Description: Marcus Jones reports that some African American leaders, including Jesse Jackson, are promoting the use of the term "African American" instead of the term "black." Comedian Charles Cozart on the Arsenio Hall Show. Interview with Northeastern lecturer Robert Hayden, who promotes the use of the term. Hayden says that it is an accurate term that reflects the roots and history of African Americans. Interview with Elma Lewis, the Director of the National Center of Afro-American Artists, who believes that the term "black" is more inclusive. Lewis says that not all black people in the US are Americans. Interviews with students and teachers at the Ellis School in Roxbury about which term they prefer. Following the edited story is additional footage of Jones speaking to students and teachers at the Ellis School. Jones answers questions about his report on Jackie Robinson and the race relations of the time. This edition of the Ten O'Clock News also included the following item: Meg Vaillancourt reports that the Boston School Committee is deeply divided over whether to renew the contract of Laval Wilson
1:00:11: V: Footage from the Arsenio Hall Show. Charles Cozart (comedian) tells jokes in front of the audience. Marcus Jones reports that the African American community is debating the use of the term "black." Jones notes that Jesse Jackson (African American political leader) is urging the use of the term "African American" instead of "black." V: Shots of Jackson addressing an audience. Shots of African Americans in the audience. Footage of Robert Hayden (Lecturer, Northeastern University) saying that many people of color have been calling themselves "African Americans" for years. Hayden says that many universities have departments of African American studies. Hayden says that people of African descent were living in Boston in the eighteenth century; that those people referred to their community as "African." Hayden says that the term is "accurate" and "useful." Footage of Elma Lewis (Director, National Center of Afro-American Artists) being interviewed by Jones. Lewis says that she does not have to follow the trend. Jones notes that Lewis is opposed to using the term "African American." V: Footage of Lewis saying that Africa is a whole continent. Lewis says that the terms "Nigerian American" or "Jamaican American" are more appropriate than "African American." Lewis says that the term "black American" is more inclusive. Footage of Jones addressing a class at the David A. Ellis School in Roxbury. Jones asks how many of the students are aware of the debate surrounding the term "African American." A few students raise their hands. Jones says that he asked students and teachers at the Ellis School in Roxbury about the terms "African American" and "black." V: Shots of students. Footage of an African American female student saying that it does not matter which term is used. Footage of a Latina teacher saying that there should be no mention of race in identification terms. Footage of an African American teacher asking if the term would be extended to "Afro-English" for blacks living in England. Footage of an African American male student saying that he likes the term "brown." Footage of a female student saying that it doesn't matter. Footage of Hayden saying that the term might inspire some to think about their African roots. Hayden says that some people might begin to look into their family histories. Footage of Lewis saying that it is important to teach children to be proud of their African roots. Lewis says that not all black people in the US are American; that all black people in the US are black. Shots of African Americans walking on a street; of a group of students walking away from a school.
Collection: Ten O'Clock News
Date Created: 02/15/1989
Description: Rockwell Museum in Stockbridge exhibit a collection of Norman Rockwell's paintings in celebration of Black History Month. The paintings in the exhibit depict African Americans, often in subservient positions, as well a his later works depicting moments in the Civil Rights Movement and African American history. People from the museum give historical context. Closeups on many of the paintings. Following the story is b-roll of the exhibit and individual paintings.
