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Blacks' arrival in Massachusetts

Description: Hope Kelly reports on a celebration at the Museum of Afro-American History marking the arrival of the first African Americans in Massachusetts. Kelly notes that the first African Americans arrived as immigrants, not as slaves. Kelly's report features footage of Henry Hampton (Chairman, Museum of Afro-American History) addressing the gathering. Kelly reviews the history of African Americans in Massachusetts. Kelly's report is accompanied by historical photos and drawings related to African American history in Massachusetts.
1:00:09: Visual: Footage of a group of African American singers performing a song. Hope Kelly reports that a gathering at the Museum of Afro-American History celebrated the anniversary of the arrival of black immigrants in Massachusetts; that the first black immigrants arrived in Massachusetts on February 26, 1638. V: Shot of a black and white image of black immigrants and early white settlers; of a ship in a harbor; of a black man addressing a crowd. Footage of Henry Hampton (Chairman of the Board, Museum of Afro-American History) saying that the most important history is found in the lives of individual people; that people form the families and cultures which are important to history. Kelly reports that the first black immigrants arrived in a boat from the West Indies; that the first black immigrants were not slaves; that many worked as servants and laborers and in factories; that skilled professions were off limits to the first black immigrants. V: Shots of a black and white image of early black immigrants in the hold of a boat; of a poster for a slave auction. Shots of black and white images of the early black immigrants working as servants. Shot of a color image of black men working as dock laborers. Shots of a black and white image of black immigrant women working in a factory. Shot of a black and white image of black men and women waiting at a dock as sailing ships approach. Shot of a black and white image of a slave auction. Kelly reports that the experience of black immigrants in the north was different from that of black slaves in the South. V: Shot of a black and white image of two black children and a white school master. Shots of black and white photos of African Americans in Boston in the nineteenth century. Footage of Henry Hampton addressing an audience. Hampton says that the study of history must include the stories of all people. Footage of a group of African American singers singing "Amazing Grace."
Collection: Ten O'Clock News
Date Created: 02/26/1988

Prominent Black Bostonians

Description: Marcus Jones reports on an exhibit at the Boston Athenaeum celebrating Black History Month. Jones notes that the exhibit features photographs of prominent people in Boston's African American community. Jones interviews Marie Cosindas (photographer) about the photographs. Jones' report includes shots of the photographs. Jones reports that the exhibit also includes documents, books and artworks representing the African American artistic, cultural and political traditions. Jones interviews Marilyn Richardson (exhibit advisor and MIT professor) about the exhibit. Richardson talks about a display of census documents and artworks by Edmonia Lewis (sculptor) and Allan Crite (artist). Jones' report includes footage of artworks in the exhibit.
1:00:07: Visual: Shots of color photographs of African Americans in Boston. Shot of a group photograph of Ruth Batson (community activist) and three others. Shot of a photograph of Hugh Morgan Hill (storyteller), also known as Brother Blue. The photographs are displayed at the Boston Athenaeum. Footage of Marie Cosindas (photographer) talking about the photographs. Cosindas says that the photographs were made with commercial cameras and Polaroid film. Marcus Jones reports that Cosindas made portraits of prominent African Americans in Boston; that her photographs are part of a Black History Month exhibit at the Boston Athenaeum. V: Shots of the portraits, including portraits of Elma Lewis (Roxbury community leader); of Mel King (community activist) and Joyce King (wife of Mel King); of Byron Rushing (State Representative). Shot of a portrait of Tanya Hart (WBZ television personality), Philip Hart (professor, University of Massachusetts), and a young woman. Footage of Cosindas saying that she is glad to have had the opportunity to meet these people; that she was able to learn about each person's character and personality. Shot of a portrait of Bruce Bolling (Boston City Council), Royal Bolling, Sr. (state senator), and Royal Bolling, Jr. (former state representative). Footage of Marilyn Richardson (exhibit advisor and MIT professor) talking to Jones about the exhibit. Richardson says that the exhibit includes one of the earliest census documents of the city of Boston; that the 1765 census includes blacks and Indians. Shot of the census document. Jones reports that Richardson helped to organize the 118-piece exhibit about African Americans in Boston. V: Shots of a display of books; of a painting; of a piece of sculpture. Footage of Richardson talking about a bust of Robert Gould Shaw. Richardson says that Shaw was the white captain of the Massachusetts 54th regiments, which was comprised of African American soldiers. Shot of a painting depicting the Massachusetts 54th regiment in battle. Footage of Richardson saying that the sculpure of Shaw was made by Edmonia Lewis (nineteenth-century sculptor); that Lewis was the first African American to gain an international reputation as a sculptor. Shots of photographs of Lewis; of an 1930s ink drawing. Footage of Richardson talking about the india ink drawings from the 1930s. Richardson says that Allan Crite (artist) portrayed black angels, black saints and a black Christ in his work from the 1930s. Shots of religious drawings by Crite; of a group of sculptures. Shots of a display of books. Footage of Richardson saying that the exhibit organizers have tried to gather rare and unusual documents to demonstrate the complexity and strength of the African American artistic and political traditions. Shots of a museum-goer looking at the exhibit; of a display of books; of paintings included in the exhibit. Jones reports that the exhibit will be on display until April.
Collection: Ten O'Clock News
Date Created: 02/29/1988

