a his later works depicting moments in the Civil Rights Movement and African American history. People from the museum give historical context. Closeups on many of the paintings. Following the story is b-roll of the exhibit and individual paintings.
1:00:10: Visual: Footage of Maureen Hart Hennessey (curator, Rockwell Museum) saying that American painter Norman Rockwell's work tells a lot about how America viewed the civil rights movement. Hennessey points out that there was often a lag time between the occurrence of an actual event and the publishing of a Rockwell painting portraying the event. Hennessey says that it took time before these events entered "the mainstream consciousness." Shots of the Rockwell paintings, The Problem We All Live With and Murder in Mississippi. Shots of visitors on a tour of the Rockwell Museum in Stockbridge, MA. Carmen Fields reports that the Rockwell Museum is commemorating Black History Month by exhibiting Rockwell's work featuring African Americans. V: Shots of paintings on display for the exhibit. Fields notes that Rockwell's first piece of work featuring an African American was from 1934. V: Footage of a tour guide at the Rockwell Museum speaking to visitors. She stands in front of a painting. The tour guide talks about illustrations for the Saturday Evening Post done by Rockwell. The tour guide notes that the Saturday Evening Post was aimed at white readers; that African Americans were often pictured in a subserviant position or not at all. Shots of two pieces of art hanging on the wall of the museum. Fields says that Peter Rockwell was the model for The Boy in the Dining Car, which was on the cover of the Saturday Evening Post in the 1940s. V: Shot of The Boy in the Dining Car. Footage of Hennessey being interviewed by Fields. Hennessey says that the painting focuses on the white boy in the painting; that many people are more drawn to the African American waiter who is standing beside the table in the painting. Hennessey notes that most white Post readers encountered African Americans as workers in subserviant positions. Fields reports that none of Rockwell's work from the late 1940s to the early 1960s featured people of color; that Rockwell was caught up in the turbulence of the 1960s while working for Look Magazine. Fields notes that one of Rockwell's most famous paintings portrays school desegregation in the South. V: Shots of a male tour guide at the Rockwell Museum talking to visitors. Shots of visitors in the gallery. Shots of paintings in the gallery. Shot of the painting, The Problem We All Live With. Footage of Hennessey saying that Rockwell paid great attention to detail. Hennessey talks about Rockwell's efforts to capture the details of the painting, The Problem We All Live With. Footage of a tour guide at the Rockwell Museum speaking to visitors about the painting, Murder in Mississippi. Shots of the tour guide; of the painting. The tour guide talks about the details of the painting. Fields reports that Look Magazine opted to publish a less detailed version of the painting, Murder in Mississippi; that the original was too graphic. V: Shot of a less detailed version of the painting. Fields reports that Rockwell used his neighbors as models for his paintings of African Americans; that his neighbors were the only African Americans in the area. V: Shots of black and white photographs of Rockwell's models. Footage of Hennessey talking about an African American family who lived in Stockbridge. Hennessey says that the children of the family were used as models in the paintings The Problem We All Live With and New Kids in the Neighborhoodl Shot of the painting, New Kids in the Neighborhood. Fields reports that Rockwell has been described as apolitical; that his works were commissioned by others. V: Shot of a black and white photo of Rockwell sitting in front of his painting, The Golden Rule. Shots of the painting The Golden Rule. Audio of Hennessey saying that Rockwell was a "social commentator." Hennessey says that Rockwell could have retired when he left the Saturday Evening Post in 1963; that Rockwell began doing paintings about the civil rights movement after 1963. Hennessey says that she believes that Rockwell supported the civil rights movement.
Collection: Ten O'Clock News
Date Created: 02/24/1989
Description: Coverage of the annual performance of Black Nativity by Langston Hughes. The performance takes place in the Opera House in Boston. Interview with Music Director John Ross, who talks about the play. He says that the story of the nativity is told in a "black context," using traditional music. Excerpts from the performance.
1:00:08: Visual: Shots of schoolchildren entering an auditorium. V: Footage from the Black Nativity performed at the Opera House in Boston. V: Footage of John A. Ross (Music Director) saying that Langston Hughes used the Bible as a source for Black Nativity; that the story is told in a "black context." Ross says that the play relies on traditional gospel music. V: Footage from the performance of Black Nativity. V: Footage of a female African American student saying that some of her friends and former teachers were in the performance. Footage of a female African American student saying that the play shows us "how God began his life." Footage of a female white students saying that the acting is good; that the play is "pretty." Footage of a group of African American students in the lobby. One student says that he likes the music. Another student says that she likes everything. V: Footage from the performance of Black Nativity.
