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Imani Institute

Description: Deborah Wang reports that 86 African American students attend the Imani Institute, a private school where students learn about their African heritage. Interview with institute director Ozzie Edwards, who says that parental involvement is key to a child's academic success. He adds that the students learn to be proud of their heritage. The school is housed temporarily in the Elliot Street Congregational Church. Many students formerly attended Boston public schools and area Catholic schools. Interview with President of the Parents' Council, Sadiki Kambon, who says that many African American students are not receiving a good education in the public schools. The Imani Institute needs to raise additional funds in order to make it past its first year.
1:00:11: Visual: Footage of four young African American female students stepping out of a car onto a sidewalk. The girls are dressed in school uniforms. Shots of students in uniforms gathered outside of the Elliot Congregational Church in Roxbury. Shot of an African American boy looking out of a window of the building. Deborah Wang reports that the Imani Institute is not a traditional parochial school. V: Footage of African American schoolchildren gathered in an auditorium. The students sing "Lift Every Voice." Shots of individual schoolchildren. Wang reports that a school assembly is held each morning; that each class has a Swahili name. Wang notes that the students recite a pledge about their African past. V: Footage of the schoolchildren at the assembly saying together, "We are the African people." Wang reports that there are 86 African American students at the Imani Institute; that the students learn about their African heritage. V: Shots of Imani students standing in a classroom; of students sitting in an assembly; of individual schoolchildren. Footage of Ozzie Edwards (Director, Imani Institute) saying that the school gives students a sense of pride about their heritage. Shot of a handwritten sign for the fourth grade class known as "Anika." Footage of an African American female teacher working with students in a classroom; of students working at desks. Wang reports that many of the educational concepts behind the Imani Institute date back to the 1960s; that these educational concepts are becoming more popular with parents. Wang notes that many parents believe that public schools are in crisis. V: Footage of Edwards saying that there are problems with the education of African American children. Edwards says that African American children are not achieving the level of education of other groups. Wang reports that many Imani students are former students of the Boston Public Schools; that some are former students of the African American Catholic school St. Francis de Sales. Wang notes that the St. Francis de Sales school closed over the summer. V: Shot of the exterior of the former St. Francis de Sales school building. Shot of an African American female teacher with young students in a classroom. The students sit in a circle on the floor. Shots of the students. Wang reports that parents of students at the Imani Institute have insisted on having input on the education provided by the school. V: Footage of Sadiki Kambon (President, Parents' Council) saying that many parents decided that the Imani Institute was the best place for their children; that the public schools are not providing a good education. Footage of Edwards saying that parental background and involvement are critical to a child's success in school. Edward says that parents need to be interested in their child's education; that parents do not have to be well educated. Shots of older students in a classroom with an African American male teacher. Shots of the teacher and the students. Wang reports that the school has no permanent home; that the school is housed temporarily in the Elliot Congregational Church. Wang notes that the Imani Institute must raise an additional $60,000 in order to make it past the first year. V: Shots of Imani students leaving the morning assembly.
Collection: Ten O'Clock News
Date Created: 09/12/1989

