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Charles Street Jail

Description: Charles Street Jail exteriors. A reporter asks members of administration about issues with the Charles Street Jail and Deer Island regarding the possibility of a new combined facility. Stated problems with building a new jail include security and the size of the proposed site. Charles Street physical plant issues include plumbing, recreation facilities, eating facilities, kitchen facilities, and noise level.
Collection: Ten O'Clock News
Date Created: 01/25/1977

Charles Street jail

Description: Charles Street jail interiors. Four tiers of cell blocks seen through chain link fence. Zoom into guards on ground level. Guard patrols upper walkway. Cell behind bars with toilet and cot. Interview with Suffolk County Sheriff Robert Rufo about delay in transferring inmates to state prisons after sentencing. Charles Street is supposed to serve only as pretrial detention center but prison system is so overcrowded that inmates stay there much longer than intended in inappropriate incarceration, without rehabilitation support and furlough programs. They shoot cutaways. Howard Husock does several takes of reporter standup in front of the jail.
Collection: Ten O'Clock News
Date Created: 03/03/1980

Charlestown High School

Description: Bunker Hill Monument, exteriors of Charlestown High School, and Charlestown environs. A few police officers are stationed along Monument Square outside of Charlestown High School. Robert Murphy (Headmaster, Charlestown High School) stands in front of the school. School buses, accompanied by a police motorcycle escort, pull up in front of the school. African American students exit the buses and enter the school. Police officer tells camera operator that there is a standing order that the press has to remain across the street. A small number of photographers record the arrival of the buses from across the street. White students walks towards school and enter. Gary Griffith does several takes of reporter standup saying that the arrival of school buses at Charlestown High School was routine.
0:00:18: Visual: Shots of the Bunker Hill Monument; of the exterior of Charlestown High School. Two police officers stand outside of Charlestown High School. A white woman walks into the school. A muffled voice yells out, "No busing." Robert Murphy (Headmaster, Charlestown High School) stands out in front of the high school. Shot of Concord Street. Police motorcycles approach the school. Five police officers on motorcycles receive instructions from a police official. The motorcycles pull away. 0:03:41: V: School buses circle Monument Square and approach the high school. Police motorcycles escort the buses. A police officer stands near a Boston Police Department station wagon parked across the street from the high school. The officer watches the buses pull up in front of the school. African American students exit the buses and enter the school. Shot of the Hudson Bus Lines logo on one of the buses. The school buses pull away from the high school, accompanied by the police motorcycles. Murphy, a police officer, and a few school officials remain in front of the school. 0:07:06: V: White students walk toward the entrance of the school. Murphy and another school official greet a few of the students. A police officer is heard telling members of the media to move across the street. Two police officers stand casually on the corner of Bartlett Street and Monument Square. White students walk toward the school. Fewer than ten members of the media record the scene from the sidewalk across the street. A Hudson Bus Lines airport van pulls up in front of the school. An African American student is inside of the van. The van pulls away. The sidewalk in front of the school is empty. Some members of the media depart as two police officers walk up the opposite side of the street. Murphy speaks to two police officers on the corner of Bartlett Street and Monument Square. A man in a business suit speaks to a two-person camera crew. The street is quiet. Murphy and a police officer walk toward the school. 0:12:11: V: Gary Griffith stands outside of Charlestown High School. Griffith reports on the routine arrival of five buses at the high school this morning. He reports that there is no sign of unrest. The crew does two more takes of Griffith reporting on the story.
Collection: Ten O'Clock News
Date Created: 09/08/1977

