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Ralph Abernathy

Description: Jan von Mehren reports that Ralph Abernathy (author and civil rights activist) has written a book about his experiences in the civil rights movement with Martin Luther King, Jr. Von Mehren notes that Abernathy signed copies of the book in Cambridge; she adds that the book is called, And The Walls Came Tumbling Down. Von Mehren reports that the book is controversial because Abernathy has revealed King's human side and his faults. Von Mehren's reports includes footage of the book signing in Cambridge. Michael Dorn (Cambridge resident) says that he would rather not know compromising information about his heroes. Von Mehren interviews Abernathy. Abernathy says that King would have wanted him to write this book. Von Mehren notes that Morris Dees (Southern Poverty Law Center) is one of the leading critics of the book. Von Mehren reviews Abernathy's career in the civil rights movement. Von Mehren's reports includes footage of Abernathy speaking at the Cambridge Baptist Church, and later gathered in the church with Mel King and others. Von Mehren's report also includes clips of Abernathy and King from the film, From Montgomery to Memphis. After the edited story, there is additional black and white footage from From Montgomery to Memphis.
Collection: Ten O'Clock News
Date Created: 11/08/1989

South Boston High violence

Description: Marcus Jones reports that Ione Malloy (author and teacher) has written a book about the busing crisis in Boston called Southie Won't Go. Jones notes that Malloy was a teacher at South Boston High School during the busing crisis. He adds that Malloy's book is based on her notes and journal entries from that time. Jones interviews Malloy on the front steps of South Boston High School. Malloy says that she lived in constant fear for her safety during the busing crisis at South Boston High School. She recalls a tense staff meeting in the wake of the stabbing of a white student at the school in 1974. Malloy reads a journal entry written at the time of the stabbing. Malloy says that she wrote about the situation as she experienced it. Malloy adds that students were sacrificed in the name of social ideas during the busing crisis. Jones notes that Malloy does not state her opinions outright in her book. He adds that her point of view comes across through her journal entries. Jones' report is accompanied by footage of school desegregation at South Boston High School in the 1970s.
1:00:05: Visual: Footage of Ione Malloy (author and teacher) being interviewed by Marcus Jones outside of South Boston High School. Malloy says that the children were sacrificed in the name of social ideas. Jones reports that Ione Malloy spoke to him today about her new book, Southie Won't Go. Jones reports that armed troops patrolled South Boston High School during the busing crisis; that students and faculty were in constant fear for their safety. V: Footage of African American students exiting buses outside of South Boston High School. A police officere stands on the school grounds. Footage of Malloy being interviewed by Jones. Malloy says that she was in constant fear during the busing crisis. Malloy that her editors told her that she used the word "afraid" too often in her book. Jones reports that Malloy now teaches at the Boston Latin School. V: Shot of Massachusetts State Troopers standing at the entrance of South Boston High School as students enter. Footage of Malloy being interviewed. Malloy says that students were sometimes too afraid to move from their seats. Jones reports that Malloy says that she has not returned to South Boston High School in nine years. Jones notes that Malloy says that her recollections of the tensions inside the school are still vivid. V: Shots of the exterior of South Boston High School; of Malloy and Jones sitting on the steps of the school. Jones reports that Malloy recalls a heated staff meeting called in response to the stabbing of a white student in December of 1974. Jones notes that the victim's name was Michael Faith. V: Shot of a newspaper article with a headline reading, "Eight South Boston district schools shut down after stabbing, crowd-police clash." Footage of Malloy being interviewed by Jones. Malloy says that an African American teacher stood up at the meeting to say that Faith got what he deserved. Malloy says that a white aide from South Boston stood up to say that the African American teacher should get what he deserves. Malloy says that another African American teacher stood up to say that no one deserves to be stabbed. Malloy says that she was shaking during the meeting. Jones reports that Malloy's work is in the form of a diary; that her book is a condensed version of her original notes. Jones notes that Malloy left out her own personal opinions of the events. V: Shot of Malloy and Jones looking through a scrapbook of newspaper clippings of the busing crisis. Jones reports that Malloy does not state her opinions outright; that her journal entries speak for themselves. V: Footage of Malloy and Jones on the steps of South Boston High School. Malloy reads a journal entry about the stabbing of Faith. Malloy says that writing in her journal was a catharsis at the time. Malloy says that she would like to see justice done by telling the truth of the events as she experienced them. Malloy says that people can compare her account of the events with the rulings and opinions of the court. Shot of Jones and Malloy sitting on the steps of the school.
Collection: Ten O'Clock News
Date Created: 07/21/1986