Patriots Day reenactment

Description: Hope Kelly reports on the annual reenactment on Patriot's Day of the ride of American Revolutionary leader William Dawes. Kelly notes that Dawes's ride is overshadowed by that of Paul Revere (American revolutionary leader). Dawes began his ride to Lexington in 1775 from the site of the First Church of Roxbury. Tom Plant (Roxbury historian) organizes the annual reenactment at the First Church of Roxbury. Plant and others in colonial costume participate in the reenactment. Interview iwth Plant and Butch Redding (Roxbury resident) about the reenactment and the rich history of the Roxbury neighborhood. Kelly reports that many historians overlook the sacrifices made by black soldiers during the American Revolution.
0:59:28: Visual: Shot of a man in colonial costume leading a horse to the front steps of the First Church of Roxbury. Shots of the weathervane and steeple of the church; of the steeple of the church. Hope Kelly reports that there has been a church located on the site of the First Church of Roxbury for 350 years; that William Dawes (American revolutionary leader) began his ride to Lexington in 1775 from the site of the First Church of Roxbury. Kelly notes that Paul Revere (American revolutionary leader) did not make his ride alone. V: Footage of Tom Plant (Roxbury historian) dressed in colonial costume. He speaks to a small crowd in front of the First Church of Roxbury. Plant says that many people forget that Dawes rode one of the most historic rides in American history. Plant says that Roxbury residents are thankful that Roxbury is a part of that history. Shots of a small crowd listening to Plant. Kelly reports that Plant is the president of the congregation of the First Church of Roxbury; that he is president of the Historical Society of Roxbury Highlands. Kelly says that Plant is the organizing force behind the annual re-enactment in Roxbury. V: Shots of Plant speaking; of men on horseback in colonial costume. Kelly reports that Plant sent William Dawes off on his ride with a blessing at the re-enactment. V: Footage of Plant giving a blessing. Shots of the man playing Dawes in the re-enactment; of the audience applauding. Footage of Plant being interviewed by Kelly. Kelly asks Plant what he was thinking about during the re-enactment. Plant says that he is often transported back to colonial times when he walks the streets of Roxbury. Plant says that he felt like he was transported back during the re-enactment. Shots of "Dawes" and another man on horseback riding away from the church on horseback. Footage of the audience singing as the men ride away. The audience includes Byron Rushing (state representative) and Butch Redding (Roxbury resident). Redding is dressed in colonial dress. Kelly reports that a small crowd was present to celebrate a neglected part of history. V: Footage of Butch Redding (Roxbury resident) being interviewed. Redding says that Roxbury is rich in both white American history and African American history. Shot of the crowd outside of the church. Kelly reports that many African American soldiers fought in the American Revolution; that they were treated with ambivalence by the American army. Kelly notes that the exclusion of people of color was the norm in the eighteenth century; that many forget the sacrifices made by soldiers of color in the American Revolution. V: Shots of Plant addressing a small audience from the pulpit of the First Church of Roxbury; of audience members. Footage of Plant addressing the audience about the role of African Americans in history.
Collection: Ten O'Clock News
Date Created: 04/15/1991

Sculptor John Wilson

Description: Marcus Jones reports that a sculpture by John Wilson will be installed on the lawn of the National Center of Afro-American Artists in Roxbury. Wilson created seven-feet high sculpture name Eternal Presence to mark the 350th anniversary of the black presence in Boston. Interview with Wilson and Elma Lewis (Artistic Director, National Center of Afro-American Artists) about the sculpture. Wilson says that the sculpture is evocative and confrontational. He adds that he is interested in hearing feedback about the sculpture. Jones notes that Wilson grew up in Roxbury. Shots of the sculpture and footage of Lewis addressing spectators in a gallery of the Center. Exteriors of the National Center of Afro-American Artists.
0:59:57: Visual: Footage of John Wilson (sculptor) saying that he has always expressed himself through art. Marcus Jones reports that Wilson grew up in Roxbury, not far from the National Center of Afro-American Artists (NCAAA). V: Shot of the exterior of the National Center of Afro-American Artists. Part of the yard is cordoned off. Jones notes that a collection of his work is being featured at the Center. V: Shot of Jones and Wilson walking through the Center. Shot of the foundation for Wilson's sculpture, outside of the Center. The area is cordoned off. Jones notes that Wilson has created a sculpture called Eternal Presence; that the sculpture will stand outside of the Center. V: Shots of the sculpture. Audio of Wilson describing it as a seven-foot high head of a black person. Footage of Wilson talking about the sculpture. Wilson says that he wants the sculpture to be evocative and confrontational. Footage of Elma Lewis (Artistic Director, NCAAA) saying that a man's culture must be understood by himself and others. Footage of Lewis addressing spectators in the gallery featuring Wilson's work. Lewis says that the sculpture will be installed on the lawn of the museum on October 4, 1987. Lewis tells a story about how she told a neighborhood boy that the museum was putting a sculpture of a boy like him on the lawn of the museum. Shots of the sculpture. Footage of Wilson saying that he is happy with the sculpture; that he will be interested in the response to the sculpture. Shot of Jones and Wilson talking. Wilson stands on one side of the sculpture. Jones stands on the other. Jones examines the sculpture.
Collection: Ten O'Clock News
Date Created: 10/01/1987