1:00:10: Visual: Footage of Maureen Hart Hennessey (curator, Rockwell Museum) saying that American painter Norman Rockwell's work tells a lot about how America viewed the civil rights movement. Hennessey points out that there was often a lag time between the occurrence of an actual event and the publishing of a Rockwell painting portraying the event. Hennessey says that it took time before these events entered "the mainstream consciousness." Shots of the Rockwell paintings, The Problem We All Live With and Murder in Mississippi. Shots of visitors on a tour of the Rockwell Museum in Stockbridge, MA. Carmen Fields reports that the Rockwell Museum is commemorating Black History Month by exhibiting Rockwell's work featuring African Americans. V: Shots of paintings on display for the exhibit. Fields notes that Rockwell's first piece of work featuring an African American was from 1934. V: Footage of a tour guide at the Rockwell Museum speaking to visitors. She stands in front of a painting. The tour guide talks about illustrations for the Saturday Evening Post done by Rockwell. The tour guide notes that the Saturday Evening Post was aimed at white readers; that African Americans were often pictured in a subserviant position or not at all. Shots of two pieces of art hanging on the wall of the museum. Fields says that Peter Rockwell was the model for The Boy in the Dining Car, which was on the cover of the Saturday Evening Post in the 1940s. V: Shot of The Boy in the Dining Car. Footage of Hennessey being interviewed by Fields. Hennessey says that the painting focuses on the white boy in the painting; that many people are more drawn to the African American waiter who is standing beside the table in the painting. Hennessey notes that most white Post readers encountered African Americans as workers in subserviant positions. Fields reports that none of Rockwell's work from the late 1940s to the early 1960s featured people of color; that Rockwell was caught up in the turbulence of the 1960s while working for Look Magazine. Fields notes that one of Rockwell's most famous paintings portrays school desegregation in the South. V: Shots of a male tour guide at the Rockwell Museum talking to visitors. Shots of visitors in the gallery. Shots of paintings in the gallery. Shot of the painting, The Problem We All Live With. Footage of Hennessey saying that Rockwell paid great attention to detail. Hennessey talks about Rockwell's efforts to capture the details of the painting, The Problem We All Live With. Footage of a tour guide at the Rockwell Museum speaking to visitors about the painting, Murder in Mississippi. Shots of the tour guide; of the painting. The tour guide talks about the details of the painting. Fields reports that Look Magazine opted to publish a less detailed version of the painting, Murder in Mississippi; that the original was too graphic. V: Shot of a less detailed version of the painting. Fields reports that Rockwell used his neighbors as models for his paintings of African Americans; that his neighbors were the only African Americans in the area. V: Shots of black and white photographs of Rockwell's models. Footage of Hennessey talking about an African American family who lived in Stockbridge. Hennessey says that the children of the family were used as models in the paintings The Problem We All Live With and New Kids in the Neighborhoodl Shot of the painting, New Kids in the Neighborhood. Fields reports that Rockwell has been described as apolitical; that his works were commissioned by others. V: Shot of a black and white photo of Rockwell sitting in front of his painting, The Golden Rule. Shots of the painting The Golden Rule. Audio of Hennessey saying that Rockwell was a "social commentator." Hennessey says that Rockwell could have retired when he left the Saturday Evening Post in 1963; that Rockwell began doing paintings about the civil rights movement after 1963. Hennessey says that she believes that Rockwell supported the civil rights movement.
Collection: Ten O'Clock News
Date Created: 02/24/1989
Description: Mayor Ray Flynn welcomes a delegation of African diplomats to Boston at a ceremony in City Hall. Irene Smalls (Director of Public Information for Flynn) and Flynn present a book about Boston to each diplomat. Charles Yancey (Boston City Council) addresses the delegation. He reads a proclamation from the Boston City Council, welcoming the diplomats to Boston. City Councilors David Scondras, Bruce Bolling and Maura Hennigan are introduced to the delegation. The ambassador from Gambia thanks Flynn and the city of Boston for receiving their visit. Yancey delivers closing remarks at the ceremony. He thanks the ambassadors. The diplomats and city officials socialize at a reception at City Hall. Flynn circulates among the members of the delegation. Flynn and one of the diplomats raise their glasses in an informal toast. Members of the delegation speak to one another.
