Description: Opens with a discussion of the obscenity of 2 Live Crew's music and their reception across the country. Interview with City Councillor James Kelly, who wants concert moved to Combat Zone. Rap group cancels for business reason. Kelly at desk. Exterior and interior shots of the Channel night club, and interview with owner Harry Booras. Blank spot between story and b-roll (concert video).
Collection: Ten O'Clock News
Date Created: 07/20/1990
Description: Coverage of the annual performance of Black Nativity by Langston Hughes. The performance takes place in the Opera House in Boston. Interview with Music Director John Ross, who talks about the play. He says that the story of the nativity is told in a "black context," using traditional music. Excerpts from the performance.
1:00:08: Visual: Shots of schoolchildren entering an auditorium. V: Footage from the Black Nativity performed at the Opera House in Boston. V: Footage of John A. Ross (Music Director) saying that Langston Hughes used the Bible as a source for Black Nativity; that the story is told in a "black context." Ross says that the play relies on traditional gospel music. V: Footage from the performance of Black Nativity. V: Footage of a female African American student saying that some of her friends and former teachers were in the performance. Footage of a female African American student saying that the play shows us "how God began his life." Footage of a female white students saying that the acting is good; that the play is "pretty." Footage of a group of African American students in the lobby. One student says that he likes the music. Another student says that she likes everything. V: Footage from the performance of Black Nativity.
Collection: Ten O'Clock News
Date Created: 12/08/1989
Description: Story on the thriving Boston rock scene. Interviews with musicians who came from Boston. Footage of Boston Music Awards. Up and coming bands mentioned include Down Avenue, The Liars, and New Man. Aimee Mann thanks crowd. Marcus Jones focuses on one up and coming band, The Regulars. Interview with lead singer on why he's based in Boston. Interview with Debbie Gilberg, manager of The Regulars. Jones says that Boston is a good place to develop a local base following because it has venues and radio that feature local artists. Interview with radio DJ on finding good local bands to play on the air. Footage from Tracy Chapman's Fast Car music video. Interview with Jeff Marshall, founder of Monolith Records, on signing bands to smaller labels. following the edited story is b-roll of Newbury Comics interiors with closeups on album covers. Exterior of Newbury Comics.
Collection: Ten O'Clock News
Date Created: 09/16/1988
Description: Interview with jazz pianist and band leader Count Basie at the Berklee Performance Center. He talks about his long career and current musicians.
Collection: Ten O'Clock News
Date Created: 03/25/1982
Description: Diana Ross rehearses at Music Hall. She wears a "Boston Loves Diana Ross" T-shirt. She answers questions from reporters at the edge of the stage. She talks about playing Dorothy in the Wiz and her inspirations. She talks about having children.
Collection: Ten O'Clock News
Date Created: 02/10/1977
Description: Arthur Fiedler obituary. History of the Boston Pops bringing symphony music to all people. Clips from interview with Fielder on starting the Pops and the original Shell performance space. Footage from Pop Fourth of July performance.
Collection: Ten O'Clock News
Date Created: 07/10/1979
Description: Air piece on a festival held in honor of Marcus Garvey a black separatist. Reporter standup. Music and dancing. Speech by a black preacher on the importance of Marcus Garvey as an inspiration to civil rights leaders. Park dedicated to Garvey by the Boston Black United Front.
Collection: WHDH
Date Created: 08/16/1970
Description: Greek dancers in traditional folk costumes do circle dances in Massachusetts State House rotunda to celebrate Greek independence day. Crowd of spectators. Greek music, and crowd sings Greek songs. Michael Dukakis, Kitty Dukakis, William Bulger, and Paul Tsongas join in. Buzzing sounds over audio at the end of video.