Charlestown High busing reactions

Description: Police lined up outside Charlestown High. Teachers gathered at the front of the school. Black students get off bus. Person on the street interviews with students boycotting school in busing protest. They discuss the purpose of their boycott. Some fiercely defend sovereignty of sports teams, make racist comments.
1:00:04: Visual: Police are lined up in the street in front of Charlestown High School on the first day of school. Graffiti on the front of the school is painted over. The media is gathered behind a fence across the street from the school. 1:01:30: V: A police car approaches slowly, escorting a school bus. The school bus pulls up to the front of the school. African American students exit the bus and enter the school. White students watch the action on the street from an upper window of the school. Police officers on motorcycles wait alongside the bus. The bus pulls away, followed by motorcycles. Shot of the bus circling Monument Square; of two police motorcycles circling Monument Square; of police stationed in Monument Square. 1:05:48: V: Crowds of people, including school-aged kids, are assembled outside of the Bunker Hill Housing Project on Bunker Hill Street. Cars pass by slowly. Shots of the top of the Bunker Hill Monument, visible over a building. 1:08:14: V: A group of white youth are gathered near a fence on Bunker Hill Street. A voice yells, "No busing." The group waves at the camera. Judy Stoia approaches the group and brings some members over to the camera for an interview. Two males convince a girl named Patty to join the interview. She is reluctant. They are joined by an older man. The older man says that he has six grandchildren who are being bused out of Charlestown. One of the males (Mike) says he plans to boycott school all year; that Charlestown has been quiet "because we are not racists." The older man says that he has spoken to some African American residents of the Dudley Street Housing Project; that they were "good people." Members of the group say that crowds of anti-busers will stay in the street until the end of the schoolday. Mike says that a total boycott of the school could stop busing; that anti-busing demonstrations in Charlestown may turn violent. Another male says that demonstrators in Charlestown will be peaceful. The group is reluctant to talk further and begins to move away from the camera. Stoia asks them how they feel about dropping out of sports programs because of the boycott. Members of the group say that they can play sports among themselves; that they do not mind African American students being bused into Charlestown; that they resent Charlestown students being bused out; that "townies" must stick together. 1:13:20: V: A group of young white male students are gathered in the street. A reporter asks them about sports in Charlestown. One student says that you can't go to sports practice if you have missed school. A second student says that Charlestown sports teams should not have to admit players from outside of Charlestown; that players from outside of Charlestown will be given a hard time in practice until they quit. Members of the group say that Charlestown students who are assigned to schools outside of Charlestown are boycotting school; that buses leaving Charlestown are empty. Another student says that there are no cops on the field for sports practices; that Charlestown players will be rough on outsiders during sports practices. Members of the group say that Charlestown sports teams do not need players from outside of Charlestown. The group says that Charlestown students were turned away from Charlestown High School this morning because they were late. Several members of the group use racist language. One student says that tardy students were turned away unless they had a note from their parents; that African American students on buses were let in to school. Several of the group say that they had been planning to take over the school this morning. One student shows his Charlestown High School identity card to the reporter.
Collection: Evening Compass, The
Date Created: 09/08/1975

Charlestown High environs

Description: Charlestown environs. Charlestown High School and Monument Square, Bartletts Street, Bunker Hill Street and St. Francis de Sales Church. Children ride bicycles in Monument Square. People are gathered in the park beside St. Francis de Sales Church. Shot from the park of the port. Racist, white supremacist and antibusing graffiti is visible on buildings on Medford and Main Streets. Shots of Medford and Main Streets. Pedestrians walking along streets. Children play at a playground. Audio goes in and out.
0:00:23: Visual: Shot across Monument Square of Charlestown High School. Shot of the top of the building, including school name carved into the stone. A broken window at the school has been patched up. The streets around Monument Square are quiet. A child rides his bike along the street. Shots of Bartlett Street, beside the school; of the Bunker Hill Monument. 0:05:35: V: Children ride their bikes in Monument Square. Shots of Bartlett Street; of racist graffiti on a building on Concord Street; of Concord Street. 0:09:24: V: Shot of Bartlett Street. Traveling shot up Bartlett Street. Traveling shot continues on to Elm Street and on to Bunker Hill Street. Traveling shot continues up Bunker Hill Street. Shot of St. Francis de Sales church. Cars are parked along both sides of Bunker Hill Street. An older man walks slowly along the sidewalk and stops in front of one of the houses. Two young men walk down the sidewalk of Bunker Hill Street. 0:14:26: V: Teenagers are gathered in the park beside St. Francis de Sales church. A group of people sit on steps in the park, looking at the view of the port. Gas tanks and industrial ships are visible in the port. Long shot of park and the port. Children play in the playground at the park. Shot of two children on swings with wrought iron fence in foreground. Shot of older man on a park bench with wrought iron fence in foreground. A girl takes a drink from a water fountain. 0:17:43: V: Traveling shot of Medford Street. Shot of a garage on Medford Street with white supremacist and antibusing graffiti. Traveling shot of Main Street. Mishawum Park apartments are visible. An older man sits with another person on the stoop of a dilapidated building. Shot of white supremacist and antibusing graffiti on a building at the corner of Essex and Main Streets. Video is distorted at end of tape.
Collection: Ten O'Clock News
Date Created: 08/18/1976