1:00:00: Visual: Ray Flynn (Mayor of Boston) addresses a delegation of African diplomats at City Hall. Flynn speaks into a microphone about the historic heritage of Boston. The African delegation stands and listens. Flynn talks about John F. Kennedy (former US President) and other political leaders from Boston. Shots of the members of the African delegation. Flynn welcomes the delegation to Boston. Shot of Flynn from the back of the room. Shots of the members of the delegation. Flynn presents books to the members of the delegation. Irene Smalls (Director of Public Information for Flynn) reads out the names of the delegation members. Flynn hands gifts of the book "A Book for Boston," to ambassadors and representatives from Benin, Burundi, the Central African Republic, Guinea, the Ivory Coast, Liberia, Madagascar, Malawi, Mauritius, Niger, Nigeria, Rwanda, Senegal, Togo, Uganda, Cameroon, Lesotho, Swaziland, Mali, the Congo, Sierra Leone, Kenya, and Gambia. Smalls has trouble pronoucing some of the ambassadors' names. Flynn shakes hands with each ambassador as he hands him the book. The ambassadors from Chad and Gabon are absent. Shots of the books on a table. Shots of the members of the delegation. 1:06:54: V: Smalls introduces Charles Yancey (Boston City Council). Yancey addresses the delegation. Yancey reads a proclamation from the Boston City Council. The proclamation notes that the delegation has come to visit Boston as part of the African Diplomats' Project, sponsored by the United States Information Agency and the African American Institute of Washington DC. The proclamation talks about the mission of the African Diplomats' Project. The proclamation welcomes the diplomats to Boston. Shots of the members of the delegation; of the proclamation in Yancey's hands. Yancey compliments Flynn on his sensitivity to the interests of all people. Yancey says that he has a copy of the proclamation for each ambassador. The delegation applauds Yancey's speech. 1:09:10: V: Flynn invites City Councillors David Scondras, Bruce Bolling and Maura Hennigan to the front of the room. Scondras, Bolling and Hennigan walk to the front of the room. Bolling shakes hands with the members of the delegation. Chris Ianella (Boston City Council) is announced. The ambassador from Gambia addresses the group. The ambassador thanks Flynn and extends greetings from the people of Africa to the people of Boston. The ambassador says that the group has come to Boston to learn from the city; that the group will return to their countries more able to meet the needs of modern Africa. The ambassador thanks Flynn and the city for giving the delegation a warm welcome. He wishes continued success to the city. The ambassador shakes hands with the councillors. Small invites Yancey to give closing remarks. Yancey notes that the city of Boston is honored to receive the delegation. He says that there are strong ties between Boston and the countries and Africa. Yancey thanks the delegation. The delegation applauds. 1:13:25: The delegation enters a room where refreshments have been set up. The diplomats sip champagne and punch while they socialize. Shot of the ambassador from the Central African Republic talking with another ambassador. An official directs the diplomats to the food table. V: Shots of glasses of champagne arranged on a table. An African American catering worker gives a glasses of punch to the ambassador from Madagascar and another diplomat. Flynn circulates among the members of the delegation. Shots of Flynn and various members of the delegation. Flynn and one of the diplomats raise their glasses in an informal toast. Members of the delegation stand near the food table. Shots of hors d'oevres in warming pans. A member of the media approaches one of the diplomats. A few of the diplomats serve themselves from the food table. Two diplomats confer with one another.
Collection: Ten O'Clock News
Date Created: 02/10/1985
Description: Carmen Fields reports on the restoration of the African Meeting House on Beacon Hill. The Meeting House is the oldest African American church in the nation and it was gutted by fire in 1973. Interview with Philip Hart (Board of Directors, African Meeting House) and Ruth Batson (Director, African Meeting House). Hart talks about the significance of the Meeting House. Batson talks about plans for music, scholarly debate, and religious services at the Meeting House. Fields notes that a series of rededication programs will begin soon. Footage of construction workers and staff at the Meeting House and photographs documenting the history of African Americans in Boston.
1:00:01: Visual: Footage of woodworkers and construction workers doing restoration work at the African Meeting House on Beacon Hill. Carmen Fields reports that the African Meeting House is being restored; that the African Meeting House is the oldest African American church in the nation. V: Shots of the exterior of the Meeting House; of a commemorative stone reading, "A gift to Cato Gardner. First promoter of this building, 1806." Footage of Fields interviewing Philip Hart (Board of Directors, African Meeting House). Hart says that Frederick Douglass (abolitionist) spoke at the Meeting House; that the Meeting House was important to the Underground Railroad. Hart talks about the history of the Meeting House. Hart says that the Meeting House hosted notable figures and the average citizens. Shots black and white images of Douglass and William Lloyd Garrison (abolitionist). Fields reports that the Meeting House was gutted by fire in 1973; that a series of rededication programs begin on Sunday. V: Shots of the interior of the Meeting House with scaffolding; of white and African American workers involved in the rededication programs. Shots of Ruth Batson (Director, African Meeting House); of a black and white image of the Meeting House; of a 19th century photograph of a group of African Americans. Footage of Batson saying that she would like to have music, scholarly debate, and special religious services in the Meeting House. Batson says that the building will serve multiple purposes; that she hopes it will unite the people of Boston. Shots of photographs by Hamilton Smith, documenting the late-nineteenth and early-twentieth century African American community. Fields notes that photographs by Hamilton Smith will be part of a permanent exhibit at the Meeting House. Field adds that the nineteenth-century African American community was centered on the north slope of Beacon Hill. V: Shot of a black and white photo of three African American women; of a black and white image of the Meeting House. Footage of Batson saying that the African American community began on Beacon Hill; that the African American community must celebrate their heritage. Footage of Hart saying that the building is a reminder of the role of the African American community in the history of Boston. Shots of black and white images of African Americans in the nineteenth century. Shot of the exterior of the Meeting House. Footage of Batson saying that she can hear the voices of past generations when she stands in the building.