Mamie Till-Mobley

Description: Marcus Jones reports that Mamie Till-Mobley (civil rights activist) received a lifetime activism award from a Massachusetts senior citizen action group. Jones reports that Till-Mobley's son, Emmett, was brutally murdered in Mississippi in 1955. Jones notes that Till-Mobley's determination to bring the murderers to justice has been an inspiration to other African Americans. Jones notes that the Eyes On The Prize series has brought attention to Till-Mobley's role in the civil rights movement. Jones' report includes footage from Eyes on the Prize. Jones reports that James Farmer (civil rights activist) also received an award from the organization. Jones' report features footage of Farmer and Till-Mobley at a press conference after the awards ceremony. Jones interviews Till-Mobley, who discusses her role in the civil rights movement. Jones notes that Till-Mobley has organized the Emmett Till players, who travel with Mobley to spread the message of the civil rights movement. Jones' report includes footage of performances at the awards ceremony by Ericka Elcy and Patrice Richardson of the Emmett Till Players.
1:00:05: Visual: Footage of Mamie Till-Mobley talking about the civil rights movement. Till-Mobley says that she wanted the world to see the horrible events taking place in the US. Marcus Jones reports that the brutal murder of Emmet Louis Till startled the nation in 1955; that Emmet Louis Till was from Chicago; that Emmet Louis Till was visiting relatives in Mississippi in 1955. Jones reports that Emmet Louis Till said "Bye, baby" to a white woman when exiting a grocery store; that Emmet Louis Till's body was found in the Tallahatchie River a few days later. V: Footage from Eyes On The Prize of Emmet Louis Till's funeral. Shots of a black and white photo of Emmet Louis Till; of Bryant's grocery store in Mississippi; of a river. Footage from Eyes on the Prize of Mamie Till-Mobley at a press conference. Shots of whites seated in an audience. Jones reports that Till-Mobley's determination to bring her son's murderers to justice was an inspiration to other African Americans. V: Black and white footage from Eyes On The Prize of Rosa Parks (civil rights activist); of Martin Luther King Jr. (civil rights leader); of a city bus in Montgomery, Alabama; of white people seated at the front of a bus. Footage of Mamie Till-Mobley and James Farmer (civil rights activist) at a press conference in Boston in June of 1988. Till talks about her quest for justice in 1955. Shots of reporters at the press conference. Till-Mobley and Farmer embrace. Jones reports that Till-Mobley and Farmer received lifetime activism awards from a Massachusetts senior citizen action group. V: Shots of members of the action group seated in a room. Footage of Alfred Saunders (member of the senior citizen action group) greeting Till-Mobley. Footage of Saunders saying that Till-Mobley's commitment to justice inspired the civil rights movement. Footage of Ericka Elcy (member, Emma Till Players) performing in front of the members of the senior citizen group. Elcy says that people must be committed to their goals and life's work. Jones reports that Till-Mobley has organized a group in Chicago called the Emma Till Players; that the young people in the Emma Till Players travel with Till-Mobley to spread the message of the civil rights movement. V: Footage of Patrice Richardson (member, Emma Till Players) performing. Richardson reciting a speech by Martin Luther King, Jr. Shots of Till, Farmer and the audience applauding for Richardson. Footage of Till-Mobley talking about how her role in the civil rights movement may have gotten lost in history. Till-Mobley says that her role in the movement stems from an "ugly" incident; that no one wants to remember "ugly" incidents. Footage from Eyes On The Prize of Till-Mobley in 1955. Till-Mobley says that she hopes that her son's death will mean something to other oppressed people. Shots of Till-Mobley at her son's funeral. Jones reports that the Eyes On The Prize series has shed light on Till-Mobley's role in the civil rights movement. V: Footage of Till-Mobley being interviewed by Jones. Till-Mobley says that she is interested in seeing a renewal of activism; that kids today need to be directed toward positive ways of living; that drugs and gangs are a problem for youth today.
Collection: Ten O'Clock News
Date Created: 06/24/1988

