Description: Opens with a discussion of the obscenity of 2 Live Crew's music and their reception across the country. Interview with City Councillor James Kelly, who wants concert moved to Combat Zone. Rap group cancels for business reason. Kelly at desk. Exterior and interior shots of the Channel night club, and interview with owner Harry Booras. Blank spot between story and b-roll (concert video).
Collection: Ten O'Clock News
Date Created: 07/20/1990
Description: Crowd of young hippies. Alice's Restaurant movie posters. Man playing guitar in front of audience. Arlo Guthrie. Shot of Joan Baez.
Collection: WHDH
Date Created: 08/19/1960
Description: Interview with Beverly Sills on experiencing prejudice as woman directing an opera company and how the world is changing to allow women more opportunities. She comments on opera as expensive art form and how she tried to make quality opera that all people could afford, and that if specific opera communities are catering to the elite, she thinks the consumer can "make a lot of noise" and help to change that. She also mentions censorship in the arts and Robert Mapplethorpe. Clips of Sills singing.
Collection: Ten O'Clock News
Date Created: 04/17/1991
Description: Coverage of the annual performance of Black Nativity by Langston Hughes. The performance takes place in the Opera House in Boston. Interview with Music Director John Ross, who talks about the play. He says that the story of the nativity is told in a "black context," using traditional music. Excerpts from the performance.
1:00:08: Visual: Shots of schoolchildren entering an auditorium. V: Footage from the Black Nativity performed at the Opera House in Boston. V: Footage of John A. Ross (Music Director) saying that Langston Hughes used the Bible as a source for Black Nativity; that the story is told in a "black context." Ross says that the play relies on traditional gospel music. V: Footage from the performance of Black Nativity. V: Footage of a female African American student saying that some of her friends and former teachers were in the performance. Footage of a female African American student saying that the play shows us "how God began his life." Footage of a female white students saying that the acting is good; that the play is "pretty." Footage of a group of African American students in the lobby. One student says that he likes the music. Another student says that she likes everything. V: Footage from the performance of Black Nativity.
Collection: Ten O'Clock News
Date Created: 12/08/1989
Description: Setting up in studio booth for a digital recording of the Boston Symphony Orchestra. Closeups on SoundStream tape decks. Closeup on TELARC NEOTEK sound board. Seiji Ozawa conducts Boston Symphony Orchestra in rehearsal with Yo-Yo Ma playing Monn-Schoenberg cello concerto, which they're recording. Ozawa talks with audio engineers.
Collection: Ten O'Clock News
Date Created: 10/24/1984
Description: Story on the thriving Boston rock scene. Interviews with musicians who came from Boston. Footage of Boston Music Awards. Up and coming bands mentioned include Down Avenue, The Liars, and New Man. Aimee Mann thanks crowd. Marcus Jones focuses on one up and coming band, The Regulars. Interview with lead singer on why he's based in Boston. Interview with Debbie Gilberg, manager of The Regulars. Jones says that Boston is a good place to develop a local base following because it has venues and radio that feature local artists. Interview with radio DJ on finding good local bands to play on the air. Footage from Tracy Chapman's Fast Car music video. Interview with Jeff Marshall, founder of Monolith Records, on signing bands to smaller labels. following the edited story is b-roll of Newbury Comics interiors with closeups on album covers. Exterior of Newbury Comics.
Collection: Ten O'Clock News
Date Created: 09/16/1988
Description: Marcus Jones interviews conductor Kay George Roberts about her career as one of the few African American female orchestral conductors. Roberts answers the question "what is it like to be a black woman conductor?" Roberts talks about race and gender in classical music. Jones reviews Roberts's career. Roberts is the first woman to receive a PhD in orchestra conducting from Yale University. Jones' report includes footage of Roberts conducting an orchestra. The tape also includes additional footage of the interview with Roberts and additional footage of Roberts conducting the orchestra.