Collection: Ten O'Clock News
Date Created: 10/09/1987
Description: Interview with Li'l Abner cartoonist and political satirist Al Capp in his Cambridge home. He talks about evading his father's creditors, and scheming to take semesters at various arts schools around the city. He says he likes the Boston view of the world, and talks about the influence Boston has had on his work. He talks about turning conservative. He criticizes American presidents, calling Gerald Ford ‘clumsy’ and Jimmy Carter ‘weak.’ He talks about working on Li'l Abner with a team of men.
Collection: Ten O'Clock News
Date Created: 11/04/1977
Description: Marcus Jones reports that Alex Haley discussed African American history and his work at a Black History Month event at Harvard University. Haley is in great demand as a speaker during Black History Month. Haley speaks to students and faculty. Interview with Haley, who talks about how he came to write the novel Roots. Haley also discusses the importance of African American history and the importance of Black History Month. Haley believes that Black History Month is important because it draws attention to African American history; he is concerned about a lack of historical awareness among African Americans. Jones's report is accompanied by footage from the television series based on Roots.
1:00:10: Visual: Footage of Alex Haley (author) walking into a building with two other men. Marcus Jones reports that February is the busiest month of the year for Haley; that February is known as Black History Month. V: Shot of Haley standing up as an a small audience applauds for him. Footage of Haley being interviewed by Jones. Haley says that he will speak at thirty-two different venues during the month of February, 1991. Jones reports that Haley discussed history and his work with students and faculty at Harvard University today; that Haley will speak at Salem State College this evening. V: Shots of Haley speaking to students in a room at Harvard University. Shots of the students. Shot of the cover of Haley's novel, Roots. Jones reports that Haley told the story of his own family in Roots; that Haley is in great demand as a speaker during Black History Month. V: Footage Haley being interviewed by Jones. Haley says that people tend to talk about black history as if it is separate from American history. Haley says that black history is a part of American history; that people who claim to know American history must be familiar with black history. Haley says that American history has many components; that historians of American history must also know Native American history. Jones reports that Haley says that he does not court controversy. Jones reports that Haley is known for documenting the life of Malcolm X (African-American leader); that Malcolm X is a controversial figure. V: Shot of the cover of The Autobiography of Malcolm X. Footage from the TV series, Roots. Jones reports that history is always controversial; that Haley learned the power of history when he traced his family tree back to Africa. Footage of Haley being interviewed by Jones. Jones asks Haley about his motivation for writing Roots. Haley says that he had heard family stories from his grandmother and her sisters; that his initial motivation was curiousity. Haley says that the civil rights movement made him begin to think about Africa and his roots there; that his grandmother had told him stories handed down about Africa. Footage from Roots. Jones reports that all newcomers to the US are aware of their roots; that Haley is concerned about the lack of historical awareness among African Americans. V: Footage of Haley being interviewed by Jones. Haley says that most images of cowboys in the old west are of white cowboys; that more than half of the cowboys in the old west were African American. Haley says that it is important for young African Americans to know that African Americans were also cowboys. Haley says that young African Americans need to know the part played by their people in American history. Haley says that young African Americans cannot grow up thinking that they are the same as white people. Haley says that young African Americans need to be able to identify with other African Americans. Shots of Haley speaking to students at Harvard; of the students. Jones reports that Haley is not a critic of the limited attention given to black history during one month per year. Jones reports that Haley does not see Black History Month as "tokenism." Jones says that Haley sees Black History Month as an opportunity to encourage people to explore their roots. V: Footage of Haley being interviewed by Jones. Haley says that Black History Month is necessary because it sets aside a block of time to concentrate of black history. Haley says that he hopes that successive Black History Months in the coming years will leave a strong imprint on the popular perception of black history. Footage from Roots.
Collection: Ten O'Clock News
Date Created: 02/25/1991
Description: Interview with South End based artist Allan Rohan Crite. He tells a story about selling paintings in the 1940s, tracking them down, and recently finding them. He talks about his paintings, inspired by different parts of African American lives, including religion. He also talks about the poetry and essays he's been working on recently. They focus on his version of the African American experience. They shoot cutaways with no sound.
