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African Americans in Rockwell paintings

Description: Rockwell Museum in Stockbridge exhibit a collection of Norman Rockwell's paintings in celebration of Black History Month. The paintings in the exhibit depict African Americans, often in subservient positions, as well a his later works depicting moments in the Civil Rights Movement and African American history. People from the museum give historical context. Closeups on many of the paintings. Following the story is b-roll of the exhibit and individual paintings.
1:00:10: Visual: Footage of Maureen Hart Hennessey (curator, Rockwell Museum) saying that American painter Norman Rockwell's work tells a lot about how America viewed the civil rights movement. Hennessey points out that there was often a lag time between the occurrence of an actual event and the publishing of a Rockwell painting portraying the event. Hennessey says that it took time before these events entered "the mainstream consciousness." Shots of the Rockwell paintings, The Problem We All Live With and Murder in Mississippi. Shots of visitors on a tour of the Rockwell Museum in Stockbridge, MA. Carmen Fields reports that the Rockwell Museum is commemorating Black History Month by exhibiting Rockwell's work featuring African Americans. V: Shots of paintings on display for the exhibit. Fields notes that Rockwell's first piece of work featuring an African American was from 1934. V: Footage of a tour guide at the Rockwell Museum speaking to visitors. She stands in front of a painting. The tour guide talks about illustrations for the Saturday Evening Post done by Rockwell. The tour guide notes that the Saturday Evening Post was aimed at white readers; that African Americans were often pictured in a subserviant position or not at all. Shots of two pieces of art hanging on the wall of the museum. Fields says that Peter Rockwell was the model for The Boy in the Dining Car, which was on the cover of the Saturday Evening Post in the 1940s. V: Shot of The Boy in the Dining Car. Footage of Hennessey being interviewed by Fields. Hennessey says that the painting focuses on the white boy in the painting; that many people are more drawn to the African American waiter who is standing beside the table in the painting. Hennessey notes that most white Post readers encountered African Americans as workers in subserviant positions. Fields reports that none of Rockwell's work from the late 1940s to the early 1960s featured people of color; that Rockwell was caught up in the turbulence of the 1960s while working for Look Magazine. Fields notes that one of Rockwell's most famous paintings portrays school desegregation in the South. V: Shots of a male tour guide at the Rockwell Museum talking to visitors. Shots of visitors in the gallery. Shots of paintings in the gallery. Shot of the painting, The Problem We All Live With. Footage of Hennessey saying that Rockwell paid great attention to detail. Hennessey talks about Rockwell's efforts to capture the details of the painting, The Problem We All Live With. Footage of a tour guide at the Rockwell Museum speaking to visitors about the painting, Murder in Mississippi. Shots of the tour guide; of the painting. The tour guide talks about the details of the painting. Fields reports that Look Magazine opted to publish a less detailed version of the painting, Murder in Mississippi; that the original was too graphic. V: Shot of a less detailed version of the painting. Fields reports that Rockwell used his neighbors as models for his paintings of African Americans; that his neighbors were the only African Americans in the area. V: Shots of black and white photographs of Rockwell's models. Footage of Hennessey talking about an African American family who lived in Stockbridge. Hennessey says that the children of the family were used as models in the paintings The Problem We All Live With and New Kids in the Neighborhoodl Shot of the painting, New Kids in the Neighborhood. Fields reports that Rockwell has been described as apolitical; that his works were commissioned by others. V: Shot of a black and white photo of Rockwell sitting in front of his painting, The Golden Rule. Shots of the painting The Golden Rule. Audio of Hennessey saying that Rockwell was a "social commentator." Hennessey says that Rockwell could have retired when he left the Saturday Evening Post in 1963; that Rockwell began doing paintings about the civil rights movement after 1963. Hennessey says that she believes that Rockwell supported the civil rights movement.
Collection: Ten O'Clock News
Date Created: 02/24/1989

African American identity

Description: Marcus Jones reports that some African American leaders, including Jesse Jackson, are promoting the use of the term "African American" instead of the term "black." Comedian Charles Cozart on the Arsenio Hall Show. Interview with Northeastern lecturer Robert Hayden, who promotes the use of the term. Hayden says that it is an accurate term that reflects the roots and history of African Americans. Interview with Elma Lewis, the Director of the National Center of Afro-American Artists, who believes that the term "black" is more inclusive. Lewis says that not all black people in the US are Americans. Interviews with students and teachers at the Ellis School in Roxbury about which term they prefer. Following the edited story is additional footage of Jones speaking to students and teachers at the Ellis School. Jones answers questions about his report on Jackie Robinson and the race relations of the time. This edition of the Ten O'Clock News also included the following item: Meg Vaillancourt reports that the Boston School Committee is deeply divided over whether to renew the contract of Laval Wilson
1:00:11: V: Footage from the Arsenio Hall Show. Charles Cozart (comedian) tells jokes in front of the audience. Marcus Jones reports that the African American community is debating the use of the term "black." Jones notes that Jesse Jackson (African American political leader) is urging the use of the term "African American" instead of "black." V: Shots of Jackson addressing an audience. Shots of African Americans in the audience. Footage of Robert Hayden (Lecturer, Northeastern University) saying that many people of color have been calling themselves "African Americans" for years. Hayden says that many universities have departments of African American studies. Hayden says that people of African descent were living in Boston in the eighteenth century; that those people referred to their community as "African." Hayden says that the term is "accurate" and "useful." Footage of Elma Lewis (Director, National Center of Afro-American Artists) being interviewed by Jones. Lewis says that she does not have to follow the trend. Jones notes that Lewis is opposed to using the term "African American." V: Footage of Lewis saying that Africa is a whole continent. Lewis says that the terms "Nigerian American" or "Jamaican American" are more appropriate than "African American." Lewis says that the term "black American" is more inclusive. Footage of Jones addressing a class at the David A. Ellis School in Roxbury. Jones asks how many of the students are aware of the debate surrounding the term "African American." A few students raise their hands. Jones says that he asked students and teachers at the Ellis School in Roxbury about the terms "African American" and "black." V: Shots of students. Footage of an African American female student saying that it does not matter which term is used. Footage of a Latina teacher saying that there should be no mention of race in identification terms. Footage of an African American teacher asking if the term would be extended to "Afro-English" for blacks living in England. Footage of an African American male student saying that he likes the term "brown." Footage of a female student saying that it doesn't matter. Footage of Hayden saying that the term might inspire some to think about their African roots. Hayden says that some people might begin to look into their family histories. Footage of Lewis saying that it is important to teach children to be proud of their African roots. Lewis says that not all black people in the US are American; that all black people in the US are black. Shots of African Americans walking on a street; of a group of students walking away from a school.
Collection: Ten O'Clock News
Date Created: 02/15/1989