1:00:03: Visual: Footage of Kay George Roberts (conductor) walking onto a stage to conduct. The audience applauds. Footage of Roberts being interviewed by Marcus Jones. Roberts says that women have not traditionally been the conductors of orchestras. Jones asks if women conductors are different from men conductors. Roberts jokes that women are probably better conductors than men. Footage of Roberts conducting an orchestra. Jones reports that Roberts is one of only a few African American female orchestral conductors. V: Footage of Robers being interviewed by Jones. Jones asks if Roberts ever takes offense when people point to her race instead of her skill. Roberts says that she is not offended by the acknowledgement of her race and gender. Roberts says that black Americans are always referred to as "black Americans"; that black Americans are rarely referred to as "Americans." Jones reports that Roberts is the first woman to receive a PhD in orchestra conducting from Yale University; that she is the second African American to do so. Jones notes that Roberts has been a professor and orchestra conductor since 1978 at the University of Lowell. V: Footage of Roberts conducting an orchestra. Footage of Roberts saying that she will always teach; that she enjoys the excitement and energy of young students and college-age students. Footage of Roberts conducting. Jones reports that Roberts and several female composers will perform a marathon of contemporary classical works at the First Parish Church in Watertown. Jones notes that Roberts hopes the annual event will broaden appreciation for contemporary classical works. V: Footage of Roberts saying that she would love to have the opportunity to conduct a major orchestra. Footage of Roberts conducting an orchestra.
Collection: Ten O'Clock News
Date Created: 04/21/1989
Description: Interview with jazz pianist and band leader Count Basie at the Berklee Performance Center. He talks about his long career and current musicians.
Collection: Ten O'Clock News
Date Created: 03/25/1982
Description: Diana Ross rehearses at Music Hall. She wears a "Boston Loves Diana Ross" T-shirt. She answers questions from reporters at the edge of the stage. She talks about playing Dorothy in the Wiz and her inspirations. She talks about having children.
Collection: Ten O'Clock News
Date Created: 02/10/1977
Description: Duke Ellington playing on stage at the Marcus Garvey festival.
Collection: WHDH
Date Created: 08/16/1970
Description: Arthur Fiedler obituary. History of the Boston Pops bringing symphony music to all people. Clips from interview with Fielder on starting the Pops and the original Shell performance space. Footage from Pop Fourth of July performance.
Collection: Ten O'Clock News
Date Created: 07/10/1979
Description: Kennedy School forum on rating lyrics. Woman speaks on a Senate hearing on the Parent Music Resource Center proposal, which says the record companies have a responsibility to identify recordings with explicit lyrics, and have the option to print the lyrics on the album covers. Frank Zappa speaks. He argues against the Senate hearing, especially advocating for the rights of those who wrote the lyrics. He quotes PMRC member, Tipper Gore. He recounts the Senate hearing. Throughout his comments, he pokes fun at those involved.
Collection: Ten O'Clock News
Date Created: 10/31/1985
Description: Marcus Jones reports on the Franklin Park Zoo's programs in celebration of Black History Month. The zoo's Black Arts Festival celebrates the roots of contemporary African American culture. There are various performances, including rapping, dancing, and storytelling. Interview with spokesperson Barbara Levitoff, who talks about the important link between the zoo and the community. Following the edited story is b-roll of animals at the zoo, including antelope, wildebeests, and zebras.
1:00:07: Visual: Footage of a young African American man rapping into a microphone. Another young African American man breakdances behind him. Footage of a breakdancer performing for an audience of schoolchildren. Footage of an African American woman telling a story to a class of elementary school students. Most of the students are African American or minority. Marcus Jones reports that the Franklin Park Zoo celebrates Black History Month with programs including singing, dancing, and storytelling. V: Footage of Barbara Levitoff (Franklin Park Zoo spokesperson) saying that the Franklin Park Zoo is a "community zoo"; that the Franklin Park Zoo is using its community resource room for Black History Month programs. Jones reports that the Black Arts Festival at the Franklin Park Zoo celebrates the roots of contemporary African American culture; that the program focuses on the African wildlife at the zoo. V: Shots of the storyteller; a breakdancer spinning on his head; of a zebra. Footage of white woman telling a story to a room of schoolchildren; of white and African American rappers and breakdancers performing for an audience of schoolchildren. Jones reports that the program features folklore, poetry, and rap music; that the rap music has a "pro-achievement and anti-drug" message. Jones says that the programs provide a positive boost for a public resource which is struggling to improve its image and facilities. V: Shots of gnus at the zoo. Footage of Levitoff saying that cities need zoos; that the public likes zoos. Marcus Jones stands on the snowy grounds of the Franklin Park Zoo. Jones reports that renovations at the zoo are scheduled to be completed in 1989; that the zoo will have an African theme. Jones notes that the Black History Month programs are a way for the zoo to strengthen its links with the community; that the zoo is a resource for people of all cultures and backgrounds.
