Description: Ray Flynn, William Bulger, Thomas McGee, Joseph Casper, Jim Kelly, and Mike Flannery at Annual Saint Patrick's Day Lunch at the Boys and Girls Club of Boston, in South Boston. People eating at tables. People speaking to the crowd, telling anecdotes and jokes, and discussing drug and alcohol problems in South Boston.
Collection: Ten O'Clock News
Date Created: 03/08/1984
Description: Poet Seamus Heaney reads excerpts from “Sweeney Astray," in Grolier Book Shop. No audio at the very end.
Collection: Ten O'Clock News
Date Created: 05/28/1984
Description: Story about a group of priests from the Soviet Union who are visiting Boston through a program called Bridges for Peace. Footage of priests touring the Concord Bridge, American and Soviet priests talking, church service, reporter standup, people speaking at and attending a seminar on how churches can cooperate to help prevent nuclear war, interview with one of the Russian priests, and with an American priest on the program. Reporter voice-over throughout reel. Sound.
Collection: WCVB Collection
Date Created: 10/1984
Description: One year anniversary of the Soviet Union shooting down a South Korean airplane. Overview of the incidents and theories about the United States involvement in the incident. Some video problems. Reporter voice-over throughout. Sound.
Collection: WCVB Collection
Date Created: 09/01/1984
Description: Stevie Wonder appears at a Harvard Law School forum at Sanders Theater. Man introduces Wonder. Wonder sings "Let's Join Together As One And Have Some Fun." Wonder talks about the elements required to achieve success and the need for artists, the media, and lawyers to work together to benefit all people. Wonder encourages the law students to do pro bono work for those in need. He says, "Without people, there are no laws, and no laws, no lawyers." Tape 1 of 2.
1:00:00: Visual: Audience members file into Sanders Theatre at Harvard University before a Harvard Law School Forum featuring Stevie Wonder. 1:00:39: V: The audience applauds as Stevie Wonder (pop singer) walks on to the stage. Wonder is guided onto the stage by an African American man and an African American woman. They help Wonder get seated behind a podium, facing the audience. Shot of the audience members applauding. A white male Harvard representative thanks the audience and welcomes Wonder. 1:02:34: V: The African American man who guided Wonder onto the stage stands at the podium to introduce Wonder. He welcomes Wonder on behalf of the university. The man reviews Wonder's career and talks about Wonder's accomplishments. The man talks about Wonder's efforts for political and social change. The man mentions Wonder's efforts to create a holiday in honor of Martin Luther King's birthday. The audience applauds. 1:05:20: V: The man finishes speaking and guides Wonder to his keyboard. The keyboard is set up near the podium, facing the audience. The audience cheers. Wonder makes adjustments to his keyboard. Wonder programs his keyboard to play a drumbeat. Wonder begins to accompany the drumbeat on his keyboard. A crew member adjusts the microphone for Wonder. Wonder begins to sing "Let Us Join Together As One And Have Some Fun." The audience claps in time to the music. Wonder finishes the song and the audience cheers. 1:12:35: V: Wonder talks about the need to bring attention to oneself in order to succeed. Wonder says that students are trying to win the attention of their professors; that job applicants are trying to win the attention of job recruiters; that musicians compete for the attention of their audiences. Wonder says that many individuals are competing for attention in a democratic society; that competition is good. Wonder talks about the need to follow through on initial success. Wonder says that one needs to continue to excel after winning the attention of others. Wonder says that he will not "name names"; that everyone can think of public figures who have not lived up to their initial successes. Wonder says that artists and the media are in the "same family"; that lawyers are part of that family as well; that communication is essential to all three professions. Wonder says that successful individuals in these professions must work for the benefit of all people. Wonder talks about the importance of giving freely to help others. Wonder talks about giving tickets to his concerts to needy children and families. Wonder says that he wants to give those children the opportunity to dream. Wonder tells the Harvard Law School students that they must share their knowledge with the less fortunate; that lawyers must give their services to those in need. Wonder says, "Without people, there'd be no laws, and without laws, there'd be no lawyers." Wonder has a good rapport with the audience.
Collection: Ten O'Clock News
Date Created: 04/19/1984
Description: Stevie Wonder speaks at a Harvard Law School Forum at Sanders Theatre. He answers questions from the audience. Wonder discusses his record label and the ups and downs of his career. Wonder talks about his need to be creative and to make music. Asked about apartheid, Wonder says that he will not perform in South Africa; he says that American citizens should make an effort to not support apartheid. Wonder takes his glasses off and pretends to read a letter given to him from an audience member. The audience cheers.