Collection: Ten O'Clock News
Date Created: 03/15/1983
Description: Compilation of silent and sound footage about the presence of hippies in Cambridge and Boston. Harvard Square and Cambridge Common environs. Reporter standup on a police raid at a "hippie apartment" arresting members of a group called "the Diggers." Interviews with Police Sergeant Duncan O'Neill and Digger member Vernon Becker. Rock band plays to a crowd. Hippies playing music surrounded by people sitting on grass of the Cambridge Common. Interview with Dr. Faderman and Dr. Allen on the hippie lifestyle and societal reactions to the movement. Interviews with Ian Frankenstein, Lou Crampton, Sofia Gibbons, Patricia Keating and other commune members, who describe their communal accommodations and lifestyle on Fort Hill. Discussion of drug use in the hippie movement. Interview with Cambridge Mayor Daniel Hayes on his legal crackdown on hippie communities. They shoot the cutaways of the reporter Jim Pansullo reasking the questions.
Collection: WHDH
Date Created: 1967...1968
Description: Carmen Fields reports that the US Postal Service will issue a postage stamp bearing James Weldon Johnson's image in honor of Black History Month. Johnson was a poet, lawyer, diplomat, composer, and former director of the NAACP. Johnson is the composer of "Lift Every Voice," which is known as the "black national anthem." The Madison Park High School Choir performing "Lift Every Voice. Interview with professor Samuel Allen of Boston University, who was a student of Johnson's. He talks about Johnson's life and his legacy. Allen reads two of Johnson's poems. Fields report is accompanied by photos of Johnson and a shot of the postage stamp bearing his image.
1:00:07: Visual: Footage of the Madison Park High School Glee Club singing "Lift Every Voice." Carmen Fields reports that "Lift Every Voice" is known as the "black national anthem"; that the words to the song were written by James Weldon Johnson; that Johnson was a poet, diplomat, educator and the first African American lawyer in the state of Florida. V: Shots of a black and white photo of Johnson; of the caption beneath the photo. Fields reports that Johnson fought for anti-lynching laws as the executive director of the NAACP (National Association for the Advancement of Colored People); that Johnson also wrote lyrics for operas with his brother. Fields reports that Samuel Allen (professor, Boston University) was one of Johnson's students at Fisk University in the 1930s. V: Shot of a painting of Johnson. Footage of Allen being interviewed by Fields. Allen says that Johnson was "a Renaissance man." Allen notes that Johnson was an artist, writer, and diplomat. Allen reviews Johnson's accomplishments as US consul in Venezuela and in Nicaragua. Fields reports that Johnson is known for his poetry; that Johnson's poetry reflects the religious fervor in African American culture. V: Shot of a book of poetry held by Allen. Footage of Allen talking about and reading Johnson's poems, "The Creation" and "God's Trombones." Allen says that Johnson tried to immortalize the sermon of an African American preacher. Shot of a black and white photograph of Johnson. Fields reports that critics accused Johnson of hypocrisy for using religious themes in his poetry. V: Footage of Allen saying that Johnson was an agnostic. Shot of an image of Johnson on a US Stamp. Fields reports that "Lift Every Voice" was once seen as an unpatriotic and divisive song; that the song is now sung by school choirs and in churches. Fields notes that the US Postal Service will issue a stamp in honor of Johnson; that the stamp includes musical notation from "Lift Every Voice." V: Footage of the Madison Park High School Glee Club singing "Lift Every Voice." Shot of the US postal stamp featuring Johnson's image. Footage of Allen reading the lyrics of "Lift Every Voice."
Collection: Ten O'Clock News
Date Created: 02/01/1988
Description: Composer John Cage creates a live musical performance event on WGBH radio's “Chamberworks.” "Chamberworks" host Bill Cavness introduces the piece and invites listeners to call in and become part of it. Cage sits in the booth and takes calls. Interview with Cage on the acceptance and understanding of his enigmatic, elusive work. Musicians play as part of the live musical performance. Interview with musicians on playing pieces composed by Cage.
Collection: Ten O'Clock News
Date Created: 10/25/1988
Description: Composer John Harbison working with Boston Symphony Orchestra conductor Seiji Ozawa on a piece commissioned by the BSO. Interview Harbison on his composing process and what he wants to listener to get out of his work. Ozawa leads the BSO in rehearsal of Harbison's work. Violinist Joel Smirnoff in back of orchestra.