Collection: Ten O'Clock News
Date Created: 02/18/1987
Description: Air piece on a festival held in honor of Marcus Garvey a black separatist. Reporter standup. Music and dancing. Speech by a black preacher on the importance of Marcus Garvey as an inspiration to civil rights leaders. Park dedicated to Garvey by the Boston Black United Front.
Collection: WHDH
Date Created: 08/16/1970
Description: Greek dancers in traditional folk costumes do circle dances in Massachusetts State House rotunda to celebrate Greek independence day. Crowd of spectators. Greek music, and crowd sings Greek songs. Michael Dukakis, Kitty Dukakis, William Bulger, and Paul Tsongas join in. Buzzing sounds over audio at the end of video.
Collection: Ten O'Clock News
Date Created: 03/15/1983
Description: Compilation of silent and sound footage about the presence of hippies in Cambridge and Boston. Harvard Square and Cambridge Common environs. Reporter standup on a police raid at a "hippie apartment" arresting members of a group called "the Diggers." Interviews with Police Sergeant Duncan O'Neill and Digger member Vernon Becker. Rock band plays to a crowd. Hippies playing music surrounded by people sitting on grass of the Cambridge Common. Interview with Dr. Faderman and Dr. Allen on the hippie lifestyle and societal reactions to the movement. Interviews with Ian Frankenstein, Lou Crampton, Sofia Gibbons, Patricia Keating and other commune members, who describe their communal accommodations and lifestyle on Fort Hill. Discussion of drug use in the hippie movement. Interview with Cambridge Mayor Daniel Hayes on his legal crackdown on hippie communities. They shoot the cutaways of the reporter Jim Pansullo reasking the questions.
Collection: WHDH
Date Created: 1967...1968
Description: Carmen Fields reports that the US Postal Service will issue a postage stamp bearing James Weldon Johnson's image in honor of Black History Month. Johnson was a poet, lawyer, diplomat, composer, and former director of the NAACP. Johnson is the composer of "Lift Every Voice," which is known as the "black national anthem." The Madison Park High School Choir performing "Lift Every Voice. Interview with professor Samuel Allen of Boston University, who was a student of Johnson's. He talks about Johnson's life and his legacy. Allen reads two of Johnson's poems. Fields report is accompanied by photos of Johnson and a shot of the postage stamp bearing his image.
1:00:07: Visual: Footage of the Madison Park High School Glee Club singing "Lift Every Voice." Carmen Fields reports that "Lift Every Voice" is known as the "black national anthem"; that the words to the song were written by James Weldon Johnson; that Johnson was a poet, diplomat, educator and the first African American lawyer in the state of Florida. V: Shots of a black and white photo of Johnson; of the caption beneath the photo. Fields reports that Johnson fought for anti-lynching laws as the executive director of the NAACP (National Association for the Advancement of Colored People); that Johnson also wrote lyrics for operas with his brother. Fields reports that Samuel Allen (professor, Boston University) was one of Johnson's students at Fisk University in the 1930s. V: Shot of a painting of Johnson. Footage of Allen being interviewed by Fields. Allen says that Johnson was "a Renaissance man." Allen notes that Johnson was an artist, writer, and diplomat. Allen reviews Johnson's accomplishments as US consul in Venezuela and in Nicaragua. Fields reports that Johnson is known for his poetry; that Johnson's poetry reflects the religious fervor in African American culture. V: Shot of a book of poetry held by Allen. Footage of Allen talking about and reading Johnson's poems, "The Creation" and "God's Trombones." Allen says that Johnson tried to immortalize the sermon of an African American preacher. Shot of a black and white photograph of Johnson. Fields reports that critics accused Johnson of hypocrisy for using religious themes in his poetry. V: Footage of Allen saying that Johnson was an agnostic. Shot of an image of Johnson on a US Stamp. Fields reports that "Lift Every Voice" was once seen as an unpatriotic and divisive song; that the song is now sung by school choirs and in churches. Fields notes that the US Postal Service will issue a stamp in honor of Johnson; that the stamp includes musical notation from "Lift Every Voice." V: Footage of the Madison Park High School Glee Club singing "Lift Every Voice." Shot of the US postal stamp featuring Johnson's image. Footage of Allen reading the lyrics of "Lift Every Voice."
Collection: Ten O'Clock News
Date Created: 02/01/1988
Description: Composer John Cage creates a live musical performance event on WGBH radio's “Chamberworks.” "Chamberworks" host Bill Cavness introduces the piece and invites listeners to call in and become part of it. Cage sits in the booth and takes calls. Interview with Cage on the acceptance and understanding of his enigmatic, elusive work. Musicians play as part of the live musical performance. Interview with musicians on playing pieces composed by Cage.