Collection: Ten O'Clock News
Date Created: 03/04/1982
Description: Electric power station in Allston. Grid of insulators, transformers and cables. Danger High Voltage sign. Line of utility poles and railroad tracks along Massachusetts Turnpike (Interstate 90) looking toward TV38 (WSBK) transmission tower.
Collection: Ten O'Clock News
Date Created: 04/30/1976
Description: Hope Kelly reports on a dispute between the tenants and the landlords of a building in Allston on Parkvale St. Kelly notes that the tenants have brought suit against the landlords for discriminatory practices. Kelly reports that a fire damaged the building in February. She notes that the landlords have aided white tenants with temporary relocation and have assured them an eventual return to their apartments. Kelly reports that African American tenants have been ignored. Kelly reports that the tenants have been barred from the building altogether. Kelly's report includes footage of a protest outside the apartment building by tenants and city officials. Brian McLoughlin (Boston City Council), Mel King (community activist), Domenic Bozzotto (Hotel Workers Union), and David Scondras (Boston City Council) are among those present. Tenants and city officials condemn the owners of the building and demand the return of tenants to the building. Kelly reviews the status of the lawsuit and gives the names of the owners of the building. She attempts to interview David Spada (owner) when he arrives at the building. Spada refuses to be interviewed.
1:00:16: Visual: Footage of Thomas Gallagher (New England Equity Institute) addressing a group of protesters under the awning of an apartment building at 56 Parkvale Avenue in Allston. Gallagher says, "It's a sorry state of affairs." Shots of protesters standing under the awning to get out of the rain. Hope Kelly reports that workmen are working on the interior of the apartment building; that tenants cannot enter the building. V: Footage of Etta Anderson (tenant) addressing the gathered protesters. Anderson says that the building looks habitable; that the building is empty. Shot of a street sign for Parkvale Avenue in Allston. Shots of the exterior of the building on Parkvale Avenue. Kelly reports that a fire damaged parts of the sixteen-unit building on January 15. V: Footage of Brian McLoughlin (Boston City Council) addressing the gathered protesters. McLoughlin criticizes the property owners for not allowing the tenants to return to their homes. Shots of the protesters under the awning. Several protesters hold signs. One of the signs reads, "Evict racist landlords, not tenants of color." Shots of Mel King (community activist) and Domenic Bozzotto (President, Hotel Workers Union) standing among the protesters. Kelly reports that the tenants say that the landlords are racist; that the tenants say that the landlords do not want the tenants to return to the building. Kelly reports that Pat Roberts (tenant) said that the landlords told her that they didn't want "colored people" in their building. V: Footage of Roberts addressing the gathering. Roberts says that she is living with her sister and her three children in a one-room apartment. Kelly reports that white tenants have testified that the landlords have helped them find temporary housing; that white tenants say that the landlords have assured them of an eventual return to their apartments. V: Shots of the protesters under the awning. Shots of signs reading, "Burned out" and "Real people, not real estate." Kelly reports that the tenants have brought suit against the landlords. V: Footage of Marian Glaser (Greater Boston Legal Services) saying that the tenants were first in court in February. Glaser says that the landlords said in February that the tenants could return to the building. Glaser says that the landlords changed their story at a second hearing. Glaser says that the landlords told the tenants that they could return to the building only if they dropped their legal claims against the landlords. Shots of the protesters. Kelly reports that the tenants have brought suit against the landlords for racial discrimination, retaliation, code violations from before the fire, and property loss since the fire. V: Shot of a man addressing the protesters. Shots through a window of a construction worker inside of the building. A sign in the window of the building reads, "Private Property." Footage of David Scondras (Boston City Council) addressing the gathering. Scondras accuses the landlords of suspicious behavior. Scondras wonders if the landlords wanted the fire to happen. Footage of King addressing the protesters. King says that the issue is of larger importance to the city of Boston. On-screen text details specifics of the building's ownership. Kelly reports that the property is owned by the Lightfoot Realty Trust and Bay State Property Management; that the owners are identified as Robert Kingman, Roman Zar, Charles M. Bernstein, and David Spada. V: Footage of David Spada (owner) saying that he will not comment on the case. Shots of protesters standing beneath the awning; of Spada passing by the protesters as he enters the building. Kelly reports that the case returns to housing court on Monday morning.
