Description: Interview with art historian Barbara Ehrlich White commenting on the evolution in the portraiture and life of Renoir,highlighting the contrast between his joyful art and his difficult life, on the occasion of a major exhibit at the Museum of Fine Arts. Footage of the paintings from the exhibit and photographs of Renoir.
Collection: Ten O'Clock News
Date Created: 01/03/1986
Description: Francis "Mickey" Roache (Boston Police Commissioner), Minister Don Muhammed (Roxbury community leader), Superintendent Albert Sweeney (Chief of the Bureau of Professional Standards), and Deputy Arthur Morgan (Bureau of Professional Standard) are present at a press conference to announce the results of the internal police investigation of the Silver Shield Club rape case. Roache reviews the details of the case. Roache says that Sweeney conducted a thorough investigation which turned up no witnesses or victim. Roache says that there is no evidence that a sexual assault ever took place at the Silver Shield Club. Roache adds that police have identified a suspect in the murder of Lucia Kai. Sweeney talks about the investigation. Sweeney says that all of the officers involved in the case passed a polygraph examination. He adds that the investigation is closed. The panelists answer questions from the media. Muhammad says that he is satisfied with the police investigation. He adds that Kai's murderer must be found. Roache says that the investigation will be reopened if compelling evidence is found. Roache will not comment on Kai's murder except to say that police have not found probable cause to link their suspect to the murder. Sweeney notes that Richard Armstead (Boston Police Department) was not asked to take a polygraph test because he was not a witness to the alleged sexual assault. He adds that the officers involved have been cleared of all accusations. Sweeney says that Armstead and William Celester (Deputy Superintendent, Boston Police Department) have both conducted themselves in a professional manner. Sweeney notes that no victims or witnesses have come forward. Sweeney continues to talk about details of the case. He says that it is difficult to trace the origins of the rumors that sparked the allegations.
1:00:00: Visual: Francis "Mickey" Roache (Police Commissioner, City of Boston), Minister Don Muhammed (Roxbury community leader), Albert Sweeney (Boston Police Department), and Arthur Morgan (Boston Police Department) seat themselves at a press conference to announce the results of an internal police investigation of the Silver Shield Club rape case. Nancy Sterling Gleason (spokeswoman for Roache) introduces each of the men at the table. Roache summarizes the allegations in the Silver Shield case. Roache says that rumors have surfaced that an African American female was sexually assaulted at the Silver Shield Club in 1982. Roache reviews the details of the case. He reports that an African American female was found murdered in the Franklin Park section of Roxbury; that rumors suggested a connection between that homicide and the sexual assault at the Silver Shield Club. Roache says that he has conducted a thorough internal investigation of the matter; that there is no evidence of a sexual assault ever having taken place at the Silver Shield Club. Roache says that Sweeney spent many months investigating the matter; that the investigation has produced no victim or no witnesses. Roache reports that Lucia Kai (Roxbury resident) was murdered in August, 1982; that police have not yet solved the case; that there is a suspect, but no probable cause. Roache says that he is pleased to have worked with community leaders on this investigation; that the Silver Shield Club investigation is closed. Roache compliments Sweeney on his thorough investigation. 1:05:32: V: Shot of Muhammed; of Sweeney. Sweeney says that the investigation has led to the conclusion that there was no sexual assault at the Silver Shield Club in 1982. Sweeney reports that there are no witnesses, victim, or evidence to support the allegations. Sweeney says that the officers involved in the case voluntarily submitted to a polygraph examination; that the results were confirmed by the Massachusetts State Police Department. Sweeney says that the officers were asked if they had any knowledge of the sexual assault, if they participated in the sexual assault, and if they had any knowledge of any sexual assaults at the Silver Shield Club at any time. Sweeney reports that the officers denied any knowledge or participation in the sexual assaults; that the polygraph examination confirmed the truth of those answers. Sweeney says that the investigation is closed. Roache says that all of the officers in the department were invited to come forward with information on the case. Shot of Morgan. 1:07:49: V: The panel takes questions from the media. A reporter asks Muhammed if he is satisfied with the investigation. Muhammed says that he will not be satisfied until the Kai's murderer is found; that there is no evidence to support the sexual assault allegations at the club. Muhammed says that he would push for further investigation of the sexual assault allegations if compelling evidence were found; that Roache and the Boston Police Department have done an "admirable" job of reopening the case and pursuing the investigation. A reporter notes that Detective Richard Armstead (Boston Police Department) has accused the officers involved in the case of lying about the alleged sexual assault; that Armstead is not satisfied with the investigation. The reporter asks if action will be taken against Armstead. Roache says that disciplinary action is taken against an officer only if he or she violates given rules and regulations. Roache says that further investigation of the allegations will take place if compelling evidence is found. A reporter asks why the media had not been informed that there was a suspect in the investigation of Kai's murder. Roache reminds the reporter that the case is four years old. Roache says that the police have not found a probable cause which will link the suspect to the murder. Roache says that the police will work with the community to uncover evidence to solve the crime. Shots of the assembled media. Roache says that he will provide copies of the investigation to the Federal Bureau of Investigation (FBI) and the office of the US Attorney. 