Collection: Ten O'Clock News
Date Created: 10/25/1988
Description: Composer John Harbison working with Boston Symphony Orchestra conductor Seiji Ozawa on a piece commissioned by the BSO. Interview Harbison on his composing process and what he wants to listener to get out of his work. Ozawa leads the BSO in rehearsal of Harbison's work. Violinist Joel Smirnoff in back of orchestra.
Collection: Ten O'Clock News
Date Created: 03/22/1984
Description: Interview with Boston Pops conductor John Williams in back room at Symphony Hall. He compares the repertoires and missions of the Pops versus the Boston Symphony Orchestra. He speaks about his possible plans for expanding the repertoire of the orchestra, the types of music they might adapt, and the changes it would require. He says he doesn't want to use Pops as a place to showcase his own work. He laughs about kids always asking why he doesn't play Star Wars. He discusses his future involvement with Pops and staying in Boston. They shoot cutaways with no audio. Lydon reasks questions, with audio.
Collection: Ten O'Clock News
Date Created: 07/01/1981
Description: Stevie Wonder demonstrates a Kurweil Reading Machine with text-to-speech capability, which enables blind people to read printed text. He uses the machine to help him read instructions for his synthesizer, so he can compose a song. He jokes around with the audience. He sings part of "I Just Called to Say I Love You." A Boston politician presents Wonder with a commemorative award of his visit to Boston. Wonder addresses the crowd and talks about how the Reading Machine is making a more "harmonious world." Several takes of reporter stand up. A man demonstrates a computer with a touchscreen and Deck Talk features.
1:00:00: Visual: An audience from the technology industry is gathered in the ballroom of the Boston Park Plaza Hotel. Stevie Wonder (pop singer) is at the front of the room, preparing to demonstrate the Kurzweil reading machine and DECtalk machine, which allow him to fully operate a synthesizer. Wonder stands before the keyboard. Wonder explains that the computer keyboard interfaces with the synthesizer; that he cannot operate the machine because he cannot see the controls. Wonder pushes a knob and a computerized voice says what the button does. Wonder begins to program the keyboard. Wonder program the keyboard to play like a piano. Wonder programs the synthesizer to lay down a drumbeat. Wonder stops the drumbeat. Wonder plays and records the tune to the song, "I Just Called To Say I Love You." The audience applauds when he finishes. 1:05:57: V: Wonder says that the synthesizer allows him to create the sound of a band. He jokes that he cannot afford a band of his own. Wonder programs the synthesizer to sound like drums. Wonder plays the drum track over the recorded tune to the song, "I Just Called To Say I Love You." Shots of the audience. The audience applauds when he finishes. Wonder programs the synthesizer to play bass and strings. Wonder has to try a few times before successfully programming the machine. Wonder adds a track with strings to the other tracks of the song, "I Just Called To Say I Love You." 1:13:48: V: The audience applauds. Wonder sings along to the recorded tracks of the song, "I Just Called To Say I Love You." He adds a line to the song, singing "What it is, is something true, that technology like this makes it possible for me to do." The audience sings and claps along with Wonder. Wonder sings a line, thanking DEC (Digital Equipment Corporation) and Raymond Kurzweiler (inventor of the reading machine). The audience gives Wonder a standing ovation. Wonder is guided to the podium. 1:17:16: V: Shots of the audience. A speaker presents Wonder with a silver Revere Bowl from Ray Flynn (Mayor of Boston) commemorating his visit to Boston. The audience applauds. 1:18:15: V: Shot of Wonder from the back of the room. Wonder stands at the podium. He talks about how technology makes communication easier. Shots of audience applauding. Meg Vaillancourt stands at the back of the room. Vaillancourt reports on Wonder's demonstration of new technology. 1:20:08: V: Shots of a computer on display at a vendor's table. Vaillancourt interviews the computer vendor. The computer vendor demonstrates the touch-sensitive screen on his computer. A computerized voice identifies which icon has been pushed. The computer vendor explains that the screen can show either text icons or picture icons. The computer vendor talks about the different voice options on the computer. The computer vendor programs the computer voices to repeat stock phrases for the camera.
