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Tregor Bill at Boston City Hall

Description: Interiors of Boston City Hall. Kevin White holds press conference on the Tregor Bill. Exteriors of Boston City Hall from several angles. Kevin White answers questions from the press. He specifically talks about the role of the fire department union in the Tregor Bill negotiations. Interview with man answering further questions on the legal and staffing issues concerning the Tregor Bill.
Collection: Ten O'Clock News
Date Created: 11/30/1981

Trolleys and buses

Description: Footage shot from car driving westbound on Commonwealth Avenue beyond Boston University, parallel to green line trolley with cigarette ads on side. Driver swears at other cars in traffic. Driver, reporter, and camera operator discuss best ways to shoot. Pass Tech HiFi, Tweeter, Firestone Tire. Trolley curves away toward left at Packard's Corner. Inbound trolley stops to admit passengers. Two trolleys pass each other in opposite directions. Yellow MBTA bus at Charles Circle. Red line train crosses Longfellow Bridge over Charles River toward Cambridge. Sound of metal wheels on tracks. People get on bus to Porter Square.
Collection: Ten O'Clock News
Date Created: 04/14/1976

Trotter School students

Description: Young children entering school. Buses pulls up and children exit buses and walk up stairs into school yard. Exteriors of the William Monroe Trotter School. Young, racially mixed students in Trotter School classroom. Teachers working with an individual student on a math word problem. Close ups on the decorations on the classroom walls.
Collection: Evening Compass, The
Date Created: 09/11/1975

Tsongas to resign

Description: Paul Tsongas holds a press conference, announcing that he will resign his Senate seat for health reason. His wife, Niki Tsongas, is at his side throughout, as are his two sisters and his brother in law. Speaker of the Massachusetts House of Representatives, Tom McGee, stands behind him. Tsongas acknowledges the hard work of his staff. Crowd gives him a standing ovation. He takes questions from the press.
Collection: Ten O'Clock News
Date Created: 01/12/1984

Tsongas, Gorin, Orr on arena

Description: Press conference where Paul Tsongas, Bobby Orr, Wayne Cashman, and Boston real estate developer Rosalind Gorin present information on their interactions with Delware North concerning buying both the Boston Bruins and the Boston Garden, to build a new arena by North Station.
Collection: Ten O'Clock News
Date Created: 02/28/1985