1:12:57: V: Shots of individual reporters and audience members. Roache tells a reporter that he will not comment on specific aspects of Kai's murder. Shot of the panel from the back of the room. A reporter asks if an apology will be offered to the officers accused of the sexual assault. Roache says that rumors can be very damaging. Jump cut on videotape. Shot of the panel from the side of the table; of individual reporters. A reporter asks about the status of the suspect. Roache says that he will not comment except that the suspect resides out of state. A reporter asks why Armstead was not required to take a polygraph examination. Sweeney says that Armstead was never a first-hand witness of the alleged sexual assault; that the officers who took the polygraph test were named as witnesses to the alleged sexual assault. Sweeney notes that Boston Police officers Jose Garcia, William Dunn, and William Kennefick took the polygraph test. A reporter asks if there was an officer named as the perpetrator of the alleged sexual assault. Sweeney says that Dunn was the principal suspect; that Dunn has been cleared of the accusations. A reporter asks if Armstead's allegations were handled properly by his superior officers. Roache says that he cannot speak for Armstead; that he is proud of Armstead for coming forward; that he is sure Armstead will act professionally as the investigation comes to a close. Roache adds that William Celester (Deputy Superintendent, Boston Police Department) also conducted himself professionally at the time of the initial investigation; that the case is closed. A reporter asks how many officers came under investigation as suspects. Sweeney says that Garcia was named as the principal witness; that Garcia was alleged to have rescued the victim; that Dunn and Kennefick were named as suspects in the alleged assault. Sweeney notes that Garcia, Dunn, and Kennefick say that there was no sexual assault at the club. Sweeney adds that no victims or witnesses have come forward. Sweeney continues to explain details of the case. Shot of a female reporter. A reporter asks if there have been any attempts to trace the origins of the rumor. Sweeney says that it is difficult to trace the origins of a rumor from 1982; that the allegations were made at a time of great tension and difficulty within the police department. Sweeney says that the rumor was fed by an investigation by William Celester (Deputy Superintendent, Boston Police Department) in 1982. Sweeney says that Celester's investigation brought Armstead into the case; that the current investigation has proceeded from Armstead's accusations.
Collection: Ten O'Clock News
Date Created: 01/10/1986
Description: Archival soundbites of civil rights activists Martin Luther King Jr., Stokely Carmichael, H. Rap Brown, Malcolm X. Interviews with Robert Moses and Alvin Poussaint, who say we should not celebrate MLK alone, but remember the whole history of the civil rights movement. Sammy Davis Jr., Leonard Bernstein, James Baldwin, Harry Belafonte participating in march.
Collection: Ten O'Clock News
Date Created: 01/20/1986
Description: Interview with researcher Dave Sicilia who was commissioned to prepare a perspective for the Thomas Edison Centennial. History of Thomas Edison and the early electricity in Boston. Old stock footage of Edison and Boston. Reporter voice-over through reel. Sound
Collection: WCVB Collection
Date Created: 02/20/1986
Description: History of the Philippines and how Ferdinand Marcos ruined early hopes for democracy in the country. Footage of elections and the USA ceding sovereignty after WWII, Ronald Reagan speaking, rally for Corazon Aquino the Philippines, people praying, Clark Air Base and US military in the Philippines, and a statue of Marcos. Reporter voice-over through reel. Sound
Collection: WCVB Collection
Date Created: 02/24/1986
Description: Story about the fall of Ferdinand Marcos in the Philippines, how the United States is dealing with the transition, and an overview of the history of the United States propping up dictators in countries like Cuba, Iran, Vietnam, and Nicaragua. Footage of Ferdinand and Imelda Marcos, US official speaking about Marcos, Ronald Reagan, historical images of Cuba, Iran, Vietnam, Nicaragua, and Haiti, and Corazon Aquino in the Philippines. Reporter voice-over through reel. Sound
Collection: WCVB Collection
Date Created: 02/25/1986
Description: Interview with St. Lucian poet Derek Walcott and Irish poet Seamus Heaney about the poetry of American poet Robert Penn Warren. Lydon, Walcott, and Heaney discuss the best format for the interview. Walcott and Heany comment on Penn Warren's appointment as US Poet Laureate. Walcott comments on the excellence of Penn Warren's recent work. Heaney talks about the significance of US history in Penn Warren's work. Walcott and Heaney discuss regionalism in Penn Warren's work, and the appropriateness of appointing a poet laureate. Walcott reads from Penn Warren's poem, "Caribou." Tape 1 of 2.