Collection: Ten O'Clock News
Date Created: 04/29/1985
Description: Grand lobby, interior of Music Hall. Ornate chandelier, marble columns, heavenly mural. Gilded architectural details — carved moldings, capitals, medallions, angels. Interview with Harry Lodge, who gives history of Music Hall (formerly Metropolitan Theater), originally designed in 1920s by Clarence Blackhall for Vaudeville and movies. Describes the proposed restoration program to be completed in fall 1980 if lease secured and funds raised. In order to bring the Metropolitan Opera to Boston, the theater needs deeper stage for performing arts, updated communication systems, ventilation systems, and a renovated auditorium (seats 4,300). The theater is used for ballet, concerts, movies. Lodge states that this renovation with revitalize Boston as a major center for the performing arts. Lodge shows a drawing of the proposed plan.
Collection: Ten O'Clock News
Date Created: 06/21/1977
Description: North End Italian Band and leader Guy Giarraffa parade through patron saint festival. Interview with Giarraffa on the history of the band, which was previously called the Roma Band. Interviews with North End residents on the band. Photographs of Girraffa from his childhood.
Collection: Ten O'Clock News
Date Created: 08/19/1988
Description: Marcus Jones reports that opera singer Paul Spencer Adkins will be performing the lead male role in the Boston Lyric Opera Company's production of Tosca. Adkins is one of the few African American tenors performing in operas. Interview with Adkins, who says that there have been few African American romantic leads in opera; he says that he wants more African Americans to enter classical music. Adkins talks about his admiration for classical singer Roland Hayes, who lived in Brookline. Jones notes that Adkins is working on a documentary about Hayes. Jones' report includes footage of Adkins rehearsing for Tosca and footage of Roland Hayes.
1:00:09: Visual: Footage of Paul Spencer Adkins (opera singer) exiting his dressing room before a performance. Marcus Jones reports that Adkins is from Pittsburgh, Pennsylvania; that Adkins is 38 years old; that Adkins has two children. Jones reports that Adkins is one of only a few African American tenors performing in an art form dominated by whites. V: Shots of the backstage area. Shots of a make-up artist applying make-up to Adkins. Shots of sheet music and wigs lying on top of a chest. Footage of Adkins saying that only a few African American men have achieved international recognition in the opera world. Adkins says that African American men have succeeded as baritones or basses; that there have been few successful African American romantic leads or tenors. Footage of Adkins performing the lead male role in Tosca at the Majestic Theatre. Jones reports that Adkins will perform in the Boston Lyric Opera Company's production of Tosca. Jones notes that Adkins is happy to perform in Boston; that Adkins is an admirer of Roland Hayes (classical singer), who lived in Brookline. V: Black and white footage of Hayes performing. Shots of a black and white photos of Hayes. Audio of Hayes performing a song. Footage of Adkins saying that Hayes was the first African American to have an international career as a classical singer. Adkins notes that Hayes was a tenor; that Hayes was never allowed to perform in an opera because of his race. Shot of a black and white photo of Hayes. Jones reports that Hayes was a trailblazer for African American men as classical singers. Jones notes that Adkins is working on a documentary about the life and time of Hayes; that the documentary is scheduled to air on PBS in February of 1990. V: Shot of Adkins being interviewed by Jones. Footage of Adkins saying that many talented African Americans do not enter classical music. Adkins says that he wants to show people that it is possible for an African American man to be a successful opera singer. Footage of Adkins performing in Tosca. Jones reports that Adkins has been in opera for eleven years; that Adkins is still considered young. V: Footage of Adkins saying that he has been the first African American tenor to perform on many opera stages across the US. Adkins says that he believes that he is making a difference; that he is proud to be African American. Adkins says that music can transcend race. Footage of Adkins performing in Tosca.
Collection: Ten O'Clock News
Date Created: 09/15/1989
Description: Interview with Seiji Ozawa at the start of his seventh season as music director and conductor of the Boston Symphony Orchestra. He talks about his first visit to America to study at Tanglewood, which started his relationship with the BSO. He talks about the character and tradition of the orchestra and Boston's pride in it — just as for the Red Sox. They shoot establishing shots and cutaways for editing.
Collection: Ten O'Clock News
Date Created: 10/04/1979
Description: Shirley Caesar is a gospel singer and pastor, also active in community and political affairs in Durham, NC. She visits Harvard to sing with a choir in Memorial Church. Fields notes that Caesar is an evangelist and a Grammy award-winning singer. Fields adds that Caesar has recently entered local politics in Durham, North Carolina. Fields interviews Caesar, who talks about her music and her outreach ministry. She also discusses her recent entry into politics. Caesar says that she sees herself as a humanitarian. Fields' report includes footage of Caesar performing with a choir in front of an audience at Memorial Church.