Tufts Apartheid Demonstrations

Description: Tufts University officials and students stand on the university quadrangle near Ballou Hall. Ballou Hall is being occupied by student protesters. Meg Vaillancourt interviews Robert Elias (professor, Tufts University) about the student occupation of Ballou Hall. Elias talks about negotiations between student demonstrators and the university administration, which were initiated by the faculty. Elias says that many students are concerned about Tufts' divestment policy; he adds that the demonstration has been an educational experience. Elias says that he does not know how students will react to the administrations' proposals to end the occupation. Students and members of the media are gathered under the portico of Ballou Hall. Protest signs hang at the entrance to the building. A protest sign hanging at the entrance to the hall reads "Biko Hall." Tufts University police officers stand near the students under the portico of the building. Elias and two other people enter the building. Students in the foyer of the building begin to chant and sing. Police officers stand directly in front of the entrance to the building. The protesters are visible as they chant and sing.
1:00:00: Visual: Three men stand on the quadrangle at Tufts University, talking about the student apartheid protest. The noise of a protester speaking into a bullhorn is audible. Shot of a sign reading, "You've made your point. Now get out." The sign is hung from two trees on the quadrangle. Tents are set up across from Ballou Hall, near the sign on the quadrangle. A song by Bob Marley, "Get Up, Stand Up" plays from a radio. Students stand on the quad and in front of Ballou Hall. Ballou Hall has been occupied by students protesting the school's refusal to divest from South Africa. Small groups of students are gathered on the quad. Two white male students talk to one another on the quadrangle. Music by Bob Marley continues to play. An African American male in a red shirt speaks to a white male in a suit and tie. The African American male holds a pen and paper in his hand. Some white male students and another white male in a suit and tie are standing with the two men. 1:04:54: V: Meg Vaillancourt sets up an interview on the quadrangle with Professor Robert Elias (professor, Tufts University). Vaillancourt asks Elias about student support for the protesters. She also asks about the possibility of negotiations with the administration. Elias says that negotiations with the protesters were initiated by a small group of faculty members; that the president of the university approved a proposal put forth by the faculty; that the faculty members presented the proposal to the students. Elias says that the students agreed to give an answer on the proposal by 4:30 pm, if the administration would promise to keep the police out of the building. Elias notes that the faculty and administration are now waiting for the protesters' decision. Elias says that the divestment policy is a widespread concern among students; that the protest has drawn attention to the issue on campus. Elias says that the demonstration has served an educational purpose; that he will be sorry to see it end badly. Vaillancourt asks about the educational value of negotiations. Elias talks about a conflict resolution course which is being taught on campus. Elias says that the protesters had tried to communicate their position to the administration before resorting to the demonstration; that the protesters felt that they were not being heard by the administration. Vaillancourt refers to the the book, Getting To Yes, by Roger Fisher. Elias says that negotiations were necessary; that the administration and the protesters were locked in a stalemate. Vaillancourt asks if both sides "won" in the negotiations. Elias says that he does not know which side "won"; that he does not know how the protesters will react to the proposal by the administration. Vaillancourt closes the interview. 1:09:49: V: Members of the media sit on a low wall in front of Ballou Hall. They read the newspaper and talk to one another. Many have placed their cameras on the ground. 1:10:49: V: A group of people, including Elias and the African American man in the red shirt, is gathered in front of the entrance to Ballou Hall. A sign on the door to Ballou Hall reads, "The poeple united will never be defeated." A sign on one of the columns of the portico reads, "Down with racist pig-dogs." Groups of people standing beneath the portico talk casually to one another. Three Tufts University police officers stand in front of the doors to Ballou Hall. Elias and two other people enter the hall, passing behind the police officers. The crowd of students outside of the hall begins to clap rhythmically. Student protesters who had been inside of the building appear in the foyer of Ballou Hall. They sit down and begin to sing and clap. The police officers continue to block the entrance of the building. Shots of students sitting and standing behind the police officers. The students sing and clap. A sign above the entranceway reads, "The police close the doors if we talk to you." Someone closes the inner doors to the building. The students are behind the doors. 1:15:22: V: Close-up shot of a Tufts University Police Department logo on the uniform of a police officer. Two white male Tufts officials confer in front of the entrance to Ballou Hall. A sign hangs in front of the portico reading, "Biko Hall." The police officers stand casually beneath the portico. Student protesters are visible through the glass windows on the doors to Ballou Hall. The windows also reflect back the scene on the quad. Elias and the African American man in the red shirt exit Ballou Hall. The protesters stand in the foyer of Ballou Hall. They clap their hands and chant, "The people united will never be defeated." The students sit and stand in the entrance to the building, behind the police officers. The students hold hands. 1:18:13: V: The students occupying Ballou Hall are visible behind the police officers who are blocking the entrance. The students stand and clap their hands in unison to music. The students sing along with the song "Free Nelson Mandela." The police officers stand quietly in front of the students. Students and the media stand under the portico, facing the protesters inside the hall. Several students clap and sing along with the protesters inside the hall. The students begin to clap and chant, "The people united will never be defeated." Camera crews tape students inside the building. Students standing under the portico clap and chant. The students begin to chant, "Apartheid kills. Tufts pays the bills." Shots of individual students clapping and chanting." Students chant, "Apartheid no. Financial aid yes."
Collection: Ten O'Clock News
Date Created: 04/26/1985