1:00:00: Visual: Derek Walcott (West Indian poet) and Seamus Heaney (Irish poet) sit among shelves of books, along with Christopher Lydon. Walcott and Heaney are studying books. Walcott and Lydon discuss which poem he should read. Heaney studies his book. Heaney and Walcott joke about whether a poetry reading can be "hot TV." Lydon, Walcott and Heaney discuss the format of the TV segment. Lydon tells the poets to discuss the work and life of Robert Penn Warren (American poet). Walcott and Heaney talk about how they will discuss his work. Lydon asks Walcott about the appointment of Penn Warren as US Poet Laureate. Walcott says that some find the idea of a poet laureate ridiculous; that there is a very old tradition of elevating a poet to represent his people; that the nomination of Penn Warren is in no way amusing or ridiculous. Walcott says that the nomination is the crowning achievement of Penn Warren's career; that Penn Warren has written his most powerful work in his old age. Walcott says that Penn Warren's recent achievements merit recognition; that Penn Warren's work should be considered for a Nobel Prize. Lydon asks Walcott to describe Penn Warren's poetry. Walcott says that he used to be cautious in his appreciation for Penn Warren; that he used to feel that there was too much of "the novelist" in Penn Warren's poetry. Walcott says that Penn Warren has found great vigor in his old age; that his recent poetry is noteworthy. Walcott talks about the clarity and elation in Penn Warren's work. 1:05:51: V: Lydon asks Heaney about Penn Warren. Heaney says that Penn Warren has not "broken faith with the historical experience"; that the American historical experience has been central to his work. Heaney says that the US could not have chosen a better poet laureate; that Penn Warren's work produces history and is a reaction to history. Heaney refers to Penn Warren's literary ambitions. Heaney says that American history and destiny is a large part of Penn Warren's work; that Penn Warren shoulders "large poetic responsibilities" in his work. Heaney says that it is proper for Penn Warren to be honored by the US; that Penn Warren has honored the nation through his work. Lydon asks Heaney to talk about the history in Penn Warren's work. Heaney talks about the relation between poet and region in Penn Warren's work. Heaney notes that Penn Warren was one of the Fugitives (a group of Southern poets); that Penn Warren carefully the relationship between "a literary career and a communal destiny." Heaney says that Penn Warren wrote as if his poetry had a responsibility to the larger culture; that there is "roughage" and "subject matter" in the poetry of Penn Warren. Heaney refers to the recent poem, Chief Joseph of the Nez Perce, which focuses on the treatment of Native Americans in the nineteenth century. Heaney says that Penn Warren does not "wilt in the face of history;" that many poets shy away from facing history. Heaney notes that Penn Warren's poetry has a "large voice;" that Penn Warren has risen to the challenge of history. 1:11:02: V: Lydon asks if there is a contradiction in appointing one poet to represent the diverse people and regions of the US. Walcott says that the image of a hawk is recurrent in Penn Warren's poetry; that Penn Warren is like an old hawk; that Penn Warren is fierce and gentle. Walcott says that Penn Warren is hawk-like in his observations of American culture; that Penn Warren writes about regions of the country which are familiar to him; that Penn Warren has observed those regions from a great distance and has contemplated their meanings. Walcott says that Penn Warren has a gift; that Penn Warren has used that gift to examine a fairly modest range of experience. Walcott says that Penn Warren is rooted in his region and personal experience; that he is able to examine the horizons of that experience. Walcott notes that Penn Warren has expressed the "guilt" and the "conscience" of the South. 1:14:27: V: Heaney notes that there is an "imperial" theme in the appointment of a poet laureate by the US government; that the government seems to be trying to "furbish its image." Heaney wonders if there is a political motive in the appointment of a poet laureate. Heaney says that a poet's power needs to be kept pure; that "the poetic intelligence of a country" needs to serve as an alternative government. Heaney wonders if the appointment is an attempt to co-opt the conscience of the "alternative government." Heaney changes the subject, saying that American poets are well-suited to be poet laureates; that American poetry has a tradition of "visionary writing"; that American poets are challenged to include the scope of the country in their writing. Heaney refers to the poetry of Walt Whitman as an example of "visionary writing" or "public poetry." He notes that the poetry of Emily Dickinson is more inward-looking. 1:17:21: V: Lydon asks each poet to read some of Penn Warren's work. Walcott chooses the poem Caribou. Walcott says that the poem exemplifies Penn Waren's clarity of vision. Walcott says that the voice in the poem describes the caribou and looks down on them from a great height. Walcott reads the poem. Walcott, Heaney and Lydon comment on the beauty of the poem when Walcott has finished reading it.