Collection: Ten O'Clock News
Date Created: 12/08/1989
Description: Carmen Fields reports that the play Les Blancs, by playwright Lorraine Hansberry will be produced by the Huntington Theater Company. The play is set in a fictitious African nation struggling for independence. Interview with Hansberry's ex-husband Robert Nemiroff, who is overseeing the production of the play. He talks about Hansberry and her work. Nemiroff says that Hansberry's play foreshadows the revolutionary changes that would take place in Africa in the 1960s. He says that much of her work revolved around the relationship between the oppressed and their oppressors. Fields reviews Hansberry's career. She notes that Nemiroff is gathering materials for a Hansberry Library Collection. Fields report includes footage from the WNET production of Les Blancs and footage from the 1961 film A Raisin in the Sun. Fields report includes footage and photographs of Hansberry and shots of advertisements for Hansberry's plays. This edition of the Ten O'Clock News also included the following items: African American school committee members criticize Flynn's school choice plan
1:00:13: Visual: Footage from the Huntington Theatre production of the play, Les Blancs. Carmen Fields reports that Les Blancs is set in a fictitious African country; that Les Blancs was written by Lorraine Hansberry (playwright). V: Black and white shot of Hansberry. Shot of a black and white photo of Hansberry. Footage of Robert Nemiroff (production advisor) saying that Hansberry foresaw the revolutionary changes which took place in Africa in the 1960s. Shot of a black and white photo of Hansberry. Shot of the cover of a book of plays by Hansberry. Fields reports that Hansberry wrote Les Blancs in 1960; that only a few African nations were independent in 1960. Fields notes that Hansberry plays often deal with the changing relationships between the oppressors and the oppressed. Fields adds that Al Freeman Jr. (actor) and Roy Scheider (actor) starred in the Broadway production of Les Blancs. V: Footage from WNET of Les Blancs. Footage of Nemiroff being interviewed by Fields. Nemiroff says that Hansberry did not believe that race issues were the ultimate source of world conflict. Nemiroff says that Hansberry believed that the ultimate struggle was between the oppressed and the oppressors. Footage from the 1961 film, A Raisin in the Sun. Shot of an advertisement for A Raisin in the Sun. The advertisement notes that A Raisin in the Sun won Best Play of the year from the Drama Critics' Circle in 1959. Fields reports that the Hansberry's work often revolves around the choices made by ordinary people; that Hansberry wrote A Raisin in the Sun and The Sign in Sidney Brustein's Window. V: Shot of a poster for The Sign in Sidney Brustein's Window. Fields reports that Hansberry died in 1965 at age 34. V: Shot of Hansberry. Shot of a black and white photo of Hansberry and Nemiroff. Fields reports that Nemiroff was married to Hansberry when she died; that Nemiroff is advising the production of Les Blancs at the Huntington Theatre. Fields notes that Nemiroff is gathering materials for a Hansberry Library Collection. V: Footage of the Huntington Theatre production of Les Blancs. Shot of a room with Hansberry's writing materials. Footage of Nemiroff saying that there are no villains in Hansberry's plays; that each character in a Hansberry play has his or her own motives. Nemiroff says that Hansberry had great respect for the potential of every human being. Fields reports that Hansberry described her work as "dramatic realism." V: Black and white footage of Hansberry. Hansberry talks about realism in her work.
Collection: Ten O'Clock News
Date Created: 01/16/1989
Description: Carmen Fields interviews Lindiwe Mabuza of the African National Congress about apartheid in South Africa. Mabuza says that F.W. de Klerk, the President of South Africa, is not committed to fundamental changes in the regime. She adds that the ANC is struggling for a united, democratic, and non-racial South Africa. Fields reports that black South Africans are celebrating the recent release of eight political prisoners. Mabuza talks about the release of the prisoners and the role of the ANC. Mabuza discusses the possibility of negotiations with the South African government. She reviews the conditions under which black South Africans could negotiate with the South African government. Mabuza talks about her support for sanctions on the South African government. Fields' report is accompanied by footage of de Klerk, footage of black South Africans celebrating the release of prisoners and footage of a large demonstration by black South Africans.