Tufts University Apartheid Protest

Description: Student demonstrators occupy Ballou Hall at Tufts University to protest Tufts' refusal to divest completely from South Africa. Students sit and stand under the portico of the building while they chant and sing. Protesters are visible through the windows of the upper floors of the building. Protest signs hang at the door and in the windows of the building. A protest sign hanging at the entrance to the building renames it "Biko Hall." Tufts University police officers stand near the students under the portico of the building. A student hands out copies of a newspaper to passersby. She urges them to support the protesters. Tufts' University officials stand near a tree. One official has taped a sign for Admissions to the tree. David Gow (Tufts University class of 1984) talks to the protesters under the portico at Ballou Hall. He gives them advice about how to deal with university administration. One of the protest leaders condemns the administration's decision not to let food or people into Ballou Hall during the student occupation. A Tufts University police officer intercepts a box of tea that someone has tried to throw to the protesters. Interview with Pierre Laurent, the Director of the International Relations Program about the protest. Laurent says that student protests across the nation have been effective in drawing public attention to the issue of divestment. Laurent says that he does not know how the Tufts administration will respond to the demonstration. Interview with a white male student about the demonstration. The student criticizes Tufts' policy of selective divestment and says that Tufts will eventually come around to the demonstrators' position. The student says that he feels a kinship with other student protesters across the nation.
1:00:29: Visual: Student apartheid protesters occupy Ballou Hall at Tufts University. The students sit in front of the entrance to the building. They sing and clap their hands. Tufts University police officers and bystanders stand in front of the building. A handlettered sign over the building entrance reads, "Biko Hall." A police officer stands in front of the students who are sitting and standing in the entrance to the building. A sign on one of the doors reads, "Steve Biko. We will not forget." A Hispanic male student stands under the portico of the building, facing the students in the entrance. He sings and claps along with the students. Several other students stand under the portico. Shots of two white female students under the portico, singing and clapping with the others. The students finish their song. They begin to chant, "Divest now." Shot of students standing inside the building. The students are crowded in the foyer, facing out. They clap and chant. Shots of Tufts University police officers. Two white female students stand together at the edge of the portico, chanting and clapping. The students begin to chant, "Apartheid kills. Tufts pays the bills." Close-up shots of two students clapping along with the chant of the protestors. Shot of a sign hanging in front of the building. The sign reads, "Stop Tufts' racism. Get our $$ out of apartheid." Student protesters are visible on the upper floor of the building, looking out through a window. Protest signs are posted in the window. Students tap the glass, keeping beat with the chants. The students continue to chant. The police officers stand nonchalantly in front of the building. 1:04:40: V: The students stop chanting. Shot of student protestors looking out of the second floor window. Signs posted in the window read, "This is a peaceful demonstration against racism. Why are our police denying us food?" Another sign reads "Biko Hall." A female protester urges students to stay and support the demonstration. A female protester hands out a newspaper called Young Spartacus. The headline of the newspaper reads, "Smash apartheid." She talks about the newspaper to two female students. Three Tufts officials confer on the Tufts quadrangle. One of the officials tapes a sign reading, "Admissions: Tours and Information" to a tree. The official says that he needed to be creative, so he made the sign for admissions and came outside. 1:06:07: V: Shots of the crowd gathered in front of Ballou Hall. Four Tufts University police officers stand in front of the entrance to the building. David Gow (Tufts University class of 1984) addresses the students. Gow says that the protesters had demanded to meet with the Board of Trustees; that the protesters had demanded that the Trustees make a decision about divestment within six weeks time. Gow points out that the Trustees never made a decision to divest. Gow notes that the administration and Jean Mayer (President, Tufts University) are very shrewd in its dealings with student groups; that the administration knows that the academic year is drawing to a close; that the protests will die down when the students leave. Gow makes reference to a student protest which took place a few years ago. The alumnus tells the protesters to continue their "excellent work." The alumnus wishes the protesters well. The students applaud. 1:07:57: V: A student protest leader tells a story of past protesters who had to break into a meeting of the Board of Trustees. Shots of the campus police officers. The Tufts officials continue to stand near the tree with the admissions sign. The student leader continues to speak. The leader points out that the school administration is not letting people or food into Biko Hall. Shots of individual protesters sitting in the entrance of the building. The student leader says that the Tufts administration is avoiding the real issue of divestment. The protesters pass around leaflets put out by the Tufts administration. The student leader reads from the leaflet. The leaflet states that 185 students have occupied Ballou Hall. The speaker is interrupted by a commotion. The protesters are urging someone to throw food to them. A police officer is shown holding a box of tea which someone tried to throw to the students. The police officer examines the box of tea. 1:09:26: Callie Crossley interviews Pierre Laurent (Director, International Relations Program) about the demonstration on the Tufts quadrangle. Laurent says that this is one demonstration among many which are taking place across the nation; that the protests are forcing many institutions to reconsider their commitment to the Reagan administration's policy of "constructive engagement" with South Africa. Laurent says that the protests appear to be effective in making institutions reconsider their policies toward South Africa. Laurent says that he does not know if the protest will be effective at Tufts. Crossley asks if the student protests are drawing the public's attention to the issue. Laurent says that the students' calls for justice are being noted by university officials; that the protests will be noticed by the wider public. Laurent says that some do not agree with the means used by the protesters; that the protests are effective in drawing attention to the issue. 1:12:09: V: Crossley interviews a white male student wearing a button reading, "Divest now." Crossley asks why the students are occupying Ballou Hall. The student says that the Tufts administration had agreed to divest in 1979; that the administration has not followed through on its promise. The student says that the administration had agreed to divest in companies who refused to sign the "Sullivan Proposal." The student explains that the Sullivan Principles regulate companies doing business in South Africa. The student says that the protesters want to draw attention to the issue of apartheid; that "constructive engagement" is a failing policy. Crossley comments that the administration is not allowing food into the building. She wonders if the Tufts administration is listening to the protesters. The student says that he is glad that the media are covering the protest. The student says that the protest will be a success because the protesters have drawn attention to the university's role in apartheid. Crossley asks the student how the university will respond to the demonstration. The student says that he thinks the university will come around eventually; that the students are trying to move the decision-making process along. The student admits that Jean Mayer (President of Tufts University) is in a difficult position. Crossley asks the student if he feels a kinship with other student protesters across the nation. The student names some other universities where protests are being held. The student says that the protesters are trying to give moral support to the people of South Africa; that the US protests are front page news in South Africa. The crew takes a cutaway shot of Crossley and the student.
Collection: Ten O'Clock News
Date Created: 04/25/1985