Collection: Ten O'Clock News
Date Created: 03/22/1984
Description: Interview with Boston Pops conductor John Williams in back room at Symphony Hall. He compares the repertoires and missions of the Pops versus the Boston Symphony Orchestra. He speaks about his possible plans for expanding the repertoire of the orchestra, the types of music they might adapt, and the changes it would require. He says he doesn't want to use Pops as a place to showcase his own work. He laughs about kids always asking why he doesn't play Star Wars. He discusses his future involvement with Pops and staying in Boston. They shoot cutaways with no audio. Lydon reasks questions, with audio.
Collection: Ten O'Clock News
Date Created: 07/01/1981
Description: Stevie Wonder demonstrates a Kurweil Reading Machine with text-to-speech capability, which enables blind people to read printed text. He uses the machine to help him read instructions for his synthesizer, so he can compose a song. He jokes around with the audience. He sings part of "I Just Called to Say I Love You." A Boston politician presents Wonder with a commemorative award of his visit to Boston. Wonder addresses the crowd and talks about how the Reading Machine is making a more "harmonious world." Several takes of reporter stand up. A man demonstrates a computer with a touchscreen and Deck Talk features.
1:00:00: Visual: An audience from the technology industry is gathered in the ballroom of the Boston Park Plaza Hotel. Stevie Wonder (pop singer) is at the front of the room, preparing to demonstrate the Kurzweil reading machine and DECtalk machine, which allow him to fully operate a synthesizer. Wonder stands before the keyboard. Wonder explains that the computer keyboard interfaces with the synthesizer; that he cannot operate the machine because he cannot see the controls. Wonder pushes a knob and a computerized voice says what the button does. Wonder begins to program the keyboard. Wonder program the keyboard to play like a piano. Wonder programs the synthesizer to lay down a drumbeat. Wonder stops the drumbeat. Wonder plays and records the tune to the song, "I Just Called To Say I Love You." The audience applauds when he finishes. 1:05:57: V: Wonder says that the synthesizer allows him to create the sound of a band. He jokes that he cannot afford a band of his own. Wonder programs the synthesizer to sound like drums. Wonder plays the drum track over the recorded tune to the song, "I Just Called To Say I Love You." Shots of the audience. The audience applauds when he finishes. Wonder programs the synthesizer to play bass and strings. Wonder has to try a few times before successfully programming the machine. Wonder adds a track with strings to the other tracks of the song, "I Just Called To Say I Love You." 1:13:48: V: The audience applauds. Wonder sings along to the recorded tracks of the song, "I Just Called To Say I Love You." He adds a line to the song, singing "What it is, is something true, that technology like this makes it possible for me to do." The audience sings and claps along with Wonder. Wonder sings a line, thanking DEC (Digital Equipment Corporation) and Raymond Kurzweiler (inventor of the reading machine). The audience gives Wonder a standing ovation. Wonder is guided to the podium. 1:17:16: V: Shots of the audience. A speaker presents Wonder with a silver Revere Bowl from Ray Flynn (Mayor of Boston) commemorating his visit to Boston. The audience applauds. 1:18:15: V: Shot of Wonder from the back of the room. Wonder stands at the podium. He talks about how technology makes communication easier. Shots of audience applauding. Meg Vaillancourt stands at the back of the room. Vaillancourt reports on Wonder's demonstration of new technology. 1:20:08: V: Shots of a computer on display at a vendor's table. Vaillancourt interviews the computer vendor. The computer vendor demonstrates the touch-sensitive screen on his computer. A computerized voice identifies which icon has been pushed. The computer vendor explains that the screen can show either text icons or picture icons. The computer vendor talks about the different voice options on the computer. The computer vendor programs the computer voices to repeat stock phrases for the camera.
Collection: Ten O'Clock News
Date Created: 04/29/1985
Description: Grand lobby, interior of Music Hall. Ornate chandelier, marble columns, heavenly mural. Gilded architectural details — carved moldings, capitals, medallions, angels. Interview with Harry Lodge, who gives history of Music Hall (formerly Metropolitan Theater), originally designed in 1920s by Clarence Blackhall for Vaudeville and movies. Describes the proposed restoration program to be completed in fall 1980 if lease secured and funds raised. In order to bring the Metropolitan Opera to Boston, the theater needs deeper stage for performing arts, updated communication systems, ventilation systems, and a renovated auditorium (seats 4,300). The theater is used for ballet, concerts, movies. Lodge states that this renovation with revitalize Boston as a major center for the performing arts. Lodge shows a drawing of the proposed plan.
