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2 Live Crew

Description: Opens with a discussion of the obscenity of 2 Live Crew's music and their reception across the country. Interview with City Councillor James Kelly, who wants concert moved to Combat Zone. Rap group cancels for business reason. Kelly at desk. Exterior and interior shots of the Channel night club, and interview with owner Harry Booras. Blank spot between story and b-roll (concert video).
Collection: Ten O'Clock News
Date Created: 07/20/1990

Arlo Guthrie

Description: Crowd of young hippies. Alice's Restaurant movie posters. Man playing guitar in front of audience. Arlo Guthrie. Shot of Joan Baez.
Collection: WHDH
Date Created: 08/19/1960

Beverly Sills

Description: Interview with Beverly Sills on experiencing prejudice as woman directing an opera company and how the world is changing to allow women more opportunities. She comments on opera as expensive art form and how she tried to make quality opera that all people could afford, and that if specific opera communities are catering to the elite, she thinks the consumer can "make a lot of noise" and help to change that. She also mentions censorship in the arts and Robert Mapplethorpe. Clips of Sills singing.
Collection: Ten O'Clock News
Date Created: 04/17/1991

Black Nativity

Description: Coverage of the annual performance of Black Nativity by Langston Hughes. The performance takes place in the Opera House in Boston. Interview with Music Director John Ross, who talks about the play. He says that the story of the nativity is told in a "black context," using traditional music. Excerpts from the performance.
1:00:08: Visual: Shots of schoolchildren entering an auditorium. V: Footage from the Black Nativity performed at the Opera House in Boston. V: Footage of John A. Ross (Music Director) saying that Langston Hughes used the Bible as a source for Black Nativity; that the story is told in a "black context." Ross says that the play relies on traditional gospel music. V: Footage from the performance of Black Nativity. V: Footage of a female African American student saying that some of her friends and former teachers were in the performance. Footage of a female African American student saying that the play shows us "how God began his life." Footage of a female white students saying that the acting is good; that the play is "pretty." Footage of a group of African American students in the lobby. One student says that he likes the music. Another student says that she likes everything. V: Footage from the performance of Black Nativity.
Collection: Ten O'Clock News
Date Created: 12/08/1989

Boston Symphony, Seiji Ozawa

Description: Setting up in studio booth for a digital recording of the Boston Symphony Orchestra. Closeups on SoundStream tape decks. Closeup on TELARC NEOTEK sound board. Seiji Ozawa conducts Boston Symphony Orchestra in rehearsal with Yo-Yo Ma playing Monn-Schoenberg cello concerto, which they're recording. Ozawa talks with audio engineers.
Collection: Ten O'Clock News
Date Created: 10/24/1984

Boston rock groups

Description: Story on the thriving Boston rock scene. Interviews with musicians who came from Boston. Footage of Boston Music Awards. Up and coming bands mentioned include Down Avenue, The Liars, and New Man. Aimee Mann thanks crowd. Marcus Jones focuses on one up and coming band, The Regulars. Interview with lead singer on why he's based in Boston. Interview with Debbie Gilberg, manager of The Regulars. Jones says that Boston is a good place to develop a local base following because it has venues and radio that feature local artists. Interview with radio DJ on finding good local bands to play on the air. Footage from Tracy Chapman's Fast Car music video. Interview with Jeff Marshall, founder of Monolith Records, on signing bands to smaller labels. following the edited story is b-roll of Newbury Comics interiors with closeups on album covers. Exterior of Newbury Comics.
Collection: Ten O'Clock News
Date Created: 09/16/1988

Conductor Kay George Roberts

Description: Marcus Jones interviews conductor Kay George Roberts about her career as one of the few African American female orchestral conductors. Roberts answers the question "what is it like to be a black woman conductor?" Roberts talks about race and gender in classical music. Jones reviews Roberts's career. Roberts is the first woman to receive a PhD in orchestra conducting from Yale University. Jones' report includes footage of Roberts conducting an orchestra. The tape also includes additional footage of the interview with Roberts and additional footage of Roberts conducting the orchestra.
1:00:03: Visual: Footage of Kay George Roberts (conductor) walking onto a stage to conduct. The audience applauds. Footage of Roberts being interviewed by Marcus Jones. Roberts says that women have not traditionally been the conductors of orchestras. Jones asks if women conductors are different from men conductors. Roberts jokes that women are probably better conductors than men. Footage of Roberts conducting an orchestra. Jones reports that Roberts is one of only a few African American female orchestral conductors. V: Footage of Robers being interviewed by Jones. Jones asks if Roberts ever takes offense when people point to her race instead of her skill. Roberts says that she is not offended by the acknowledgement of her race and gender. Roberts says that black Americans are always referred to as "black Americans"; that black Americans are rarely referred to as "Americans." Jones reports that Roberts is the first woman to receive a PhD in orchestra conducting from Yale University; that she is the second African American to do so. Jones notes that Roberts has been a professor and orchestra conductor since 1978 at the University of Lowell. V: Footage of Roberts conducting an orchestra. Footage of Roberts saying that she will always teach; that she enjoys the excitement and energy of young students and college-age students. Footage of Roberts conducting. Jones reports that Roberts and several female composers will perform a marathon of contemporary classical works at the First Parish Church in Watertown. Jones notes that Roberts hopes the annual event will broaden appreciation for contemporary classical works. V: Footage of Roberts saying that she would love to have the opportunity to conduct a major orchestra. Footage of Roberts conducting an orchestra.
Collection: Ten O'Clock News
Date Created: 04/21/1989