Two O'Clock Lounge

Description: Two O'Clock Lounge marquee in Combat Zone. "Nude College Revue." Photos of strippers and naked women. Inside club two women walk back and forth to music and partially disrobe.
Collection: Ten O'Clock News
Date Created: 04/26/1977

USS Constitution

Description: Small bits of drop out throughout. USS Constitution (Old Ironsides). Two red tugboats and a Coast Guard boat nearby. Gangplank hoisted and dropped. Helicopter hovers over harbor. Onlookers line dock. Ship moves away from wharf under escort for turnaround.
Collection: Ten O'Clock News
Date Created: 06/17/1976

Unemployment office

Description: People standing in claims line at unemployment office in Hurley building in government center. English/ Spanish bilingual signs. A man explains the issues with estimating unemployment rates and the importance of receiving a reliable common resolution. Answers the question "How do you measure unemployment?"
Collection: Ten O'Clock News
Date Created: 08/11/1977

Union Square, Somerville

Description: Union Square storefronts, traffic. Coca-Cola delivery van. Bel Canto restaurant. “Adults only” bakery. Merchants extol virtues of doing business in Somerville with hope for revitalization of small commercial districts. Reporter interviews local shop owners about the effects of the development of Union Square. Fire station. Wide view of Boston skyline from Prospect Hill. Pan horizon and residential rooftops.
Collection: Ten O'Clock News
Date Created: 08/16/1982

Updike interview part 1

Description: Parts of a series of interviews with John Updike. First interview is about his interest in visual art and his experience drawing. He comments on cartoons and modernism. After a long pause in footage, there is a discussion between Updike and Lydon, while the cutaways are being shot. The second interview is about Eastern European writers, during which he mentions Danilo Kis, Bruno Schulz, and Milan Kundera. Tape ends with an extended shot of Updike's book "Just Looking." part 1 of 2.
Collection: Ten O'Clock News
Date Created: 12/21/1989

Vote to oust Silber

Description: People leaving meeting at Boston University. Interview with Howard Zinn on vote to remove John Silber as BU president. Zinn says acts of conscience and criticism of administration result in retribution. He calls for a change in the situation at BU. Interview with John Silber, who says BU is a place of debate and academic freedom without repression. Faculty assembly votes (456 to 215) to ask Board of Trustees to dismiss Silber. Press conference held by psychology professor Joe Speisman, who speaks on behalf of faculty. Other professors, student leader Maureen Sultzer, and District 65 labor union representative Carol Yorman speak about their support of the vote to remove Silber from office and other related matters.
Collection: Ten O'Clock News
Date Created: 12/18/1979

WBZ newsroom

Description: Shots of the WBZ newsroom. People typing on typewriters, sitting as desks, answering phones. Still images of helicopters. Charles Bennett interviews a newsman on WBZ's new helicopter, which they use to cover more region wide news events. He describes the technological capabilities of the news helicopter, and the way news gathering technology is evolving, including satellites. They shoot cutaways.
Collection: Ten O'Clock News
Date Created: 02/11/1980

WNEV, Channel 7

Description: Footage of exterior of RKO General Building: Channel 7/WNAC-TV; WRKO AM; WROR FM. Pans along side of building to sign. Takes of reporter Callie Crossley reporting on loss of Channel 7's license, to be taken ownership of by NETV. Clip of Channel 7 exterior building sign; RKO General building sign; agreement contract for interim operation of WNAC-TV (Channel 7). Footage of glass display window with images of Channel 7 reporters; close-up of reporter images and WNAC TV Boston sign.
Collection: Ten O'Clock News
Date Created: 02/22/1982