1:00:06: Visual: Stevie Wonder speaks at a Harvard Law School Forum at Sanders Theatre. Wonder talks about his record label. Wonder says that he is always looking for new talent. Wonder elicits laughs from the audience when he tries to imitate the mannerisms of a slick record producer. 1:01:43: V: Tape cuts out during an audience member's question about the ups and downs of Wonder's career. Wonder answers that his faith has helped him a lot. 1:01:58: V: Wonder talks about his desire to be creative and to make music. He talks about the time period when his song "Uptight" became a hit. Two members of a campus singing group present Wonder with a button from their group. One member of the group asks Wonder about his position on boycotts of apartheid South Africa. Wonder says that he will not perform in South Africa; that he understands the feelings of some musicians who do perform there. Wonder says that American citizens have a responsibility to do what they can to not support apartheid; that American citizens understand the ill effects of racism. An audience member talks about how she gave Wonder a necklace in 1973 when she attended one of his private recording sessions. Another audience member asks permission to go up on stage to present Wonder with a letter she wrote for him. The woman gives Wonder a hug on stage and presents him with the letter. 1:08:05: V: Wonder pretends to take off his glasses and read the letter. The audience cheers. Wonder leaves the stage. The audience applauds.
Collection: Ten O'Clock News
Date Created: 04/19/1984
Description: Reporter Christopher Lydon talks about presidential campaign. Reporter Gail Harris reports on President Ronald Reagan's press conference about an environmental report; footage of Lieutenant Governor John Kerry, David Bartley, and Congressman James Shannon (all candidates for US Senate) commenting on acid rain. Bartley says Kerry and Shannon are not doing enough about acid rain. Harris reports on new seat belt and air bag regulations. Lydon presents mobster Raymond Patriarca obituary, compares Patriarca to "The Godfather." Harris reports on new technology for detecting cancer. Footage of South Norfolk Council for Children representative Cathy Wheeler telling story of "Angie." Reporter Meg Vaillancourt gives stats for residential programs for youth with mental health issues. Footage of New Bedford Council for Children representative Jean Peterson talking about budget. Philip Johnston, human services secretary talks about state of children's mental healthcare. Dr. Eli Newberger (of Children's Hospital) testifies on state funding of mental health support services for children. Dr. Michael Jellinek (Chief of Child Psychology at Mass. General Hospital) talks about budget. Vaillancourt talks about growing difficulty of mental health over time. Charles Fried (Harvard Law School) and Anthony Lewis (New York Times) studio interview on Supreme Court at term's end: apparently conservative trend and states' rights inclination in recent decisions. Broadcast ends with international news: OPEC; Libyan bombing; dock worker strike in Great Britain; correspondent in England talks about economic situation of British Pound Sterling.
Collection: Ten O'Clock News
Date Created: 07/11/1984
Description: Review of the first few years of court ordered desgregation, including explosion of racism and violence, and the heavy police patrol required to keep things under control. Garrity is still in charge of the Boston schools. Although things are more quiet, and certain programs are working , like magnet schools, a high percentage of Boston students are still significantly under the national average. The Boston school system is also still overwhelmingly made up of minority students. Black parents propose ‘freedom of choice’ plan. Interviews with Robert Peterkin, Robert Spillane, and other officials. Classroom scenes of the current school system,highlighting Mildred Reed and her daughter Kim. They are Jamaica Plain residents, and Kim is bused to Brighton High School. Interview with Kim, where she talks about the benefits of being bused. Scenes of Kim getting on the bus, the bus ride, and in school.
Collection: Ten O'Clock News
Date Created: 01/11/1984
Description: Paul Tsongas holds a press conference, announcing that he will resign his Senate seat for health reason. His wife, Niki Tsongas, is at his side throughout, as are his two sisters and his brother in law. Speaker of the Massachusetts House of Representatives, Tom McGee, stands behind him. Tsongas acknowledges the hard work of his staff. Crowd gives him a standing ovation. He takes questions from the press.
Collection: Ten O'Clock News
Date Created: 01/12/1984
Description: Written on tape: "Vice Presidental Debate." Overview of Vice Presidential debate between George H.W. Bush and Geraldine Ferraro and how it is covered by the press and its importance. Footage includes montage of different pundits, excerpts from the Vice Presidential debate, polls on who won, and people watching the debate. Reporter voice-over throughout reel. Sound.