Collection: Ten O'Clock News
Date Created: 06/21/1977
Description: Marcus Jones reports that opera singer Paul Spencer Adkins will be performing the lead male role in the Boston Lyric Opera Company's production of Tosca. Adkins is one of the few African American tenors performing in operas. Interview with Adkins, who says that there have been few African American romantic leads in opera; he says that he wants more African Americans to enter classical music. Adkins talks about his admiration for classical singer Roland Hayes, who lived in Brookline. Jones notes that Adkins is working on a documentary about Hayes. Jones' report includes footage of Adkins rehearsing for Tosca and footage of Roland Hayes.
1:00:09: Visual: Footage of Paul Spencer Adkins (opera singer) exiting his dressing room before a performance. Marcus Jones reports that Adkins is from Pittsburgh, Pennsylvania; that Adkins is 38 years old; that Adkins has two children. Jones reports that Adkins is one of only a few African American tenors performing in an art form dominated by whites. V: Shots of the backstage area. Shots of a make-up artist applying make-up to Adkins. Shots of sheet music and wigs lying on top of a chest. Footage of Adkins saying that only a few African American men have achieved international recognition in the opera world. Adkins says that African American men have succeeded as baritones or basses; that there have been few successful African American romantic leads or tenors. Footage of Adkins performing the lead male role in Tosca at the Majestic Theatre. Jones reports that Adkins will perform in the Boston Lyric Opera Company's production of Tosca. Jones notes that Adkins is happy to perform in Boston; that Adkins is an admirer of Roland Hayes (classical singer), who lived in Brookline. V: Black and white footage of Hayes performing. Shots of a black and white photos of Hayes. Audio of Hayes performing a song. Footage of Adkins saying that Hayes was the first African American to have an international career as a classical singer. Adkins notes that Hayes was a tenor; that Hayes was never allowed to perform in an opera because of his race. Shot of a black and white photo of Hayes. Jones reports that Hayes was a trailblazer for African American men as classical singers. Jones notes that Adkins is working on a documentary about the life and time of Hayes; that the documentary is scheduled to air on PBS in February of 1990. V: Shot of Adkins being interviewed by Jones. Footage of Adkins saying that many talented African Americans do not enter classical music. Adkins says that he wants to show people that it is possible for an African American man to be a successful opera singer. Footage of Adkins performing in Tosca. Jones reports that Adkins has been in opera for eleven years; that Adkins is still considered young. V: Footage of Adkins saying that he has been the first African American tenor to perform on many opera stages across the US. Adkins says that he believes that he is making a difference; that he is proud to be African American. Adkins says that music can transcend race. Footage of Adkins performing in Tosca.
Collection: Ten O'Clock News
Date Created: 09/15/1989
Description: Interview with Seiji Ozawa at the start of his seventh season as music director and conductor of the Boston Symphony Orchestra. He talks about his first visit to America to study at Tanglewood, which started his relationship with the BSO. He talks about the character and tradition of the orchestra and Boston's pride in it — just as for the Red Sox. They shoot establishing shots and cutaways for editing.
Collection: Ten O'Clock News
Date Created: 10/04/1979
Description: Women's rights march on Beacon Hill and through downtown Boston. They gather at Government Center plaza. Woman sings women's rights folk song. Cuts of women speaking at a podium, especially about the issue of equal pay. One woman in the crowd argues that women already have more rights than men and criticizes the women speaking at the demonstration. Young people do a skit on stage. Closeups of people in the crowd, and signs with women's rights slogans. Quick clip of Governor Sargent speaking in the crowd. Rosemarie Van Camp does several takes of reporter standup. Sounds goes in and out throughout the video.
Collection: WHDH
Date Created: 08/26/1970