Collection: Ten O'Clock News
Date Created: 05/19/1988
Description: Andrew Young, Ambassador to the United Nations, speaks at the John F. Kennedy School of Government at Harvard University. He takes questions about the UN, divestment from South Africa, the Middle East peace process and the Carter Administration. He also discusses his transition from the civil rights movement to politics. Young has a good rapport with the students in the audience.
0:00:44: Visual: Andrew Young (Ambassador to the United Nations) speaks at the John F. Kennedy School of Government at Harvard University. A representative from the school sits on stage while Young speaks. Young talks about the Trilateral Commission. He says that the Trilateral Commission "is the rich people of the world getting together to talk." Young says that UN has been criticized for being a part of the "Western Bloc"; that five members of the UN Security Council are western nations; that the UN must make policy with all nations in mind. Young describes UN efforts to initiate an arms embargo against South Africa; that the UN resolution on South Africa was not as strong as many would have liked; that the resolution is effective because all of South Africa's trading partners have agreed on it. Young mentions the "North-South dialogue." He says that it is important for nations to deal with issues like trade, debt relief and foreign aid as a group; that the Trilateral Commission is a negotiating group. Young says that there are competition and adversarial relationships among members of the Trilateral Commission; that the members of the Trilateral Commission are competing with each other, not with the Third World. 0:04:12: V: Young responds to an audience member's question about the UN Security Council. Young says that the US, France and England are permanent members of the Security Council; that France and Canada hold two of the rotating seats. Young has a good rapport with the crowd. The crowd laughs at his jokes. An audience member asks about UN policy in Africa. Young says that he does not think pressure should be put on US corporations to divest from South Africa. Young adds that companies would continue to invest in South Africa through complicated transactions using foreign subsidiaries. Young notes that the students at Harvard should be learning all about the complicated finances of multi-national corporations. Young says that nothing would change through divestment; that US corporations are complicit with the government of South Africa; that change can be wrought through the guilt felt by these corporations. He notes that the students should continue to put pressure on Harvard's Board of Directors to divest from South Africa. He says that students should be idealistic, while administrators like him must be realistic. An audience member asks about the Carter Administration's policy in the Middle East. Young says that Jimmy Carter (US President) has been willing to expend political capital pushing for a peace settlement in the Middle East. Young says that Carter has never tried to impose peace on the parties involved in the conflict. Young says that Anwar Sadat (President of Egypt) has moved boldly to move the peace process forward; that the Carter Administration must work with Sadat; that the USSR must be forced to participate in the peace process; that the USSR will undermine the peace process if they are not involved. Young notes that Sadat and the Soviets have had a difficult relationship. 0:12:55: V: An audience member asks how he can remain morally conscious when the policy he conducts for the US is not always morally conscious. Young says that protest movements in the 1960s have led to a reawakening of the nation's moral conscience; that the Carter Administration was voted into office by morally conscious voters. Young notes that it is easier to protest than it is to govern; that the Carter Administration is staffed with idealistic, moral people of all races and ethnicities. Young notes that he chose to enter politics to put his ideals into action; that effective change can be made through politics as well as protest. Young talks about his experiences in the civil rights movement and the movement against the Vietnam War. Young says that there was a logical progression from the protest movements of the 1960s to the politics of change in the 1970s. Young says that he took his post in order to effect change in foreign policy; that foreign policy issues and domestic policy are closely related; that he has not compromised his ideals in performing his job. Young jokes that he tries to stand up for what is right while doing his job; that he might be looking for a new job someday because of that; that perhaps Harvard will hire him if he ever needs a job. The audience laughs at the joke. 0:18:30: V: An audience member asks Young if he has seen an increase in "television diplomacy." Young says that he has seen an increase in "television diplomacy." Young responds to another audience question. Young says that the Carter Administration is staffed with people who are advocating change; that these people were outside of politics before. Young notes that Ernie Green (Assistant Secretary for Manpower) was one of the students who integrated Little Rock High School in 1958; that Green is working hard to create jobs within the African American communities; that he has been working on the problem for only six months. Young notes that an African American lawyer from Harvard helped prepare the brief for the Bakke court case. Young notes that Patricia Harris is Carter's Secretary for Housing and Urban Development. Young says that African American organizations needs to work within the structure of the government; that the activists in the civil rights movement were working with the Kennedy Administration in the early 1960s.
Collection: Ten O'Clock News
Date Created: 12/06/1977