Collection: WCVB Collection
Date Created: 10/11/1984
Description: Story on the changes in the way women are voting, and the way they voted specifically in the 1984 presidential election. Interviews with women voters about the Mondale-Ferraro ticket. One woman says “If Godzilla were running against Reagan, I would have voted Godzilla." Interview with Rep. Susan Schur on the way the voters decided who to vote for in the 1984 presidential election, especially women voters. Footage from Bush/Ferraro vice-presidential debate. Interview with man on contemporary women's voting practices. Examination of women's voting in Massachusetts specifically, including for both Mondale/Ferraro, and for John Kerry in the Senate. Footage of many campaign rallies, including for Gary Hart, Mondale, Ferraro, Kerry, and Reagan. Massachusetts Republicans applaud Reagan, who embraces Dapper O'Neil on City Hall Plaza.
Collection: Ten O'Clock News
Date Created: 11/08/1984
Description: End of an interview with South African playwrights and actors Percy Mtwa and Mbongi Ngema at the Spingold Theater at Brandeis University about their play Woza Albert. The two men describe reactions to the play in the South African townships. Each man talks about his future plans. They shoot cutaways. Several takes of reporter standup by the box office of the theater.
0:58:59: Visual: Tug Yourgrau interviews South African actors Percy Mtwa and Mbongeni Ngema at the Spingold Theater at Brandeis University about their play Woza Albert. The first actor says that the play has been well-received in South Africa; that the response has been enthusiastic in the township. The first actor says that people in the township have stood up to sing the national anthem after seeing the play. Yourgrau asks about the actors' future plans. The first actor says that he will write another play. The second actor says that he is writing a screenplay; that he also is involved in music. The second actor says that he has another play which he might bring to the US. Both men say that they have enjoyed touring in the US. The first actor says that he has always dreamed of visiting the US. The first actor says that the play has been well received in the US. The crew takes cutaway shots of Yourgrau and the two actors. 1:02:05: V: Theatergoers purchase tickets at the box office of the Spingold Theater. Yourgrau stands in front of the entrance of the theater. Yourgrau reports that Woza Albert is now playing at the Spingold Theater; that negotiations to bring the play to the Spingold Theater lasted two years. Yourgrau notes that Woza Albert is a satire about life under apartheid; that the play is an international hit. Yourgrau does several takes of his report for the news story. Theatergoers enter the theater.
Collection: Ten O'Clock News
Date Created: 11/08/1984
Description: Story about how Walter Mondale was able to gain the support of Jesse Jackson and the Black Caucus. Jesse Jackson speaking, audience, Mondale and Jackson talking, Andrew Young speaking in August, Jackson's endorsement of Mondale, and Young on how most "Black issues" are the same as "White issues." Some video problems. Reporter voice-over throughout. Sound.
Collection: WCVB Collection
Date Created: 08/18/1984
Description: Tug Yourgrau interviews Zwelakhe Sisulu (South African journalist) about reactions in the South African townships to the play Woza Albert. Sisulu discusses censorship and the facilities in the townships where the play has been staged. Yourgrau and Sisulu talk about why the South African government has failed to ban Woza Albert; they talk about the government's attitude toward Bishop Desmond Tutu (South African anti-apartheid leader). Yourgrau and Sisulu discuss the effect of the Soweto uprising on black political consciousness in South Africa and the related politicization of black theater in South Africa. Yourgrau and Sisulu analyze the relationship of black theater to political rallies in South Africa and to black political culture. Sisulu talks about the multi-lingual, multi-ethnic nature of black South African society. Sisulu discusses the banning of theater groups or theatrical works by the South African government. Sisulu says that black theater portrays the situation in South Africa more accurately than the US media.