1:00:09: Visual: Footage of Lindiwe Mabuza (African National Congress Representative to the US) being interviewed by Carmen Fields. Mabuza says that there will be little difference between the administrations of P.W. Botha (former president of South Africa) and F.W. de Klerk (president of South Africa). Mabuza says that de Klerk is not committed to fundamental changes in the apartheid policy of the South African government. Fields reports that de Klerk was elected by the small minority of white South Africans; that de Klerk does not support the one person, one vote concept. Fields reports that the African National Congress (ANC) does not agree with de Klerk's vision of a post-apartheid nation. V: Shots of de Klerk and white South African government officials in a governmental chamber. Footage of Mabuza saying that the ANC is struggling for a united, democratic ,and non-racial South Africa. Mabuza says that South Africa is currently divided by apartheid. Mabuza says that de Klerk believes that there are many groups and nations within South Africa; that de Klerk wants to divide the black South Africans into groups; that these divisions are a continuation of apartheid. Fields reports that black South Africans are celebrating the recent release of eight political prisoners; that seven of the eight released prisoners are high-ranking ANC officials. Fields reports that the released prisoners met in Soweto today to plan for an ANC rally. V: Shots of black South Africans singing together as they celebrate the release of the prisoners; of white South African military police. Shots of the released prisoners outside of the prison; of the released prisoners walking in a group; of a released prisoner greeting a friend. Footage of Mabuza being interviewed by Fields. Mabuza says that the released ANC officials should re-assume their leadership roles. Mabuza says that the leaders have been released without restrictions; that the leaders should address the problems of black South Africans. Mabuza says that de Klerk cannot afford to put the leaders in prison again; that de Klerk has publicized the release of the prisoners in order to make the South African government look good. Fields asks about negotiations with the South African government to end apartheid. Mabuza says that the South African government must lift the state of emergency; that the government must withdraw troops from civilian areas; that the government must release thousands of political prisoners including Nelson Mandela (jailed South African leader). Mabuza says that the government must lift its ban on the ANC; that the government must lift restrictions on other organizations and banned individuals. Mabuza says that the government must make these changes in order to negotiate in good faith with black South Africans. Fields reports that Mabuza does not believe that sanctions hurt black South Africans. V: Shot of a man putting up a poster with a newspaper headline reading, "Unity on SA blown apart by Thatcher." Footage of Mabuza saying that millions of blacks are out of work and suffering because of apartheid; that black South Africans are willing to make sacrifices to end apartheid. Mabuza says that black South Africans want change in South Africa. Shots of a large demonstration by black South Africans. Many are holding signs and banners.
Collection: Ten O'Clock News
Date Created: 10/23/1989
Description: Shirley Caesar is a gospel singer and pastor, also active in community and political affairs in Durham, NC. She visits Harvard to sing with a choir in Memorial Church. Fields notes that Caesar is an evangelist and a Grammy award-winning singer. Fields adds that Caesar has recently entered local politics in Durham, North Carolina. Fields interviews Caesar, who talks about her music and her outreach ministry. She also discusses her recent entry into politics. Caesar says that she sees herself as a humanitarian. Fields' report includes footage of Caesar performing with a choir in front of an audience at Memorial Church.
1:00:14: Visual: Footage of Shirley Caesar (gospel singer and evangelist) performing at Memorial Church at Harvard University on October 5, 1989. A gospel choir stands behind her. Shots of members of the audience listening to Caesar. Carmen Fields reports that Caesar has won five grammy awards; that Caesar has three gold albums. Fields reports that Caesar also runs a church and an outreach mission; that Caesar has recently been elected to the City Council of Durham, North Carolina. V: Footage of Caesar being interviewed by Fields. Caesar says that she is a "down-to-earth singer"; that she is a "concerned citizen." Caesar says that she sees herself as a humanitarian. Caesar talks about her outreach ministry. Caesar says that she puts 50% of her earnings back into the community. Footage of Caesar performing at Memorial Church; of audience members listening. Footage of Caesar saying that everyone has suffered at one time or another; that she tries to send a message of love through her music. Fields notes that Caesar offers unconditional encouragement to all through her music. V: Footage of Caesar talking about Jim Baker (evangelist). Caesar says that Baker should be forced to pay back the money he owes; that Baker should not be sent to jail. Footage of Caesar performing at Memorial Church. She speculates as to whether anyone has ever danced in the aisles of Memorial Church. The crowd applauds. Caesar says that she will "christen the aisles." Shots of audience members seated in pews and on the floor. Fields reports that Caesar will soon turn fifty years old. V: Footage of Caesar performing at Memorial Church. The audience members stand and clap their hands. Footage of Caesar being interviewed by Fields. Caesar says that she is "a traditional singer with a contemporary flavor." Caesar talks about her roots in music. Footage of Caesar saying that she would like to learn more about the workings of city government; that she may run for mayor someday. Footage of Caesar performing at Memorial Church. The audience is on its feet.