Black Mississippi delegates

Description: Christy George reports from the Democratic National Convention in Atlanta. George reports that Atlanta is the heart of the new South; she adds that the region is becoming more diverse, and has been energized by an influx of industry and culture. George reports that the Mississippi Delegation to the Democratic National Convention is said to lead the region on issues of race relations. George notes that the Mississippi delegates are representative of the new South. Interviews with Mississippi delegates Jesse Banks, Ed Cole, Isaiah Frederides, Sherry Fisher, Deborah Dunn and Joe Gaitlin. Each delegate expresses pride in the political process and talks about the changes in the state of Mississippi. George reviews the struggle by African Americans for inclusion in the Democratic Party. George discusses the history of African Americans at the Democratic National Convention from 1948 to 1968. George's report includes footage of civil rights protesters in the 1960s and footage of the Democratic National Convention in the 1960s. George's report is also accompanied by footage of Jesse Jackson at the 1988 Democratic National Convention. George notes that Jackson has led a new group of people into the Democratic Party.
1:00:16: Visual: Black and white footage from Eyes on the Prize of Fannie Lou Hamer (Mississippi Freedom Delegation) at the Democratic National Convention in 1964. Black and white footage from "Eyes on the Prize" of African Americans exiting a bus; of white political officials. Shots of a uniformed man taking American flags from the hands of African American demonstrators; of African American demonstrators marching with American flags. Shots of a Democratic National Convention from the 1960s. Christy George reports that African Americans have been fighting for inclusion in the Democratic Party since 1948; that white delegates from Mississippi and Alabama walked out of the convention in 1948 to protest a civil rights plank in the party platform. George notes that the Mississippi Freedom Delegation was seated at the Democratic National Convention in 1968. V: Footage of Jessie Banks (resident of Tchula, Mississippi) talking about the seating of the Mississippi Freedom Delegation at the 1968 convention. George reports that Banks is now a Mississippi delegate to the Democratic National Convention; that the Mississippi delegation is said to lead the South on the issue of race relations. V: Shot of the Mississippi delegation on the floor of the 1988 Democratic National Convention. Footage of Jesse Jackson (African American political leader) addressing the convention on July 19, 1988. Jackson announces that Ed Cole (Mississippi delegate) is the leader of the Mississippi delegation; that Cole is African American. Shots of Jackson exiting a building. He waves to voters. A bus awaits Jackson. A banner on the bus reads, "Rainbow voter registration campaign." Jackson stands in the entrance to the bus, waving to supporters. George reports that Jackson has a led a new group of people into the Democratic Party. V: Footage of State Representative Isaiah Frederides (resident of Gulfport, Mississippi) says that his mother was a domestic servant; that his mother was fired from her job when he tried to register to vote; that his father-in-law's job was threatened. Frederides says that he and his wife were the first two African Americans to register to vote in his county. Footage of Sherry Fisher (resident of Vicksburg, Mississippi) saying that she is attending a convention for the first time; that she wants to be a part of the US democracy. She says that it feels good to be a part of the changes in Mississippi and the US. Shot of delegates on the floor of the 1988 convention. George says that the "new South" is focused on sharing power between those of common backgrounds. V: Footage of Deborah Dunn (resident of Bruce, Mississippi) being interviewed by George. Dunn says that she is a white woman who has picked cotton and worked hard for what she has. Dun says that all southerners are proud of what they have achieved. Footage of Jackson addressing the 1988 Democratic National Convention. Jackson calls Atlanta the "crucible of the new South." V: Shots of the Atlanta skyline; of construction workers working on a new building in Atlanta. George reports that Atlanta is becoming a major urban center. V: Footage from WNEV-TV of an Atlanta Hawks basketball game. Footage of Joe Gatlin (resident of Laurel, Mississippi) saying that industry has come to Atlanta from the north; that industry has brought culture and diversity. Gatlin says that the South is diversifying while keeping some of its old values. Shots of the Atlanta skyline. George reports that diversity and new people may energize the Democratic Party as it is energizing the South. V: Footage of Banks saying that she has great hope for the nation; that the Democratic Party has great African American and white leaders. Christy George stands in downtown Atlanta. George reports that African Americans and whites live in harmony and prosperity in Atlanta; that the Democratic Party will begin to understand the "new South" after holding its convention in Atlanta.
Collection: Ten O'Clock News
Date Created: 07/20/1988