Charlestown High exterior

Description: No audio at very beginning. Police officers and US Marshals are stationed outside of Charlestown High School. African American and white students exit the school. White students walk away from the school. African American students board buses and depart. Members of the media record the event from across the street, under Bunker Hill Monument. Gary Griffith does several takes of reporter standup from the South End. He gives an update on the senatorial race in the second Suffolk district. Elevated train tracks are visible on Washington Street. South End environs Shot of the Prudential Center. Washington St. street sign.
0:00:00: Visual: School buses pull up to the front of Charlestown High School. Graffiti on the front of the school has been painted over. A Boston Police Department cruiser pulls up behind the buses. A police officer on a motorcycle waits behind the buses. A US Marshal surveys the school from across the street. A group of officials and another US Marshal stand at the entrance of the school. Members of the media observe the scene from behind the fence at the foot of the Bunker Hill Monument. 0:01:49: V: An African American police officer is stationed at the corner of Monument Square and Concord Street. Shot of Concord Street. A group of white youth observe events at the school from across Monument Square. A girl sits on the fence watching the school. Three young men stand on the steps of a brownstone house on Monument Square. A group of police officers are stationed on Monument Square where the youth have gathered. Some members of the media stand at the foot of the Bunker Hill Monument. Shot of the Bunker Hill Monument. School buses and police motorcycle escorts remain parked in front of the school. Police radios are audible. Shots of Charlestown High School through the fence at the foot of the Bunker Hill Monument. 0:06:37: V: A police officer talks to school officials at the entrance of the school. Two white US Marshals and one African American US Marshal are gathered in front of the school. Police officials and a US Marshal confer at the corner of Monument Square and Bartlett Street. Police officers are stationed along Concord Street. Shot of the Bunker Hill Monument and the gathered media. 0:08:25: V: African American and white students exit the school together. Some white students walk away from the school. African American students and some white students head toward the buses. Shot of the exterior of Charlestown High School. A student makes a gesture of peace to the media. The video is overly bright during this scene. 0:12:02: V: Buses pull away from the school, followed by a police motorcycle and a police cruiser. White students are gathered at the corner of Concord and Bartlett Streets. Police officials leave the scene. Another group of white students is gathered on the corner of Bartlett Street and Monument Square. One girl makes a peace sign for the camera. Two police officers with riot helmets walk up the street. 0:14:24: V: Gary Griffith reports on the senatorial race in the second Suffolk district. He stands on a street corner. The Prudential Tower is visible in the distance. Griffith says that the election will be determined in the Democratic primary because there are no Republican or independent candidates; that the Democratic primary will take place in four days. Griffith makes a mistake in his delivery and does two more takes. The camera pans to Washington Street. Elevated train tracks run down the center of the street. Shot of the fire escape of a building on the corner of Washington Street. The windows of the building are boarded up. Shots of rowhouses and buildings along the street perpendicular to Washington Street. Shots of a garden behind a chain link fence. A colorful sign on the fence reads "Community Garden". Shot of the street and the Prudential Tower. Clothes are hanging out to dry on the fire escape of a building on the street. Shots of Washington Street and elevated train tracks. Shot of street sign for Washington Street. Shots of overgrown lot on the corner of Washington Street.
Collection: Ten O'Clock News
Date Created: 09/09/1976

Charlestown High exterior

Description: Police officers and US Marshals are present outside of Charlestown High School on the first day of school during the third year of court-ordered busing in Boston. The media is gathered across the street from the school, at the foot of the Bunker Hill Monument. Robert DiGrazia (Boston Police Commissioner) confers with police and surveys the scene outside of the school. A group of buses with a police motorcycle escort pulls up to the school. African American students exit the buses and enter the school. A crowd of white youth gathers near the school. Dennis Kearney (State Representative) and Robert Murphy (Headmaster, Charlestown High School) talk to the crowd of youths. DiGrazia and Captain Bill MacDonald (Boston Police Department) confer near the crowd
0:00:05: Visual: Members of the media pass two police officers as they enter the enclosure surrounding the Bunker Hill Monument in Monument Square. Shot of three US Marshals walking toward Charlestown High School. An MDC Police officer exits a police vehicle parked near the high school. Shot of the exterior of Charlestown High School. A few police officers stand in front of the high school. Two US Marshals confer near the high school.
Collection: Ten O'Clock News
Date Created: 09/08/1976