1:00:14: Visual: Footage of Shirley Caesar (gospel singer and evangelist) performing at Memorial Church at Harvard University on October 5, 1989. A gospel choir stands behind her. Shots of members of the audience listening to Caesar. Carmen Fields reports that Caesar has won five grammy awards; that Caesar has three gold albums. Fields reports that Caesar also runs a church and an outreach mission; that Caesar has recently been elected to the City Council of Durham, North Carolina. V: Footage of Caesar being interviewed by Fields. Caesar says that she is a "down-to-earth singer"; that she is a "concerned citizen." Caesar says that she sees herself as a humanitarian. Caesar talks about her outreach ministry. Caesar says that she puts 50% of her earnings back into the community. Footage of Caesar performing at Memorial Church; of audience members listening. Footage of Caesar saying that everyone has suffered at one time or another; that she tries to send a message of love through her music. Fields notes that Caesar offers unconditional encouragement to all through her music. V: Footage of Caesar talking about Jim Baker (evangelist). Caesar says that Baker should be forced to pay back the money he owes; that Baker should not be sent to jail. Footage of Caesar performing at Memorial Church. She speculates as to whether anyone has ever danced in the aisles of Memorial Church. The crowd applauds. Caesar says that she will "christen the aisles." Shots of audience members seated in pews and on the floor. Fields reports that Caesar will soon turn fifty years old. V: Footage of Caesar performing at Memorial Church. The audience members stand and clap their hands. Footage of Caesar being interviewed by Fields. Caesar says that she is "a traditional singer with a contemporary flavor." Caesar talks about her roots in music. Footage of Caesar saying that she would like to learn more about the workings of city government; that she may run for mayor someday. Footage of Caesar performing at Memorial Church. The audience is on its feet.
Collection: Ten O'Clock News
Date Created: 10/06/1989
Description: Stevie Wonder appears at a Harvard Law School forum at Sanders Theater. Man introduces Wonder. Wonder sings "Let's Join Together As One And Have Some Fun." Wonder talks about the elements required to achieve success and the need for artists, the media, and lawyers to work together to benefit all people. Wonder encourages the law students to do pro bono work for those in need. He says, "Without people, there are no laws, and no laws, no lawyers." Tape 1 of 2.
1:00:00: Visual: Audience members file into Sanders Theatre at Harvard University before a Harvard Law School Forum featuring Stevie Wonder. 1:00:39: V: The audience applauds as Stevie Wonder (pop singer) walks on to the stage. Wonder is guided onto the stage by an African American man and an African American woman. They help Wonder get seated behind a podium, facing the audience. Shot of the audience members applauding. A white male Harvard representative thanks the audience and welcomes Wonder. 1:02:34: V: The African American man who guided Wonder onto the stage stands at the podium to introduce Wonder. He welcomes Wonder on behalf of the university. The man reviews Wonder's career and talks about Wonder's accomplishments. The man talks about Wonder's efforts for political and social change. The man mentions Wonder's efforts to create a holiday in honor of Martin Luther King's birthday. The audience applauds. 1:05:20: V: The man finishes speaking and guides Wonder to his keyboard. The keyboard is set up near the podium, facing the audience. The audience cheers. Wonder makes adjustments to his keyboard. Wonder programs his keyboard to play a drumbeat. Wonder begins to accompany the drumbeat on his keyboard. A crew member adjusts the microphone for Wonder. Wonder begins to sing "Let Us Join Together As One And Have Some Fun." The audience claps in time to the music. Wonder finishes the song and the audience cheers. 1:12:35: V: Wonder talks about the need to bring attention to oneself in order to succeed. Wonder says that students are trying to win the attention of their professors; that job applicants are trying to win the attention of job recruiters; that musicians compete for the attention of their audiences. Wonder says that many individuals are competing for attention in a democratic society; that competition is good. Wonder talks about the need to follow through on initial success. Wonder says that one needs to continue to excel after winning the attention of others. Wonder says that he will not "name names"; that everyone can think of public figures who have not lived up to their initial successes. Wonder says that artists and the media are in the "same family"; that lawyers are part of that family as well; that communication is essential to all three professions. Wonder says that successful individuals in these professions must work for the benefit of all people. Wonder talks about the importance of giving freely to help others. Wonder talks about giving tickets to his concerts to needy children and families. Wonder says that he wants to give those children the opportunity to dream. Wonder tells the Harvard Law School students that they must share their knowledge with the less fortunate; that lawyers must give their services to those in need. Wonder says, "Without people, there'd be no laws, and without laws, there'd be no lawyers." Wonder has a good rapport with the audience.