TOCN show tape

Description: Before news broadcast: Ted O'Brien advertises WGBH membership; advertisement for "Vietnam: Present Tense" program with Seth Rolbein; James Earl Jones advertises "Long Ago and Far Away" program; 1)Carmen fields reports on revelations on Sen. William Bulger's questionable investment in American Cablesystems Midwest with Harold Brown and Thomas Finnerty. 2) David Boeri debriefing on set on Bulger. 3) Sludge processing at Deer Island treatment plant turns sewage into compost and pelletized fertilizer; Paul Levy of MWRA and Michael Deland of EPA; incinerator in Lynn. 4) History of Spectacle Island in Boston Harbor, now landfill repository. Anchors Lydon and Fields. 5) Report on President George Bush Sr.'s tax campaign and Congressional leaders meeting about budget. Federal Reserve Chairman Alan Greenspan recommends budget restrictions, rather than taxes. 6) New childcare package is political olive branch between political parties. 7) National Urban League report on poverty and income conditions among black people. 8) Execution of serial murderer Ted Bundy in Florida. 9) Pennsylvania native Barbara Harris chosen as first woman bishop in Anglican Communion, ordained by Boston Archdiocese.
Collection: Ten O'Clock News
Date Created: 01/24/1989

African American identity

Description: Marcus Jones reports that some African American leaders, including Jesse Jackson, are promoting the use of the term "African American" instead of the term "black." Comedian Charles Cozart on the Arsenio Hall Show. Interview with Northeastern lecturer Robert Hayden, who promotes the use of the term. Hayden says that it is an accurate term that reflects the roots and history of African Americans. Interview with Elma Lewis, the Director of the National Center of Afro-American Artists, who believes that the term "black" is more inclusive. Lewis says that not all black people in the US are Americans. Interviews with students and teachers at the Ellis School in Roxbury about which term they prefer. Following the edited story is additional footage of Jones speaking to students and teachers at the Ellis School. Jones answers questions about his report on Jackie Robinson and the race relations of the time. This edition of the Ten O'Clock News also included the following item: Meg Vaillancourt reports that the Boston School Committee is deeply divided over whether to renew the contract of Laval Wilson
1:00:11: V: Footage from the Arsenio Hall Show. Charles Cozart (comedian) tells jokes in front of the audience. Marcus Jones reports that the African American community is debating the use of the term "black." Jones notes that Jesse Jackson (African American political leader) is urging the use of the term "African American" instead of "black." V: Shots of Jackson addressing an audience. Shots of African Americans in the audience. Footage of Robert Hayden (Lecturer, Northeastern University) saying that many people of color have been calling themselves "African Americans" for years. Hayden says that many universities have departments of African American studies. Hayden says that people of African descent were living in Boston in the eighteenth century; that those people referred to their community as "African." Hayden says that the term is "accurate" and "useful." Footage of Elma Lewis (Director, National Center of Afro-American Artists) being interviewed by Jones. Lewis says that she does not have to follow the trend. Jones notes that Lewis is opposed to using the term "African American." V: Footage of Lewis saying that Africa is a whole continent. Lewis says that the terms "Nigerian American" or "Jamaican American" are more appropriate than "African American." Lewis says that the term "black American" is more inclusive. Footage of Jones addressing a class at the David A. Ellis School in Roxbury. Jones asks how many of the students are aware of the debate surrounding the term "African American." A few students raise their hands. Jones says that he asked students and teachers at the Ellis School in Roxbury about the terms "African American" and "black." V: Shots of students. Footage of an African American female student saying that it does not matter which term is used. Footage of a Latina teacher saying that there should be no mention of race in identification terms. Footage of an African American teacher asking if the term would be extended to "Afro-English" for blacks living in England. Footage of an African American male student saying that he likes the term "brown." Footage of a female student saying that it doesn't matter. Footage of Hayden saying that the term might inspire some to think about their African roots. Hayden says that some people might begin to look into their family histories. Footage of Lewis saying that it is important to teach children to be proud of their African roots. Lewis says that not all black people in the US are American; that all black people in the US are black. Shots of African Americans walking on a street; of a group of students walking away from a school.
Collection: Ten O'Clock News
Date Created: 02/15/1989