Charlestown High exterior

Description: Buses with a police motorcycle escort pull up outside of Charlestown High School at the end of the first day of school. Police presence in front of the school is heavy. Members of the media watch from across the street as African American students and a few white students board buses. The buses pull away from the school, escorted by police motorcycles. White students wait to be released at the front doors of the school.
0:58:50: Visual: Buses pull up in front of Charlestown High School. Graffiti on front of school is painted over. Police line the sidewalk in front of the school. Police officers on motorcycles pull up alongside buses. Members of the press watch the buses pull up from across the street. 0:59:51: V: Long shot of large crowd making its way around opposite side of Monument Square. Media is gathered at the foot of the Bunker Hill Monument. Buses wait in front of the school as as a line of police officers assembles in the street. 1:01:43: V: A group of white students boards the first bus. African American students are directed towards buses. African American students board buses. Shot of Charlestown High School exterior. A lone African American student makes his way toward his bus. School officials and US Marshals gather outside of the school and in the street. Shots of students through the windows of the buses. Bus monitors board one of the buses. A police officer signals the buses to leave. The buses pull away from the school, accompanied by police officers on motorcycles. Traveling shot of bus passing through Monument Square. 1:06:56: V: White students wait at the doors of the school to be released. School officials are gathered in front of the school. Police officers march up the street away from the school. A group of US Marshals stands near the sidewalk in front of the school.
Collection: Evening Compass, The
Date Created: 09/08/1975

Charlestown housing project

Description: No audio at the very beginning. Paul deGive interviews Jim Cooney (Charlestown resident) about the Bunker Hill Housing Project near Bunker Hill Street in Charlestown. Cooney says that young people in the project are often blamed for problems caused by outsiders. DeGive interviews Father William Joy (St. Mary's Parish) about urban renewal in Charlestown, the construction of the Mystic-Tobin Bridge and conditions in the Bunker Hill Housing Project. Joy says that Charlestown has been torn apart by urban renewal; that many residents of the housing project are unemployed. DeGive interviews a teenage project resident who says that the bad reputation of the youth in the project is exaggerated and unfair. He says that anti-busing parents are fueling the emotions of the youth. Joy says that a great number of students from the projects are being bused out of Charlestown; that students from the wealthier parts of the neighborhood are enrolled in parochial schools. Joy faults the Catholic Church for being out of touch with the needs and problems of project residents, and proposes an increased presence of priests in the Boston city projects. Racist graffiti on some of the project buildings.
0:00:11: Visual: Shots of a street near Bunker Hill Housing Project in Charlestown. (Project is near Monument Street and Bunker Hill Street.) Paul deGive sets up interview with Father William Joy (St. Mary's Parish) about urban renewal in Charlestown. Shot of the Mystic-Tobin Bridge. DeGive talks to Joy and Jim Cooney (Charlestown resident) informally. Cooney is considering leaving Charlestown 0:02:13: V: DeGive asks Cooney about troubled youth in the housing project. Cooney says that there are difficult kids everywhere; that housing projects in Boston are poorly maintained and patrolled; that outsiders often cause problems in the project; that kids from the project are often blamed for crimes they did not commit. Cooney says that he had no problem living in the housing project; that outside agitators are creating trouble in the housing project. 0:06:05: V: Shots of Mystic-Tobin Bridge. DeGive interviews Joy. Joy says that the building of the Tobin Bridge had a negative effect on Charlestown; that homes were torn down for its construction; that Charlestown has been torn apart by urban renewal projects; that the Bunker Hill Housing Project was always controversial because homes were torn down to build it. Joy reports that there are 1140 units in the project; that it is one of the largest housing projects in New England. Joy walks away. Shot of overpass running across street. Shots of housing project. 0:09:37: V: DeGive interviews Joy near the expressway overpass. Children wander by occasionally. Joy says that there is a lot of unemployment in the projects; that some residents lost their jobs when the Charlestown Navy Yard closed; that other project residents work at other factories in Charlestown. Shot of expressway from underneath; of "no busing" graffiti on the walls of the project. 0:12:53: V: DeGive interviews a teenager, Danny Sullivan (project resident), in front of a wall with "no busing" and "IRA" graffiti. Danny says that there are only a few kids causing violence in the project; that the media isn't covering the housing project fairly; that a few kids start trouble and others are drawn in; that anti-busing parents make the situation worse by fueling the emotions of the kids; that kids in Charlestown don't deserve their bad reputation. Shots of young kids who have stopped to listen to the interview. 0:15:34: V: DeGive interviews Joy in a courtyard of the housing project. Joy says that there is a high percentage of students from the project being bused out of Charlestown; that there is a high percentage of students from the project enrolled in public school; that students from the wealthier parts of Charlestown are enrolled in parochial schools. Shot of broken glass on the pavement. Joy has an off-camera exchange with a young kid. Shots of the housing project from the outside; of "ROAR" graffiti. 0:17:48: V: DeGive interviews Joy near St. Catherine of Siena Church. Shots of church. "White power" graffiti is visible on a wall near the church. Joy says that the church and other institutions have failed the project by not being visible and accessible to the people; that the church is out of touch with the residents of Charlestown; that the church needs to make a stronger commitment to reach project residents; that the nuns are visible in the projects; that no priests live in any of the housing projects in Boston. Joy says that local priests have made an effort to reach out to the people during the busing crisis; that priests can provide support and direction.
Collection: Evening Compass, The
Date Created: 09/09/1975