Collection: Ten O'Clock News
Date Created: 04/19/1984
Description: Marcus Jones reports that Michael Jackson has never played a concert at Sullivan Stadium. Jones notes that the Foxboro Board of Selectmen denied a request by Jackson to play two concerts at Sullivan Stadium in 1984. Jones reports that the permit was denied because of security and traffic concerns. Jones adds that former State Senator Royal Bolling, Sr. and others believe that the permit was denied on racial grounds. Jones' reports includes footage from a meeting of the Foxboro Board of Selectmen and footage of Bolling addressing a legislative hearing. Jones reports that Andrew Gala, the Foxboro town administrator and Michael Coppola, a Foxboro Selectman, deny that the permit was denied on racial grounds. Jones notes that Gala says that the Jackson tour denied the terms offered to them by Sullivan Stadium. Jones reports that there are bad feelings between the town of Foxboro and Chuck Sullivan, the organizer of Jackson's tour. Jones reports that big concerts bring in money to Foxboro. He notes that Jackson's most recent tour did not stop in Massachusetts. Jones' report is accompanied by concert footage of Michael Jackson, the Rolling Stones at Sullivan Stadium, and other musical acts. Following the edited story is additional silent b-roll of Sullivan Stadium. This edition of the Ten O'Clock News also included the following item: Jan von Mehren reports that the city of Boston and the NAACP signed a $3 million settlement to end litigation about the city's formerly discriminatory public housing policy
1:00:15: Visual: Footage from WNEV of a Rolling Stones' concert at Sullivan Stadium in Foxboro, Massachusetts. The Rolling Stones play, "Start Me Up." Marcus Jones reports that approximately 150,000 people went to see the Rolling Stones (rock band) play three concerts at Sullivan Stadium. Jones reports that many popular rock performers have played at Sullivan Stadium in the past few years. V: Shots of Madonna in concert at Sullivan Stadium; of a keyboard player on stage; of a female fan in the audience; of Roger Daltry of the Who singing on stage at Sullivan Stadium. Jones reports that Michael Jackson (pop singer) has not played a concert at Sullivan Stadium. V: Footage of Jackson in concert. Footage of a meeting of Foxboro Selectman in June of 1984. The selectmen vote. A selectman declares that the license is denied. The audience applauds. Jones stands in the parking lot of Sullivan Stadium. A sign for the stadium is visible behind him. Jones reports that Foxboro Selectman denied a request by Jackson and his brothers in June of 1984; that Jackson had requested to play two concerts at Sullivan Stadium. Jones notes that the Selectmen denied the request because of security and traffic concerns. Jones notes that the Rolling Stones just played three sold-out shows at the stadium; that the Rolling Stones probably attracted more people than the Jacksons would have. Jones adds that security was heavy at the stadium; that traffic was also heavy. Jones reports that Foxboro is now welcoming big rock acts to the stadium. Jones reports that Royal Bolling, Sr. (former state senator) called a press conference in the summer of 1984 in order to pressure the Foxboro Selectmen to change their minds about Jackson. Jones notes that Bolling and others believe that the Foxboro Selectmen denied the permit on racial grounds. V: Shot of Bolling speaking at a congressional hearing at the Massachusetts State House. Shot of Bolling speaking during an interview. Footage of the Jacksons in concert. Jones reports that the Jacksons' 1984 tour was handled by Chuck Sullivan (member of the family for which Sullivan Stadium was named). V: Shot of a black and white drawing of Sullivan. Shots of the exterior of Sullivan Stadium. Jones reports that Andrew Gala (Foxboro town administrator) and Michael Coppola (Foxboro Selectman) spoke to him over the telephone. Jones reports that Gala says that the permit was denied because of bad feelings between Sullivan and the town of Foxboro. Jones notes that Gala denies that the permit was denied on racial grounds. Jones reports that Gala says that the Selectmen were willing to license three Jackson shows on non-consecutive nights. Jones reports that Gala says that Sullivan refused those terms. V: Footage from a Pepsi commercial of the Jacksons in concert. Shots of the Foxboro Selectmen's meeting from June of 1984; of a member of the audience dressed up like Michael Jackson. Jones reports that the three Rolling Stones shows were on non-consecutive nights. V: Footage from WNEV of the Rolling Stones in concert. Jones reports that Coppola says that big concerts are good for Foxboro businesses. Jones notes that the three Rolling Stones shows contributed over $100,000 to the town treasury. V: Shots of the interior of Sullivan Stadium. Trucks are parked in the interior as a stage is being put up or taken down. Footage of Michael Jackson in concert. Jones reports that Michael Jackson's most recent tour did not stop in Massachusetts. Jones notes that Gala says that Jackson would be welcomed at Foxboro stadium today. Jones adds Gala says that Foxboro "could use the revenue." V: Shots of the exterior of Sullivan Stadium. Gala's quote appears written on-screen in text. Footage of Jackson in concert.