Count Basie

Description: Interview with jazz pianist and band leader Count Basie at the Berklee Performance Center. He talks about his long career and current musicians.
Collection: Ten O'Clock News
Date Created: 03/25/1982

Diana Ross rehearses

Description: Diana Ross rehearses at Music Hall. She wears a "Boston Loves Diana Ross" T-shirt. She answers questions from reporters at the edge of the stage. She talks about playing Dorothy in the Wiz and her inspirations. She talks about having children.
Collection: Ten O'Clock News
Date Created: 02/10/1977

Ellington, Duke

Description: Duke Ellington playing on stage at the Marcus Garvey festival.
Collection: WHDH
Date Created: 08/16/1970

Fiedler Obituary

Description: Arthur Fiedler obituary. History of the Boston Pops bringing symphony music to all people. Clips from interview with Fielder on starting the Pops and the original Shell performance space. Footage from Pop Fourth of July performance.
Collection: Ten O'Clock News
Date Created: 07/10/1979

Frank Zappa on rating rock lyrics

Description: Kennedy School forum on rating lyrics. Woman speaks on a Senate hearing on the Parent Music Resource Center proposal, which says the record companies have a responsibility to identify recordings with explicit lyrics, and have the option to print the lyrics on the album covers. Frank Zappa speaks. He argues against the Senate hearing, especially advocating for the rights of those who wrote the lyrics. He quotes PMRC member, Tipper Gore. He recounts the Senate hearing. Throughout his comments, he pokes fun at those involved.
Collection: Ten O'Clock News
Date Created: 10/31/1985

Franklin Park Zoo

Description: Marcus Jones reports on the Franklin Park Zoo's programs in celebration of Black History Month. The zoo's Black Arts Festival celebrates the roots of contemporary African American culture. There are various performances, including rapping, dancing, and storytelling. Interview with spokesperson Barbara Levitoff, who talks about the important link between the zoo and the community. Following the edited story is b-roll of animals at the zoo, including antelope, wildebeests, and zebras.
1:00:07: Visual: Footage of a young African American man rapping into a microphone. Another young African American man breakdances behind him. Footage of a breakdancer performing for an audience of schoolchildren. Footage of an African American woman telling a story to a class of elementary school students. Most of the students are African American or minority. Marcus Jones reports that the Franklin Park Zoo celebrates Black History Month with programs including singing, dancing, and storytelling. V: Footage of Barbara Levitoff (Franklin Park Zoo spokesperson) saying that the Franklin Park Zoo is a "community zoo"; that the Franklin Park Zoo is using its community resource room for Black History Month programs. Jones reports that the Black Arts Festival at the Franklin Park Zoo celebrates the roots of contemporary African American culture; that the program focuses on the African wildlife at the zoo. V: Shots of the storyteller; a breakdancer spinning on his head; of a zebra. Footage of white woman telling a story to a room of schoolchildren; of white and African American rappers and breakdancers performing for an audience of schoolchildren. Jones reports that the program features folklore, poetry, and rap music; that the rap music has a "pro-achievement and anti-drug" message. Jones says that the programs provide a positive boost for a public resource which is struggling to improve its image and facilities. V: Shots of gnus at the zoo. Footage of Levitoff saying that cities need zoos; that the public likes zoos. Marcus Jones stands on the snowy grounds of the Franklin Park Zoo. Jones reports that renovations at the zoo are scheduled to be completed in 1989; that the zoo will have an African theme. Jones notes that the Black History Month programs are a way for the zoo to strengthen its links with the community; that the zoo is a resource for people of all cultures and backgrounds.
Collection: Ten O'Clock News
Date Created: 02/18/1987

Garvey, Marcus

Description: Air piece on a festival held in honor of Marcus Garvey a black separatist. Reporter standup. Music and dancing. Speech by a black preacher on the importance of Marcus Garvey as an inspiration to civil rights leaders. Park dedicated to Garvey by the Boston Black United Front.
Collection: WHDH
Date Created: 08/16/1970

Greek dancers at State House

Description: Greek dancers in traditional folk costumes do circle dances in Massachusetts State House rotunda to celebrate Greek independence day. Crowd of spectators. Greek music, and crowd sings Greek songs. Michael Dukakis, Kitty Dukakis, William Bulger, and Paul Tsongas join in. Buzzing sounds over audio at the end of video.
Collection: Ten O'Clock News
Date Created: 03/15/1983