Charlestown public housing

Description: Building which houses the offices of the Boston Housing Authority in Charlestown. Rundown buildings in the Bunker Hill Housing Project in Charlestown. Many of the buildings have boarded up windows or broken windows. Trash is visible along the sidewalks and walkways in front of the buildings. Shots of a series of photographs of a meeting between Joseph Timilty and Jimmy Carter. Interview with John Vitagliano (Boston Housing Inspection Commissioner). He says that the city of Boston must renovate its existing public housing instead of building new public housing. Vitagliano believes that a program of private-housing subsidies would be superior to the present public housing program. He says that the disastrous environment in public housing developments contributes to a cycle of poverty; that public-housing tenants and private landlords would benefit from a private-housing subsidies program. Vitagliano suggests that public-housing projects be shut down and sold to private developers. He admits that Boston's public housing projects are de facto segregated
1:00:02: Visual: Footage of the exterior of the Boston Housing Authority (BHA) building on Bunker Hill Street in Charlestown. The building is brick and covered with ivy. There are a few, small broken windows on the building. An elderly white woman enters the building. Shots of Bunker Hill Street; of the housing project buildings on Bunker Hill Street. 1:02:58: V:Shots of boarded up windows in a housing project building in Charlestown; of other housing project buildings. A street sweeping vehicle passes slowly in the street. The cameraman jokes about the rarity of seeing a street sweeper in Boston. A police cruiser drives slowly down the street. Shot of a housing project building at 90 Decatur Street. Shot of a boarded up window on the building. Obscene graffiti is written on the board which covers the window. Shots of broken windows in an apartment in another housing project building. Shot of a young white boy playing with a garden hose outside of the building at 90 Decatur Street. The bottom windows of the building are all boarded up. Shots of a nearby housing project which looks to be in better condition. Shots of the housing project building with broken windows. Trash is visible on the ground around the housing project buildings. 1:07:41: V: Shots of black and white photos of a meeting between Jimmy Carter (US President) and Joseph Timilty (State Senator). 1:09:32: V: Footage of John Vitagliano (Boston Housing Inspection Commissioner) being interviewed by Marjorie Arons in his office. Arons notes that there are substantial numbers of substandard public housing units in Massachusetts. Arons asks how decent housing will be provided. Arons asks if new buildings will be built or if old buildings will be rehabilitated. Vitagliano says that many federal programs are geared toward building new housing in cities; that these programs are not geared to the needs of older cities like Boston. Vitagliano says that the city needs funds to rehabilitate existing housing. Vitagliano says that five or ten older buildings in the city could be rehabilitated for the same amount of money needed to build one new building. Vitagliano notes that the cost of new housing continues to increase. Arons asks if there are enough housing units being built, or if people are unable to afford to buy housing. Vitagliano says that most people cannot afford to buy newly built homes. Arons asks about providing tenants with subsidies which would allow them to buy a private home. Vitagliano says that subsidies for private housing purchases allows public-housing tenants to escape the "ghetto environment" of public housing projects. Vitagliano says that subsidies for private housing purchases put tenants in a "normal" neighborhood environment; that these subsidies allow tenants to break out of the cycle of poverty. Vitagliano says that the environment in public housing projects is a "disaster." Vitagliano says that subsidies for private housing purchases provide benefits for homeowners who rent to these tenants. Vitagliano says that public-housing tenants could be matched up with private homeowners to fill vacant apartments; that smaller landlords would not face vacancies. Arons asks if subsidies for private housing purchases would have an inflationary effect on rents. Arons notes that there may not be enough private housing options for public-housing tenants. Vitagliano says that a small inflationary trend could result. Vitagliano says that a program which subsidizes private housing purchases would cost no more than the present program. Vitagliano notes that 10% of the city's population is housed in public housing projects under the present program. Vitagliano says that a tremendous amount of money is spent on the maintenance of existing public-housing units. Vitagliano says that the public housing buildings occupy valuable land in the city; that the city could be receiving tax money on that land if it were held privately. Vitagliano says that the city could sell the land to private developers if the public housing units were shut down. Vitagliano says that private developers could develop commercial buildings or private housing; that the city would receive tax money on those buildings. Vitagliano says that he has no detailed analysis to prove that a subsidies would cost less than public housing. Vitagliano says that he suspects that subsidies would cost no more than public housing. Arons asks if a housing subsidy program would have a short-term inflationary effect on rents. Vitagliano says that it is difficult to predict what would happen. Vitagliano says that any negative short-term effects would be balanced out by long-term benefits. Arons comments that some middle-income tenants receive housing aid under the present program. Arons asks if the middle-income tenants would be left out if subsidies for private housing were only provided to welfare recipients. Vitagliano says that money should not be diverted from welfare to housing; that money from another program should be diverted to fund both welfare and housing. Arons asks if subsidies for private housing would provide a reason to extend the rent control program. Vitagliano says that the concept of private housing subsidies is still theoretical; that he does not want to guess at the effect of subsidies on rent control. Arons closes the interview. The crew takes cutaway shots of Arons and Vitagliano. Arons asks how minorities and large families would fare in the private housing market if they were provided with subsidies. Vitagliano says that the public housing developments in Boston are just as segregated as the private housing market. Vitagliano says that the court has criticized Boston's segregated housing projects. Vitagliano admits that there are very few racially mixed housing projects in Boston. Vitagliano says that minorities and large families would have no more trouble in the private housing market than they have in the BHA system. Arons talks with the cameraman.
Collection: Ten O'Clock News
Date Created: 07/21/1977