African Americans in Rockwell paintings

Description: Rockwell Museum in Stockbridge exhibit a collection of Norman Rockwell's paintings in celebration of Black History Month. The paintings in the exhibit depict African Americans, often in subservient positions, as well a his later works depicting moments in the Civil Rights Movement and African American history. People from the museum give historical context. Closeups on many of the paintings. Following the story is b-roll of the exhibit and individual paintings.
1:00:10: Visual: Footage of Maureen Hart Hennessey (curator, Rockwell Museum) saying that American painter Norman Rockwell's work tells a lot about how America viewed the civil rights movement. Hennessey points out that there was often a lag time between the occurrence of an actual event and the publishing of a Rockwell painting portraying the event. Hennessey says that it took time before these events entered "the mainstream consciousness." Shots of the Rockwell paintings, The Problem We All Live With and Murder in Mississippi. Shots of visitors on a tour of the Rockwell Museum in Stockbridge, MA. Carmen Fields reports that the Rockwell Museum is commemorating Black History Month by exhibiting Rockwell's work featuring African Americans. V: Shots of paintings on display for the exhibit. Fields notes that Rockwell's first piece of work featuring an African American was from 1934. V: Footage of a tour guide at the Rockwell Museum speaking to visitors. She stands in front of a painting. The tour guide talks about illustrations for the Saturday Evening Post done by Rockwell. The tour guide notes that the Saturday Evening Post was aimed at white readers; that African Americans were often pictured in a subserviant position or not at all. Shots of two pieces of art hanging on the wall of the museum. Fields says that Peter Rockwell was the model for The Boy in the Dining Car, which was on the cover of the Saturday Evening Post in the 1940s. V: Shot of The Boy in the Dining Car. Footage of Hennessey being interviewed by Fields. Hennessey says that the painting focuses on the white boy in the painting; that many people are more drawn to the African American waiter who is standing beside the table in the painting. Hennessey notes that most white Post readers encountered African Americans as workers in subserviant positions. Fields reports that none of Rockwell's work from the late 1940s to the early 1960s featured people of color; that Rockwell was caught up in the turbulence of the 1960s while working for Look Magazine. Fields notes that one of Rockwell's most famous paintings portrays school desegregation in the South. V: Shots of a male tour guide at the Rockwell Museum talking to visitors. Shots of visitors in the gallery. Shots of paintings in the gallery. Shot of the painting, The Problem We All Live With. Footage of Hennessey saying that Rockwell paid great attention to detail. Hennessey talks about Rockwell's efforts to capture the details of the painting, The Problem We All Live With. Footage of a tour guide at the Rockwell Museum speaking to visitors about the painting, Murder in Mississippi. Shots of the tour guide; of the painting. The tour guide talks about the details of the painting. Fields reports that Look Magazine opted to publish a less detailed version of the painting, Murder in Mississippi; that the original was too graphic. V: Shot of a less detailed version of the painting. Fields reports that Rockwell used his neighbors as models for his paintings of African Americans; that his neighbors were the only African Americans in the area. V: Shots of black and white photographs of Rockwell's models. Footage of Hennessey talking about an African American family who lived in Stockbridge. Hennessey says that the children of the family were used as models in the paintings The Problem We All Live With and New Kids in the Neighborhoodl Shot of the painting, New Kids in the Neighborhood. Fields reports that Rockwell has been described as apolitical; that his works were commissioned by others. V: Shot of a black and white photo of Rockwell sitting in front of his painting, The Golden Rule. Shots of the painting The Golden Rule. Audio of Hennessey saying that Rockwell was a "social commentator." Hennessey says that Rockwell could have retired when he left the Saturday Evening Post in 1963; that Rockwell began doing paintings about the civil rights movement after 1963. Hennessey says that she believes that Rockwell supported the civil rights movement.