0:00:59: Visual: Tug Yourgrau interviews Zwelakhe Sisulu (South African journalist). The two are sitting among shelves of books. Yourgrau asks about the reaction to Woza Albert in the South African townships. Sisulu says that the play has had a good run in the townships; that the actors have enjoyed a good rapport with the audiences in the townships; that the audience becomes part of the play when it is run in the townships. Yourgrau asks where plays are staged in the townships. Sisulu says that the play is run in community halls or church halls in the townships; that there are no theaters in the townships. Sisulu notes that the play must have the approval of the township superintendent in order to be staged in the community hall. Sisulu says that the facilities in the township are inadequate. Sisulu says that the township supervisors are appointees of the South African government; that they are members of the white ruling party. Yourgrau notes that Woza Albert has never been banned. Sisulu notes that Woza Albert has never been staged in a community hall; that community halls were burnt down in 1976. Sisulu says that Woza Albert was staged in church halls or independently owned halls in the black community. Sisulu says that community halls were rebuilt as administrative offices for the government. Yourgrau asks if the government has shown tolerance by not banning the play. Sisulu says that the black community is beginning to exhibit some power in South Africa; that the black community is more militant. Sisulu notes that the government is aware that a ban of the play could provoke a crisis. Yourgrau asks about the government's attitude toward Bishop Desmond Tutu (South African anti-apartheid leader). Sisulu says that the government would like to jail Tutu; that the government cannot act against Tutu because of his standing in the international community. Sisulu says that the government cannot ban Woza Albert because of its international reputation. 1:05:22: V: Yourgrau asks again about the reaction to Woza Albert in the black townships. Sisulu talks about the good rapport between the actors and the audience in the townships. Sisulu says that the audience is seeing their own lives played out on stage. Yourgrau asks about the effect of the Soweto uprising on black consciousness in South Africa. Sisulu asks Yourgrau to define "black consciousness." Yourgrau asks about black political consciousness. Sisulu says that South African blacks began to assert their power in 1976. Sisulu talks about the origins of protest theater and protest poetry in 1969. Sisulu says that contemporary black theater in South African focuses on social issues and apartheid; that earlier black theater focused on entertaining people. Sisulu says that 1976 brought changes in black political consciousness and in black theater. Yourgrau asks how black theater has changed. Sisulu talks about the change in black theater since 1976. Sisulu says that theater has turned away from singing and dancing; that one-man and two-man plays are common since 1976. Sisulu says that contemporary black theater in South Africa is concerned with creating a dialogue about apartheid and South African society. 1:09:59: V: Yourgrau asks if black theater is present at political rallies in South Africa. Sisulu says that a typical political rally in Soweto includes speeches, poetry, and theater. Sisulu notes that speeches are often in English; that the plays are performed in native languages; that theater is used to get the message across to all people. Sisulu says that theater has become a part of black political culture. Yourgrau asks about the multiple languages used in Woza Albert. Sisulu says that black South African culture is multi-lingual. Sisulu says that black South Africans are not divided by language or ethnicity; that residents of Soweto can communicate in several different languages. Yourgrau asks if theater groups have been banned in South Africa. Sisulu says that a theater group was banned along with other organizations in October of 1977. Sisulu says that the government would ban a particular script instead of all works by a particular playwright. Sisulu adds that township managers would refuse to give permission for some plays to be staged. Yourgrau asks if the recent strike by black workers in the Transvaal area is an isolated event. Sisulu says that the US media does not present an accurate depiction of events in South Africa; that the US media portrays the situation in terms of riots and disturbances. Sisulu says that there is a "low-scale civil war" in South Africa. Sisulu says that South African black theater accurately reflects the situation.
Collection: Ten O'Clock News
Date Created: 11/08/1984
Description: Written on tape: "Arch-Law Abortion." Story on the Catholic Church and abortion. Footage of a Pro-life rally, Arch Bishop O'Connor speaking about abortion, and Archbishop Bernard Law speaking to Harvard students. Interview with Law on O'Connor's statements on abortion, the Catholic Church's views of abortion, and how the topic should not be a partisan issue. Reporter voice-over throughout reel. Sound.
Collection: WCVB Collection
Date Created: 10/18/1984
Description: Story about the controversy surrounding John Zaccaro's, Geraldine Ferraro's husband, finances. Reporter believes that Ferraro and Zaccaro have done no wrong and are being lynched by the media. Footage of Ferraro and Zaccarro, and an interview with Lyn Nofziger, a consultant to Ronald Reagan and George Bush. Video problem. Reporter voice-over throughout. Sound.
Collection: WCVB Collection
Date Created: 08/1984
Description: Written on tape: "Analysis Debate." Summary of highlights from the debate and an analysis of how Ronald Reagan and Walter Mondale performed. Footage from the debate and excerpts of statements from the candidates, followed by a statement from Reagan Campaign Director Ed Rollins and a piece of Mondale's post-debate speech to his supporters. Reporter voice-over throughout reel. Sound.
Collection: WCVB Collection
Date Created: 10/22/1984
Description: Story on George Gipp, Reagan's adoption of the phrase "do it for the Gipper", and a comparison of the real George Gipp with the character who Reagan played in the film. Footage of Reagan quoting Gipp, old football footage, scenes from "Knute Rockne, All American" with Reagan as George Gipp, and quotes from Frank Leahy's book "Shake Down the Thunder." Some bad video. Reporter voice-over throughout. Sound.
Collection: WCVB Collection
Date Created: 1984