Chinatown

Description: Chinatown environs. Bilingual sign for Beach Street near expressway. Traffic, congested parking, Cantonese and other restaurants, Bob Lee's Islander, market, storefronts, modernistic mural on side of building. Chinese Merchants Association building. Entrance to Chinese Local Development Corporation. Asian figures in bas relief on facade.
Collection: Ten O'Clock News
Date Created: 11/28/1977

Citgo sign

Description: Interview with vice president of Society for Commercial Archeology, Arthur Krim, on significance of Citgo sign in Kenmore Square. Its neon display was shut off by the state as an energy conservation measure. Close-up of the sign. They shoot cutaways. Several takes of reporter standup. Kenmore Square environs.
Collection: Ten O'Clock News
Date Created: 04/01/1980

Clergy plead for racial peace

Description: Father Michael Groden (Advisor to Humberto Cardinal Medeiros) introduces a press conference with Cardinal Medeiros (Archbishop of Boston), Bishop Edward Carroll (United Methodist Church) and Donald Luster (President, Ministerial Alliance). Medeiros denounces incidents of violence and hatred and encourages citizens to celebrate the diversity of the urban community. Medeiros says that the clergy has prepared a Covenant of Justice, Equity and Harmony to be signed by the citizens of Boston. Medeiros urges the clergy and every city institution to dedicate itself to working towards peace in the city. Medeiros announces a gathering of religious leaders on the Boston Common on November 19 that will initiate a movement to help the city heal its wounds. Bishop Edward Carroll (United Methodist Church) reads a letter inviting the city's clergy to gather at the Cathedral of the Holy Cross the following Friday. Carroll speaks about the clergy's responsibility to cooperate in promoting peace, justice and harmony in the city; denounces recent acts of violence and hatred; and encourages all citizens to unite. Donald Luster (President, Ministerial Alliance) reads the Covenant of Justice, Equity and Harmony. Groden reviews the series of events planned by the clergy to promote peace in the city. Groden and Luster respond to questions from the media about the movement for peace and the Covenant of Justice, Equity and Harmony.
0:22:45: Visual: Father Michael Groden (Advisor to Cardinal Medeiros) welcomes the press to a press conference. He introduces Humberto Cardinal Medeiros (Archbishop of Boston). Medeiros approaches the podium and addresses the press. Medeiros says that Boston's religious leaders are calling on citizens of all races and religions to examine the Covenant of Justice, Equity and Harmony." Medeiros says that incidents of violence and hatred in the city cannot be tolerated; that citizens must act together to celebrate the diversity of the urban community. Medeiros says that a spirit of religious and pastoral solidarity is growing; that all of the clergy in the city are invited to a meeting on Friday at the Cathedral of the Holy Cross. Shot of the front of the podium. A branch with different colored leaves is pictured on a matted print hanging from the podium. Shots of the press in the audience. Medeiros urges the clergy to join together in an effort to improve the atmosphere in the city. Medeiros says that every institution and business in the city must dedicate itself to working toward a peaceful atmosphere in the city. Medeiros says that the city's religious leader will gather on the Boston Common on November 19; that the clergy will initiate a movement to help the city heal its wounds. Shots of Donald Luster (President, Ministerial Alliance), Bishop Edward Carroll (United Methodist Church) and Groden sitting at a table beside the podium. Medeiros says that the ecumenical movement will encourage citizens to act peacefully toward one another. Medeiros quotes Pope John Paul as saying that a city needs to have a soul; that the citizens are the soul of a city. Medeiros quotes Pope John Paul as saying that Boston has always been a community in which diverse people live and work together peacefully. Medeiros says that every citizen of Boston will be asked to sign the Covenant of Justice, Equity and Harmony; that citizens will be expected to uphold their pledge to work toward a better atmosphere in the city. Medeiros thanks the media and retreats from the podium. 