Collection: Ten O'Clock News
Date Created: 02/24/1989

L. Douglas Wilder

Description: Douglas Wilder, the Democratic candidate for Governor of Virginia, visits the African Meeting House in Boston. Wilder speaks to Director Ruth Batson. Reporter Marcus Jones notes that Wilder is expected to win the election; he adds that Wilder will become the first African American governor of any state in the nation. Jones reviews Wilder's career. Interview with Wilder at the African Meeting House. He talks about his campaign for governor. Wilder downplays speculation that he could be a presidential candidate in 1992. Jones notes that Wilder is visiting Boston to meet supporters and to raise funds for his campaign. Following the edited story is additional footage of Wilder visiting the Meeting House and footage of Jones's interview with Wilder.
1:00:03: Visual: Footage of L. Douglas Wilder (Democratic candidate for governor of Virginia) autographing his picture for an admirer outside of the African Meeting House on Joy Street in Boston. Shots of Wilder entering the Meeting House; of a group of people following Wilder into the Meeting House. Shot of the exterior of the Meeting House. Marcus Jones reports that Wilder is not a familiar face to Massachusetts voters. V: Footage of Ruth Batson (Director, African Meeting House) speaking informally to Wilder and a small group of people. Batson tells Wilder that he joins a long list of illustrious African Americans to pass through the Meeting House. Wilder says that he was named for Frederick Douglass (Nineteenth-century abolitionist). Shots of Wilder in the Meeting House; of the media in the Meeting House. Jones reports that Wilder is the current Lieutenant Governor of Virginia; that Wilder will become the Democratic nominee for governor of Virginia next month. Jones reports that Wilder is attracting national attention because he is expected to win the election. V: Shot of Wilder examing an exhibit in the Meeting House. Shot of a newspaper headline reading, "Black Virginia Politician rests at brink of history." The article is accompanied by a photo of Wilder. Jones reports that no African American has been elected governor of any state in the US. V: Footage of Wilder being interviewed by Jones at the Meeting House. Wilder says that he had high aspirations when he was young; that he never expected to be in this position when he entered politics in 1969. Wilder says that it is significant for an African American to be the Democratic nominee for governor of Virginia. Jones reports that Wilder is in Boston to meet supporters and to raise money for his campaign. Jones notes that Wilder has tried to remain neutral on racial issues; that 80% of Virginia's electorate is white. V: Shots of a black and white photo in an exhibit at the Meeting House; of Wilder talking to an African American woman as he stands near an exhibit at the Meeting House. Jones reports that Wilder entered politics as a state senator in 1969; that Wilder represented the city of Richmond. Jones notes that Wilder has become more conservative on some issues since 1969; that Wilder has run unopposed for the gubernatorial nomination in Virginia. Jones adds that Wilder is a highly respected member of the Democratic establishment in Virginia; that some predict that Wilder could move into national politics. V: Shot of the newspaper article about Wilder. Footage of Wilder being interviewed by Jones. Jones asks Wilder if he could see himself as president in 1992. Wilder says that he hopes to be enjoying his post as governor of Virginia in 1992. Wilder says that he is concentrating on the gubernatorial race in Virginia; that he thinks he is the most qualified candidate to become governor of Virginia. Shot of Wilder with supporters outside of the African Meeting House.
Collection: Ten O'Clock News
Date Created: 05/18/1989