Hippies

Description: Compilation of silent and sound footage about the presence of hippies in Cambridge and Boston. Harvard Square and Cambridge Common environs. Reporter standup on a police raid at a "hippie apartment" arresting members of a group called "the Diggers." Interviews with Police Sergeant Duncan O'Neill and Digger member Vernon Becker. Rock band plays to a crowd. Hippies playing music surrounded by people sitting on grass of the Cambridge Common. Interview with Dr. Faderman and Dr. Allen on the hippie lifestyle and societal reactions to the movement. Interviews with Ian Frankenstein, Lou Crampton, Sofia Gibbons, Patricia Keating and other commune members, who describe their communal accommodations and lifestyle on Fort Hill. Discussion of drug use in the hippie movement. Interview with Cambridge Mayor Daniel Hayes on his legal crackdown on hippie communities. They shoot the cutaways of the reporter Jim Pansullo reasking the questions.
Collection: WHDH
Date Created: 1967...1968

James Weldon Johnson

Description: Carmen Fields reports that the US Postal Service will issue a postage stamp bearing James Weldon Johnson's image in honor of Black History Month. Johnson was a poet, lawyer, diplomat, composer, and former director of the NAACP. Johnson is the composer of "Lift Every Voice," which is known as the "black national anthem." The Madison Park High School Choir performing "Lift Every Voice. Interview with professor Samuel Allen of Boston University, who was a student of Johnson's. He talks about Johnson's life and his legacy. Allen reads two of Johnson's poems. Fields report is accompanied by photos of Johnson and a shot of the postage stamp bearing his image.
1:00:07: Visual: Footage of the Madison Park High School Glee Club singing "Lift Every Voice." Carmen Fields reports that "Lift Every Voice" is known as the "black national anthem"; that the words to the song were written by James Weldon Johnson; that Johnson was a poet, diplomat, educator and the first African American lawyer in the state of Florida. V: Shots of a black and white photo of Johnson; of the caption beneath the photo. Fields reports that Johnson fought for anti-lynching laws as the executive director of the NAACP (National Association for the Advancement of Colored People); that Johnson also wrote lyrics for operas with his brother. Fields reports that Samuel Allen (professor, Boston University) was one of Johnson's students at Fisk University in the 1930s. V: Shot of a painting of Johnson. Footage of Allen being interviewed by Fields. Allen says that Johnson was "a Renaissance man." Allen notes that Johnson was an artist, writer, and diplomat. Allen reviews Johnson's accomplishments as US consul in Venezuela and in Nicaragua. Fields reports that Johnson is known for his poetry; that Johnson's poetry reflects the religious fervor in African American culture. V: Shot of a book of poetry held by Allen. Footage of Allen talking about and reading Johnson's poems, "The Creation" and "God's Trombones." Allen says that Johnson tried to immortalize the sermon of an African American preacher. Shot of a black and white photograph of Johnson. Fields reports that critics accused Johnson of hypocrisy for using religious themes in his poetry. V: Footage of Allen saying that Johnson was an agnostic. Shot of an image of Johnson on a US Stamp. Fields reports that "Lift Every Voice" was once seen as an unpatriotic and divisive song; that the song is now sung by school choirs and in churches. Fields notes that the US Postal Service will issue a stamp in honor of Johnson; that the stamp includes musical notation from "Lift Every Voice." V: Footage of the Madison Park High School Glee Club singing "Lift Every Voice." Shot of the US postal stamp featuring Johnson's image. Footage of Allen reading the lyrics of "Lift Every Voice."
Collection: Ten O'Clock News
Date Created: 02/01/1988

John Cage

Description: Composer John Cage creates a live musical performance event on WGBH radio's “Chamberworks.” "Chamberworks" host Bill Cavness introduces the piece and invites listeners to call in and become part of it. Cage sits in the booth and takes calls. Interview with Cage on the acceptance and understanding of his enigmatic, elusive work. Musicians play as part of the live musical performance. Interview with musicians on playing pieces composed by Cage.
Collection: Ten O'Clock News
Date Created: 10/25/1988

John Harbison

Description: Composer John Harbison working with Boston Symphony Orchestra conductor Seiji Ozawa on a piece commissioned by the BSO. Interview Harbison on his composing process and what he wants to listener to get out of his work. Ozawa leads the BSO in rehearsal of Harbison's work. Violinist Joel Smirnoff in back of orchestra.
Collection: Ten O'Clock News
Date Created: 03/22/1984

John Williams interview

Description: Interview with Boston Pops conductor John Williams in back room at Symphony Hall. He compares the repertoires and missions of the Pops versus the Boston Symphony Orchestra. He speaks about his possible plans for expanding the repertoire of the orchestra, the types of music they might adapt, and the changes it would require. He says he doesn't want to use Pops as a place to showcase his own work. He laughs about kids always asking why he doesn't play Star Wars. He discusses his future involvement with Pops and staying in Boston. They shoot cutaways with no audio. Lydon reasks questions, with audio.
Collection: Ten O'Clock News
Date Created: 07/01/1981