0:29:10: V: Groden introduces Bishop Carroll. Carroll reads a letter inviting the city's clergy to gather at the Cathedral of the Holy Cross on Friday. The letter reads that the clergy must work together to foster an atmosphere of peace, justice and harmony in the city. Shot of the matted print hanging from the podium. The letter mentions a growing spirit of pastoral and religious solidarity. The letter denounces the recent acts of violence and hatred in the city. The letter encourages all citizens to unite in a spirit of solidarity. Shots of Luster, Medeiros and Groden , sitting at the table beside the podium. The letter urges the clergy to participate in the meeting. The letter reads that the clergy have an obligation to encourage its citizens to love one another; that the clergy must join together to renew their Covenant of Justice, Equity and Harmony. Shots of the members of the media at the press conference. The letter is signed by Medeiros and Carroll. 0:31:59: V: Groden introduces Luster. Luster reads the Covenant of Justice, Equity and Harmony. The covenant celebrates freedom and call for the pursuit of equal rights and justice for all. The covenant calls for citizens to celebrate the diversity of the city's communities. The covenant calls for a mood of healing and forgiveness. The covenant denounces conflict and violence. The covenant denounces the atmosphere of hatred and fear in the city. The covenant rejects "special interest groups" which divide the community. Luster finishes reading and sits down at the table beside Medeiros. 0:35:16: V: Groden thanks Luster. Groden reviews the events organized by the city's religious leaders in the coming weeks. Groden mentions the meeting at the Cathedral of the Holy Cross on Friday. Groden says that religious leaders are working on a pastoral letter which will be read at religious services on the weekend of November 17 and 18. Shot of a nun taking a photo. Groden talks about the ecumenical gathering on the Boston Common on November 19. Groden says that civic, political, and religious leaders will be invited to the gathering on the Common; that leaders will be encouraged to examine and sign the covenant; that leaders will be encouraged to take the covenant to their constituents. Shots of the members of the press. Groden says that another ecumenical event will take place in December; that the event will celebrate the signing of the covenant. 0:38:10: V: Groden and Luster respond to questions from the audience. A reporter asks how the leaders will get signatures for the covenant. Luster says that city leaders will sign the covenant on November 19; that these leaders will take the covenant to their constituents, who may sign it. Luster notes that these leaders will be given pins to wear; that the pins will signify peace. A reporter asks which religious leaders will be involved in the movement. Luster says that clergy from all denominations and faiths will gather together on November 19; that business and political leaders will be invited as well. A reporter asks what this series of ecumenical meeting and events will accomplish. Luster says that the events will try to capitalize on the atmosphere of goodwill created by the covenant; that the religious leaders will work to strengthen this atmosphere by preaching the scripture. A reporter asks if these efforts will improve the racially charged atmosphere in the city's schools. Luster says that the religious leaders have a responsibility to set a good example for young people; that the religious leaders need to sound a warning to those who are promoting the negative atmosphere. A reporter asks how the religious leaders will reach out to those who do not attend church. Groden says that religious leaders know that they cannot reach out to all citizens through religious services; that religious leaders will reach out to schools and to the neighborhoods. A reporter asks if the efforts by religious leaders are connected to a recent neighborhood summit. Luster says that their movement has been put together by religious leaders; that religious leaders have a "higher mandate" which propels them to preach the gospel of peace. A reporter asks if the religious leaders expect political leaders to speak out on these issues. Groden says that political leaders have accused religious leaders of not doing enough; that the religious leaders are fulfilling their responsibilities with this movement; that he hopes other leaders will join in. A reporter asks a question about the reference to "special interest groups" in the covenant. Groden says that religious leaders encourage membership in and support of "positive" community groups; that religious leaders are asking people to disassociate themselves from groups whose behavior is not constructive. Groden says that they will not single out any groups.
Collection: Ten O'Clock News
Date Created: 10/29/1979