Collection: Ten O'Clock News
Date Created: 10/04/1989
Description: Hope Kelly reports on the Madison Park High School Choir's tribute to Roland Hayes, who was the first African American singer to achieve recognition on the classical stage. Interviews with members of the choir about Hayes' legacy. Footage of the choir's performance. Kelly reviews Hayes's career, accompanied by photos and footage of Hayes. The Roland Hayes Music Center is based at Madison Park High School. Interviews with Elma Lewis, Robert Winfrey, who is the Director, of the Music Center, Anthony Walker, who is a graduate of the Music Center, and Afrika Hayes, the daughter of Roland Hayes. They discuss Hayes's music and legacy.
1:00:04: Visual: Footage of an African American male member of the Madison Park High School Choir talking about the determination of Roland Hayes (African American classical singer); of an African American female member of the choir also talking about Hayes' determination to succeed; of a white female member of the choir talking about how Hayes's music breaks down barriers between the races. Footage of the Madison Park High School Choir singing "Mine Eyes Have Seen The Glory." Hope Kelly reports that the Madison Park High School Choir paid tribute to Hayes, who was the first African American man to be accepted on the classical stage. V: Black and white footage of Hayes singing. Shot of black and white photos of Hayes. Audio of Hayes singing accompanies the photos. Footage of Elma Lewis (African American community leader) saying that Hayes sang traditional spirituals; that Hayes's voice was pure, emotional, and spiritual. Footage of Robert Winfrey (Director, Roland Hayes Music Center) talking about the experience of learning from Hayes. Kelly notes that the Roland Hayes Music Center is based at Madison Park High School. V: Footage of two graduates of the Roland Hayes Music Center standing at the front of the Madison Park High School Choir. The two singers sing solo pieces. Shot of the audience. Footage of Anthony Walker (graduate of the Roland Hayes Music Center) saying that Hayes's music is performed in the same way as classical music or opera; that Hayes' music is "a black form of music," meant to be performed with dignity. Shot of a portrait of Hayes. Shots of the Madison Park High School Choir. Kelly reports that Hayes legitimized the performance of black spirituals on stage. V: Footage of Afrika Hayes (daughter of Roland Hayes) saying that her father was not an "activist"; that he quietly set about achieving his goals. Footage of the performance of the Madison Park High School choir. Footage of Afrika Hayes noting that her father's music is being performed by a mixed race choir from Madison Park High School; that people of all races are embracing his music. Afrika Hayes says that she wishes her father could be here today to see the choir. Footage of the choir's performance.
Collection: Ten O'Clock News
Date Created: 05/14/1987
Description: Women's rights march on Beacon Hill and through downtown Boston. They gather at Government Center plaza. Woman sings women's rights folk song. Cuts of women speaking at a podium, especially about the issue of equal pay. One woman in the crowd argues that women already have more rights than men and criticizes the women speaking at the demonstration. Young people do a skit on stage. Closeups of people in the crowd, and signs with women's rights slogans. Quick clip of Governor Sargent speaking in the crowd. Rosemarie Van Camp does several takes of reporter standup. Sounds goes in and out throughout the video.
Collection: WHDH
Date Created: 08/26/1970
Description: Profile of cellist Yo-Yo Ma. Interview with Ma on his childhood playing. Ma plays a piece in his Cambridge living room. Ma talks about being a cello soloist and the small amount of music written for the cello. Interview with Benjamin Zander on working with Ma. Ma rehearses Brahms Trio and jokes around with violinist Lynn Chang and pianist Richard Kogan. Ma talks about his technique. Ma, Chang and Kogan play at a benefit for Cambodian refugees at Sanders Theater. Christopher Lydon introduces and ends report. He notes that Yo-Yo Ma is having surgery on his spine.
Collection: Ten O'Clock News
Date Created: 03/21/1980