Walcott and Heaney, Part 1

Description: Interview with St. Lucian poet Derek Walcott and Irish poet Seamus Heaney about the poetry of American poet Robert Penn Warren. Lydon, Walcott, and Heaney discuss the best format for the interview. Walcott and Heany comment on Penn Warren's appointment as US Poet Laureate. Walcott comments on the excellence of Penn Warren's recent work. Heaney talks about the significance of US history in Penn Warren's work. Walcott and Heaney discuss regionalism in Penn Warren's work, and the appropriateness of appointing a poet laureate. Walcott reads from Penn Warren's poem, "Caribou." Tape 1 of 2.
1:00:00: Visual: Derek Walcott (West Indian poet) and Seamus Heaney (Irish poet) sit among shelves of books, along with Christopher Lydon. Walcott and Heaney are studying books. Walcott and Lydon discuss which poem he should read. Heaney studies his book. Heaney and Walcott joke about whether a poetry reading can be "hot TV." Lydon, Walcott and Heaney discuss the format of the TV segment. Lydon tells the poets to discuss the work and life of Robert Penn Warren (American poet). Walcott and Heaney talk about how they will discuss his work. Lydon asks Walcott about the appointment of Penn Warren as US Poet Laureate. Walcott says that some find the idea of a poet laureate ridiculous; that there is a very old tradition of elevating a poet to represent his people; that the nomination of Penn Warren is in no way amusing or ridiculous. Walcott says that the nomination is the crowning achievement of Penn Warren's career; that Penn Warren has written his most powerful work in his old age. Walcott says that Penn Warren's recent achievements merit recognition; that Penn Warren's work should be considered for a Nobel Prize. Lydon asks Walcott to describe Penn Warren's poetry. Walcott says that he used to be cautious in his appreciation for Penn Warren; that he used to feel that there was too much of "the novelist" in Penn Warren's poetry. Walcott says that Penn Warren has found great vigor in his old age; that his recent poetry is noteworthy. Walcott talks about the clarity and elation in Penn Warren's work. 1:05:51: V: Lydon asks Heaney about Penn Warren. Heaney says that Penn Warren has not "broken faith with the historical experience"; that the American historical experience has been central to his work. Heaney says that the US could not have chosen a better poet laureate; that Penn Warren's work produces history and is a reaction to history. Heaney refers to Penn Warren's literary ambitions. Heaney says that American history and destiny is a large part of Penn Warren's work; that Penn Warren shoulders "large poetic responsibilities" in his work. Heaney says that it is proper for Penn Warren to be honored by the US; that Penn Warren has honored the nation through his work. Lydon asks Heaney to talk about the history in Penn Warren's work. Heaney talks about the relation between poet and region in Penn Warren's work. Heaney notes that Penn Warren was one of the Fugitives (a group of Southern poets); that Penn Warren carefully the relationship between "a literary career and a communal destiny." Heaney says that Penn Warren wrote as if his poetry had a responsibility to the larger culture; that there is "roughage" and "subject matter" in the poetry of Penn Warren. Heaney refers to the recent poem, Chief Joseph of the Nez Perce, which focuses on the treatment of Native Americans in the nineteenth century. Heaney says that Penn Warren does not "wilt in the face of history;" that many poets shy away from facing history. Heaney notes that Penn Warren's poetry has a "large voice;" that Penn Warren has risen to the challenge of history. 1:11:02: V: Lydon asks if there is a contradiction in appointing one poet to represent the diverse people and regions of the US. Walcott says that the image of a hawk is recurrent in Penn Warren's poetry; that Penn Warren is like an old hawk; that Penn Warren is fierce and gentle. Walcott says that Penn Warren is hawk-like in his observations of American culture; that Penn Warren writes about regions of the country which are familiar to him; that Penn Warren has observed those regions from a great distance and has contemplated their meanings. Walcott says that Penn Warren has a gift; that Penn Warren has used that gift to examine a fairly modest range of experience. Walcott says that Penn Warren is rooted in his region and personal experience; that he is able to examine the horizons of that experience. Walcott notes that Penn Warren has expressed the "guilt" and the "conscience" of the South. 1:14:27: V: Heaney notes that there is an "imperial" theme in the appointment of a poet laureate by the US government; that the government seems to be trying to "furbish its image." Heaney wonders if there is a political motive in the appointment of a poet laureate. Heaney says that a poet's power needs to be kept pure; that "the poetic intelligence of a country" needs to serve as an alternative government. Heaney wonders if the appointment is an attempt to co-opt the conscience of the "alternative government." Heaney changes the subject, saying that American poets are well-suited to be poet laureates; that American poetry has a tradition of "visionary writing"; that American poets are challenged to include the scope of the country in their writing. Heaney refers to the poetry of Walt Whitman as an example of "visionary writing" or "public poetry." He notes that the poetry of Emily Dickinson is more inward-looking. 1:17:21: V: Lydon asks each poet to read some of Penn Warren's work. Walcott chooses the poem Caribou. Walcott says that the poem exemplifies Penn Waren's clarity of vision. Walcott says that the voice in the poem describes the caribou and looks down on them from a great height. Walcott reads the poem. Walcott, Heaney and Lydon comment on the beauty of the poem when Walcott has finished reading it.
Collection: Ten O'Clock News
Date Created: 02/28/1986