Combat Zone

Description: Astor Theatre marquee says Union Station (disco and game room). Wide shot of Combat Zone, Tremont and Washington Streets. Seedy facades with flashing lights. Pilgrim Theater marquee "first run adult films all night." Paramount Theater. Naked i "all nude strip tease." Pornography.
Collection: Ten O'Clock News
Date Created: 02/07/1979

Combat Zone

Description: Environmentals. Shot of the Channel 2 news van. Exterior of Daniel F. O'Brien Funeral Home. Exterior of Smiles, The Teeth Cleaning Professionals. Exterior of Paradise Cafe. Exterior of the Scene XXX Adult Movies. LaGrange Street sign. Exterior of Milner Hotel. Sack 57 Cinema marquee, showing Star Trek IV and Crocodile Dundee. Exterior of Pussycat Cinema. Neon signs. Combat zone environs. Day and night shots.
Collection: Ten O'Clock News
Date Created: 09/26/1985

Combat Zone

Description: Combat Zone environs. Marquees and store signs: “adult movies,” “uncensored books,” “nude review,” “XXX.” Publix Theater, Pussycat Cinema, Naked i, Two O'Clock Lounge. New England Medical Center adjacent. Display of pornographic materials and erotic books. District police headquarters sign and police station on Washington Street.
Collection: Ten O'Clock News
Date Created: 02/15/1977

Combat Zone

Description: Tape dropout in beginning. Combat Zone environs. Thriving pornography district. XXX rated movies, peep shows, Naked i, Pussy Cat Cinema, adult book store, State and Pilgrim Theaters, Intermission Lounge. Garish marquees with flashing lights. MBTA and Boston police cars.
Collection: Ten O'Clock News
Date Created: 12/15/1976

Combat Zone

Description: No audio at beginning of video. Marquees and signs for: Publix, The Book Mart, Adult Books, First Amendment Ltd., The Scene XXX Adult Movies, 200 Book Club, Book Store, Books Peeps, Fantasy Book Shop, La Connoisseur, 14th Amendment. Some with boarded up shop fronts.
Collection: Ten O'Clock News
Date Created: 10/26/1982

Combat Zone, Chinatown

Description: Chinatown and Combat Zone environs. Pedestrians. Storefront signs for adult entertainment, including Boston Bunnies, Live Nudes, the Pilgrim, Club 66, Naked i, Intermission Lounge, Peep Show, The Scene, Pussycat Cinema. Orange line MBTA station entrance. Corner of Boylston Street and Washington Street. Beach Street between Harrison Avenue and Washington Street. Various street addresses on Washington Street. Storefront signs for business with English and Chinese.
Collection: Ten O'Clock News
Date Created: 09/30/1985

Combat zone architecture

Description: Structural details and signage on combat zone architecture. E.M. Loew's Publix Theater ('vaudeville, burlesque' words on brick side). Marquees of: The Scene: Adult Movies, Center Theater, featuring Chinese martial arts movies. Paramount and State Theater signs. Pussycat Cinema next to New England Medical Center. Interiors of a theater building, in the theater district. Sign for "Modern Theatre Restoration Circus." Interview with theater manager about reopening the theater, the shows they will feature, the restoration they will do on the building, including work with the Boston Redevelopment Authority, and neighborhood development.
Collection: Ten O'Clock News
Date Created: 01/15/1979