Teko Manong

Description: David Boeri profiles Teko Manong, a South African exile, author and playwright, who has been living in the US for thirty years. Boeri notes that Manong was jailed in South Africa for anti-apartheid activities. Manong escaped from prison and fled to Ghana and then to the US. Interview with Manong, who talks about apartheid in South Africa and his participation in the defiance campaign and the potato boycott in South Africa in the 1950s. Manong talks about Nelson Mandela. Manong tells Boeri that his plays have received little critical recognition or success in the US. He says that his time in exile has been wasted. Manong says that he does not want to return to South Africa because he does not trust white South Africans. Boeri reports that black playwrights like Manong have found little success with US audiences. He notes that Manong has been supporting himself by working in the kitchen of a local restaurant. Boeri adds that Manong represents the thwarted hopes of many black South Africans. Boeri's report includes footage of Manong working in the kitchen of a restaurant.
1:00:08: Visual: Footage of Teko Manong (South African exile) walking across a parking lot and entering a building. Footage of Manong working in the kitchen of a restaurant. Boeri reports that Manong is one of the thousands of South Africans who are exiled from their homeland. Boeri reports that Manong has been in the US for thirty years; that Manong grew up in Soweto. V: Shot of a black and white photo of Manong as a boy in Soweto. He stands with two other boys. Footage of Manong working in the restaurant kitchen. Boeri reports that Manong joined the defiance campaign and the potato boycott in South Africa in the 1950s. V: Footage of Manong being interviewed by Boeri. Manong says that white South African potato farmers would bury the bodies of murdered black South Africans in their fields. Manong says that the potato farmers would brag about the size of their crops and the effectiveness of their "fertilizer." Close-up shot of Manong flipping through his South African passbook. Boeri reports that black South Africans were forced to carry their passbooks at all times. Boeri notes that Manong organized a pass burning campaign in the 1960s; that the campaign resulted in mass arrests. Boeri reports that Manong was jailed without trial; that his promising career as playwright and composer was brought to an end. V: Footage of Manong in the restaurant kitchen. Manong breaks eggs into a large metal pan. Manong pours the eggs into a large pot. Shot of Manong leaving a building and walking across a parking lot. Boeri reports that Manong escaped from prison and journied to Ghana. Boeri notes that Manong worked for the South African resistance movement while in Ghana; that Manong met Nelson Mandela (black South African leader). V: Shot of a framed drawing of Mandela. Footage of Manong being interviewed by Boeri. Manong says that Mandela was a great leader; that Mandela helped him personally. Manong says that Mandela would often defend people without money when he was a lawyer; that Mandela was a remarkable man. Shot of Manong's US documents identifying him as a refugee. Boeri reports that Mandela helped Manong get to England; that Manong had hoped to pursue his career in England. Boeri reports that Manong has been politically silenced in South Africa; that Manong has been commercially silenced in the US. V: Shot of a poster for the South African play Survival. Boeri reports that white South African playwrights have found producers and audiences in the US; that Manong has had little success because he is black and foreign. V: Footage of Manong being interviewed by Boeri. Manong says that his time in exile has been wasted. Boeri asks about the plays he has written while in exile. Manong says that he never should have escaped from prison; that he should have served time in jail for the cause like Mandela did. Boeri reports that Manong has not seen his wife or daughter for thirty years; that he was unable to return to South Africa for the funeral of his mother. V: Shot of a photo of a young black South African woman; of a black and white photo of Manong's parents; of a black and white photo of a gathering of black South Africans. Footage of Manong being interviewed by Boeri. Manong says that he does not want to return to South Africa; that he does not trust white people in South Africa. Footage of Manong working in the restaurant kitchen. Boeri reports that Manong has written a play titled Excuse Me While I Disappear. Boeri notes that Manong represents the blighted hopes of many talented South Africans.
Collection: Ten O'Clock News
Date Created: 06/21/1990

The Heidi Chronicles

Description: Interview with playwright Wendy Wasserstein on "The Heidi Chronicles" and the evolution and complexities of the women's movement. Footage of a performance of the play.
Collection: Ten O'Clock News
Date Created: 03/08/1991

Updike interview part 1

Description: Parts of a series of interviews with John Updike. First interview is about his interest in visual art and his experience drawing. He comments on cartoons and modernism. After a long pause in footage, there is a discussion between Updike and Lydon, while the cutaways are being shot. The second interview is about Eastern European writers, during which he mentions Danilo Kis, Bruno Schulz, and Milan Kundera. Tape ends with an extended shot of Updike's book "Just Looking." part 1 of 2.
Collection: Ten O'Clock News
Date Created: 12/21/1989

Updike interview, Part 2

Description: Studio interview with John Updike about Eastern European writers. He recommends Yugoslav writer Danilo Kis, although it might be hard to find in bookstores. He also talks about a Polish writers including Bruno Schulz. He compares Polish poets and prose writer. He talks about the work of Milan Kundera. He describes Eastern Europeans writers' situation and their often surreal styles sometimes resulting in "magical realism."
Collection: Ten O'Clock News
Date Created: 12/22/1989