L. Douglas Wilder

Description: Douglas Wilder, the Democratic candidate for Governor of Virginia, visits the African Meeting House in Boston. Wilder speaks to Director Ruth Batson. Reporter Marcus Jones notes that Wilder is expected to win the election; he adds that Wilder will become the first African American governor of any state in the nation. Jones reviews Wilder's career. Interview with Wilder at the African Meeting House. He talks about his campaign for governor. Wilder downplays speculation that he could be a presidential candidate in 1992. Jones notes that Wilder is visiting Boston to meet supporters and to raise funds for his campaign. Following the edited story is additional footage of Wilder visiting the Meeting House and footage of Jones's interview with Wilder.
1:00:03: Visual: Footage of L. Douglas Wilder (Democratic candidate for governor of Virginia) autographing his picture for an admirer outside of the African Meeting House on Joy Street in Boston. Shots of Wilder entering the Meeting House; of a group of people following Wilder into the Meeting House. Shot of the exterior of the Meeting House. Marcus Jones reports that Wilder is not a familiar face to Massachusetts voters. V: Footage of Ruth Batson (Director, African Meeting House) speaking informally to Wilder and a small group of people. Batson tells Wilder that he joins a long list of illustrious African Americans to pass through the Meeting House. Wilder says that he was named for Frederick Douglass (Nineteenth-century abolitionist). Shots of Wilder in the Meeting House; of the media in the Meeting House. Jones reports that Wilder is the current Lieutenant Governor of Virginia; that Wilder will become the Democratic nominee for governor of Virginia next month. Jones reports that Wilder is attracting national attention because he is expected to win the election. V: Shot of Wilder examing an exhibit in the Meeting House. Shot of a newspaper headline reading, "Black Virginia Politician rests at brink of history." The article is accompanied by a photo of Wilder. Jones reports that no African American has been elected governor of any state in the US. V: Footage of Wilder being interviewed by Jones at the Meeting House. Wilder says that he had high aspirations when he was young; that he never expected to be in this position when he entered politics in 1969. Wilder says that it is significant for an African American to be the Democratic nominee for governor of Virginia. Jones reports that Wilder is in Boston to meet supporters and to raise money for his campaign. Jones notes that Wilder has tried to remain neutral on racial issues; that 80% of Virginia's electorate is white. V: Shots of a black and white photo in an exhibit at the Meeting House; of Wilder talking to an African American woman as he stands near an exhibit at the Meeting House. Jones reports that Wilder entered politics as a state senator in 1969; that Wilder represented the city of Richmond. Jones notes that Wilder has become more conservative on some issues since 1969; that Wilder has run unopposed for the gubernatorial nomination in Virginia. Jones adds that Wilder is a highly respected member of the Democratic establishment in Virginia; that some predict that Wilder could move into national politics. V: Shot of the newspaper article about Wilder. Footage of Wilder being interviewed by Jones. Jones asks Wilder if he could see himself as president in 1992. Wilder says that he hopes to be enjoying his post as governor of Virginia in 1992. Wilder says that he is concentrating on the gubernatorial race in Virginia; that he thinks he is the most qualified candidate to become governor of Virginia. Shot of Wilder with supporters outside of the African Meeting House.
Collection: Ten O'Clock News
Date Created: 05/18/1989

TOCN show tape

Description: Before news broadcast: Ted O'Brien advertises WGBH membership; advertisement for "Vietnam: Present Tense" program with Seth Rolbein; James Earl Jones advertises "Long Ago and Far Away" program; 1)Carmen fields reports on revelations on Sen. William Bulger's questionable investment in American Cablesystems Midwest with Harold Brown and Thomas Finnerty. 2) David Boeri debriefing on set on Bulger. 3) Sludge processing at Deer Island treatment plant turns sewage into compost and pelletized fertilizer; Paul Levy of MWRA and Michael Deland of EPA; incinerator in Lynn. 4) History of Spectacle Island in Boston Harbor, now landfill repository. Anchors Lydon and Fields. 5) Report on President George Bush Sr.'s tax campaign and Congressional leaders meeting about budget. Federal Reserve Chairman Alan Greenspan recommends budget restrictions, rather than taxes. 6) New childcare package is political olive branch between political parties. 7) National Urban League report on poverty and income conditions among black people. 8) Execution of serial murderer Ted Bundy in Florida. 9) Pennsylvania native Barbara Harris chosen as first woman bishop in Anglican Communion, ordained by Boston Archdiocese.
Collection: Ten O'Clock News
Date Created: 01/24/1989