Collection: Ten O'Clock News
Date Created: 10/06/1989
Description: Before news broadcast: Ted O'Brien advertises WGBH membership; advertisement for "Vietnam: Present Tense" program with Seth Rolbein; James Earl Jones advertises "Long Ago and Far Away" program; 1)Carmen fields reports on revelations on Sen. William Bulger's questionable investment in American Cablesystems Midwest with Harold Brown and Thomas Finnerty. 2) David Boeri debriefing on set on Bulger. 3) Sludge processing at Deer Island treatment plant turns sewage into compost and pelletized fertilizer; Paul Levy of MWRA and Michael Deland of EPA; incinerator in Lynn. 4) History of Spectacle Island in Boston Harbor, now landfill repository. Anchors Lydon and Fields. 5) Report on President George Bush Sr.'s tax campaign and Congressional leaders meeting about budget. Federal Reserve Chairman Alan Greenspan recommends budget restrictions, rather than taxes. 6) New childcare package is political olive branch between political parties. 7) National Urban League report on poverty and income conditions among black people. 8) Execution of serial murderer Ted Bundy in Florida. 9) Pennsylvania native Barbara Harris chosen as first woman bishop in Anglican Communion, ordained by Boston Archdiocese.
Collection: Ten O'Clock News
Date Created: 01/24/1989
Description: Carmen Fields interviews Herman Cohen, the US Assistant Undersecretary for African Affairs, about South Africa. The African National Congress held its first public rally in thirty years yesterday and celebrated the release of ANC political leaders. In the interview, Cohen says that the US is encouraging the South African government to negotiate with the black majority. Cohen discusses the recent change in political climate in South Africa. He talks about the possibility of negotiations between the black majority and the government. Cohen says that the South African government must lift restrictions on political organizations like the ANC. He says that the US may lift some sanctions if the South African government makes progress toward ending apartheid. Cohen talks about the effects of sanctions on the South African government.
1:00:10: Visual: Footage of Herman Cohen (Assistant Undersecretary of State for African Affairs) being interviewed by Carmen Fields. Cohen says that the US is encouraging the South African government to reach a negotiated settlement with the black majority. Cohen says that the South African government needs to realize the necessity of eliminating racial barriers in South Africa. Cohen notes that the US has told black South African that negotiations are a better strategy than conflict. Fields reports that the African National Congress (ANC) has been banned by the South African government; that the ANC held its first public rally in thirty years yesterday; that the ANC celebrated the release of its leaders from prison. Fields notes that the South African police did not interfere with the rally; that yesterday's events show a new maturity on the part of both sides. V: Shots of the ANC rally on October 29, 1989 in Johannesburg. Shots of black South Africans at the rally; of the released ANC leaders at the rally; of the large crowd at the stadium where the rally was held; of a sign for the ANC. Footage of Cohen being interviewed by Fields. Cohen says that the white South African government is releasing political prisoners; that the government has allowed political demonstrations; that the government is restoring some normalcy to political life in the country. Cohen says that black South Africans have been holding peaceful demonstrations. Cohen says that he hopes the new political climate will lead toward negotiations. Fields asks about the US position on negotiations. Cohen says that the US wants many of the same things that the ANC wants. Cohen says that the South African government must release political prisoners; that the government must lift restrictions on political organizations. Cohen says that negotiations can proceed once those conditions have been met. Fields asks if George Bush (US President) will ask F.W. de Klerk (President of South Africa) to visit the White House. Cohen says that he doubts that Bush will ask de Klerk to visit the White House. Cohen notes that US policy has focused on events in South Africa. Cohen says that US officials have agreed to maintain existing pressures on the South African government; that the US may lift some sanctions if de Klerk's new government makes progress toward ending apartheid. Cohen says that the US may increase pressure on South Africa if no changes are made. Fields notes that the Bush administration is more supportive of sanctions than the administration of former US President Ronald Reagan. V: Footage of Cohen being interviewed by Fields. Cohen notes that sanctions went into effect in October of 1986; that the Bush administration has seen the positive impact of sanctions. Cohen says that the white minority is beginning to realize that they must negotiate with the black majority. Cohen notes that sanctions threaten the lifestyle of the white minority. Cohen notes that sanctions have caused an increase in the unemployment rate in South Africa. Cohen says that the US is looking forward to lifting sanctions after political progress is made.
Collection: Ten O'Clock News
Date Created: 10/30/1989
Description: Carmen Fields interviews South African journalist Zwelakhe Sisulu about the situation in South Africa. Sisulu was jailed for two years without charges by the South African government. Footage of Sisulu celebrating with his family upon his release from jail. Sisulu discusses his confinement and the terms of his release. He talks about the government's censorship of the press, including his newspaper New Nation. Sisulu urges the US to impose sanctions on the South African government and talks about the effects of sanctions. Fields notes that F.W. de Klerk is expected to be elected the new leader of South Africa on September 6, 1989, and the black majority in South Africa is not allowed to vote. Fields's report includes footage of de Klerk giving a speech and footage of South African citizens. Sisulu says that does not believe that de Klerk will institute changes in the South African regime. Sisulu says that the black majority will not be content with negotiations. He says that the tension is great because the black majority wants a transfer of power.