Collection: Ten O'Clock News
Date Created: 02/28/1986
Description: Second half of interview with St. Lucian poet Derek Walcott and Irish poet Seamus Heaney about the poetry of American poet Robert Penn Warren. Heaney reads Penn Warren's poem, "Tell Me a Story." Walcott talks about his friendship with Penn Warren's daughter Rosanna Phelps Warren, who is also a poet, and his personal impressions of Robert Penn Warren. Walcott reads a draft of his own poem "On the Indian Trail," which he wrote about them. Walcott and Heaney joke around while shooting cutaways. Shots of Lydon (no audio) for cutaways.
1:00:08: Visual: Derek Walcott (West Indian poet) and Seamus Heaney (Irish poet) sit among shelves of books, along with Christopher Lydon. Walcott and Heaney discuss and read from the work of Robert Penn Warren (American poet). Heaney talks about Penn Warren's poem, Tell Me A Story. Heaney says that the poem touches him deeply; that the poem achieves "stillness" through language. Heaney says that the poem expresses a deep, lyric, intimate moment. Heaney reads the poem, Tell Me A Story. Lydon thanks Heaney. 1:01:58: V: Lydon and Heaney encourage Walcott to read another poem. Walcott says that he is friendly with Rosanna Warren (Penn Warren's daughter); that Rosanna Warren is a poet. Walcott says that he has met Penn Warren and his family through Rosanna Warren. Walcott says that Penn Warren has great strength and kindness; that there is a nobility in Penn Warren. Walcott says that he has written a draft of a poem called, On the Indian Trail. Walcott says that he did not write this poem because of Penn Warren's appointment as Poet Laureate. Walcott says that he did not know that the poem would be about Penn Warren when he started writing; that he imagined an old man in the middle of a stream with someone watching him. Walcott says that he realized that the figures in the poem corresponded to Penn Warren and Rosanna Warren; that the poem is a tribute to them both. Walcott notes that the poem was written for Eleanor Clark (novelist and Penn Warren's wife). Walcott reads his poem, On the Indian Trail. Lydon and Heaney compliment Walcott on his poem. Walcott and Heaney share a joke. Heaney asks if taping session is over and prepares to take off his microphone. 1:06:14: The crew takes cutaway shots of Walcott, Heaney and Lydon.
Collection: Ten O'Clock News
Date Created: 02/28/1986
Description: Story on Russian author and activist Alexander Solzhenitsyn who was exiled from the Soviet Union and now lives in Cavendish Vermont. Footage of Solzhenistyn's home, Cavendish and the surrounding countryside, town meeting, interview with townfolk about Solzhenintsyn, and reporter standup. Reporter voice-over through reel. Sound.
Collection: WCVB Collection
Date Created: 03/1986
Description: James Roosevelt, Jr. announces his campaign for the 8th District congressional seat. He is running against Joseph P. Kennedy. He holds a rally to announce his campaign. Interview with Jim Roosevelt's uncle, Franklin Delano Roosevelt, Jr. on the strength of his nephew's campaign. Jim Roosevelt addresses crowd, quoting Eleanor Roosevelt. He also talks about refusing to accept money from political action committees (PACs). Joseph P. Kennedy at a press conference. Roosevelt shakes hands with constituents. Vaillancourt reports that Roosevelt previously worked on Senator Ted Kennedy's campaigns and questions whether Kennedy will support Roosevelt considering his nephew is also in the race.
Collection: Ten O'Clock News
Date Created: 03/04/1986