Walcott and Heaney, Part 2

Description: Second half of interview with St. Lucian poet Derek Walcott and Irish poet Seamus Heaney about the poetry of American poet Robert Penn Warren. Heaney reads Penn Warren's poem, "Tell Me a Story." Walcott talks about his friendship with Penn Warren's daughter Rosanna Phelps Warren, who is also a poet, and his personal impressions of Robert Penn Warren. Walcott reads a draft of his own poem "On the Indian Trail," which he wrote about them. Walcott and Heaney joke around while shooting cutaways. Shots of Lydon (no audio) for cutaways.
1:00:08: Visual: Derek Walcott (West Indian poet) and Seamus Heaney (Irish poet) sit among shelves of books, along with Christopher Lydon. Walcott and Heaney discuss and read from the work of Robert Penn Warren (American poet). Heaney talks about Penn Warren's poem, Tell Me A Story. Heaney says that the poem touches him deeply; that the poem achieves "stillness" through language. Heaney says that the poem expresses a deep, lyric, intimate moment. Heaney reads the poem, Tell Me A Story. Lydon thanks Heaney. 1:01:58: V: Lydon and Heaney encourage Walcott to read another poem. Walcott says that he is friendly with Rosanna Warren (Penn Warren's daughter); that Rosanna Warren is a poet. Walcott says that he has met Penn Warren and his family through Rosanna Warren. Walcott says that Penn Warren has great strength and kindness; that there is a nobility in Penn Warren. Walcott says that he has written a draft of a poem called, On the Indian Trail. Walcott says that he did not write this poem because of Penn Warren's appointment as Poet Laureate. Walcott says that he did not know that the poem would be about Penn Warren when he started writing; that he imagined an old man in the middle of a stream with someone watching him. Walcott says that he realized that the figures in the poem corresponded to Penn Warren and Rosanna Warren; that the poem is a tribute to them both. Walcott notes that the poem was written for Eleanor Clark (novelist and Penn Warren's wife). Walcott reads his poem, On the Indian Trail. Lydon and Heaney compliment Walcott on his poem. Walcott and Heaney share a joke. Heaney asks if taping session is over and prepares to take off his microphone. 1:06:14: The crew takes cutaway shots of Walcott, Heaney and Lydon.
Collection: Ten O'Clock News
Date Created: 02/28/1986

Walpole State Prison

Description: Exteriors of Walpole State Prison. Razor wire rims tall concrete wall. Guard tower. Several takes of reporter standup on five recent escapes by inmates on furlough.
Collection: Ten O'Clock News
Date Created: 05/19/1976

Waterfront Park, Deer Island

Description: Long Wharf Marriott. Chart House restaurant. New England Aquarium. Pedestrians. Parked taxi. View from Waterfront Park to expressway, Government Center skyline in background. Many shots inside Deer Island sewage treatment plant. Temperature and pressure gauges. Screen splits (top half of image appears on the bottom have of the screen) in the middle of the video.
Collection: Ten O'Clock News
Date Created: 04/26/1982

Waterfront environs

Description: Waterfront park, Harbor Towers, Mercantile Wharf, Long Wharf, Chart House, Lewis Wharf, Joseph's Aquarium restaurant, Union Wharf. Sign 'lobsters shipped anywhere.' Commercial Wharf building boarded up. Prince building.
Collection: Ten O'Clock News
Date Created: 07/12/1978