1:00:07: Visual: Footage of Zwelakhe Sisulu (South African journalist) being interviewed by Carmen Fields. Sisulu says that he spent nine months in solitary confinement. Fields reports that Sisulu was in jail in South Africa last year; that Sisulu was detained for two years without charges being brought against him. V: Footage of Sisulu talking about the negative psychological effects of detention. Sisulu says that confinement can often strengthen the resolve of the prisoner. Footage from a news story from December 2, 1988. The news footage shows Sisulu celebrating with his family upon being released from jail. Shot of Sisulu sitting next to a woman who is speaking to the media at a press conference. Shot of the media at the press conference. Fields reports that Sisulu is forbidden from attending gatherings of more than ten people; that Sisulu is banned from speaking to or being quoted by the press; that Sisulu is banned from practicing his profession of journalist. Fields reports that Sisulu was the editor of the New Nation newspaper. V: Shot of the masthead of the New Nation newspaper. Fields reports that Sisulu now works in the circulation department of the newspaper. V: Footage of Sisulu talking about the difficult conditions in South Africa. Sisulu says that the New Nation newspaper was banned for three months last year. Shots of the offices of the New Nation newspaper; of employees in the offices of the New Nation newspaper. Sisulu says that the newspaper has a lawyer who advises them on the regulations of South African law. Sisulu says that it is no longer possible for lawyers to advise them on the law. Sisulu says that the emergency regulations imposed by the South African government are arbitrary; that police officers are the sole arbiters of the law. Shot of a poster with photographs of imprisoned South African leaders including Walter Sisulu and Nelson Mandela. Fields reports that Zwelakhe Sisulu's father, Walter Sisulu, is imprisoned; that there have been rumors of the impending release of Mandela and the elder Sisulu. V: Footage of Zwelakhe Sisulu saying that the South African regime is playing politics. Sisulu says that the South African government may be making conciliatory moves in order to convince Western governments to roll over their debts next year. Sisulu says that the South African governments always talk about releasing Mandela when they want to improve their relations with the outside world. Sisulu says that he does not believe these rumors. Fields reports that Sisulu believes that US business sanctions are effective. V: Footage of Sisulu saying that the flight of US capital from South Africa has had a sobering effect on the South African government. Sisulu says that the South African government has pulled out of Angola as a result of US sanctions. Sisulu says that the South African government is now trying to attract investment to the country; that the government is facing an economic crisis. Fields asks Sisulu about the effects of sanctions on black South Africans. Sisulu says that many black South Africans have lost their jobs as a result of sanctions; that black South Africans are prepared to suffer in order to bring down the South African regime. Sisulu says that the effects of sanctions are now visible. Footage of F.W. de Klerk (South African National Party leader) addressing an audience of white South Africans. De Klerk says that South Africa can be saved if there is hope in the hearts of all people. Shot of de Klerk and a woman walking on a street in South Africa. Fields reports that de Klerk is expected to succeed P.W. Botha as president of South Africa. V: Shot of white South African officials walking in a garden. Fields reports that South Africa's election day is September 6; that the country's black majority is not allowed to vote. Fields notes that some white South Africans do not support changes in the country's regime. V: Shot of a black South African and a white South African walking past a store. Shot of a white man and a white boy sitting on swings at a playground. A sign posted on the fence of the playground reads "Whites only." Footage of Sisulu saying that many believe that de Klerk will promote change within the South African military regime. Sisulu says that all nationalist prime ministers begin their terms on a conciliatory note. Sisulu refers to former South African leader John Foster and present leader Botha. Sisulu says that de Klerk's statement are aimed at improving South Africa's image abroad. Sisulu says that de Klerk's statements have no substance. Shot of de Klerk addressing an audience of white South Africans. Footage of Sisulu saying that the South African regime has made it known that it might be ready to negotiate with black liberation movements. Sisulu says that the black liberation movements do not want to negotiate with the South African regime; that the black liberation movements will only discuss a transfer of power. Sisulu says that the tensions within South Africa are very great; that the housing shortage is severe; that there is a shortage of schools. Sisulu says that the situation in South Africa is likely to become explosive once again.
Collection: Ten O'Clock News
Date Created: 05/08/1989