South African in exile

Description: Jan von Mehren interviews Aggrey Mbere, a member of the African National Congress about apartheid in South Africa. Mbere left South Africa thirty-five years ago and currently teaches history at Roxbury Community College. He says that the South African government has realized that it must accommodate the opinions of black South Africans. Mbere talks about Nelson Mandela and his own desire to return to South Africa in the future. This edition of the Ten O'Clock News also included the following item: Christy George interviews Gabu Tugwana by telephone
1:00:04: Visual: Shots of Aggrey Mbere (African National Congress) teaching a history class at Roxbury Community College. Shots of students in the class. Jan von Mehren reports that Mbere teaches world history at Roxbury Community College. Von Mehren reports that Mbere keeps up on events in his native South Africa. V: Footage of Mbere being interviewed by von Mehren. Mbere says that the structure of white supremacy is still intact in South Africa. Von Mehren reports that Mbere was born in Johannesberg; that Mbere joined the African National Congress (ANC) when he was 22 years old; that Mbere left the country a few years later. V: Footage of Mbere being interviewed by von Mehren. Mbere says that he has been away from South Africa for thirty-five years; that he becomes nostalgic for his country sometimes. Mbere says that he would like to return some day. Von Mehren notes that Mbere believes that the lifting of the ban on the ANC was inevitable. V: Footage of Mbere being interviewed by von Mehren. Mbere says that the South African government has realized that it must accomodate African opinion. Mbere speculates as to whether the situation in South Africa has been influenced by the democracy movement in Eastern Europe. Von Mehren reports that Mbere has been inspired by the example of Nelson Mandela (jailed ANC leader). V: Shot of a poster of Mandela on the wall. Footage of Mbere being interviewed by von Mehren. Mbere says that Mandela is indefatigable; that Mandela has fulfilled his mission as leader of a people. Footage of Mbere and his students in class at Roxbury Community College. Von Mehren reports that Mbere is fairly confident about returning to South Africa; that Mbere is apprehensive about his return. V: Shot of Mbere and Von Mehren walking in a corridor. Footage of Mbere being interviewed by von Mehren. Mbere says that he still has many strong feelings about South Africa; that he must come to a clear understanding about the situation before returning.
Collection: Ten O'Clock News
Date Created: 02/02/1990

Black aviators

Description: Jan von Mehren reports on the "Black Wings" exhibit at the National Park Service Visitors Center on State Street. She walks through the exhibit with a group of African American World War II veterans. The men all trained at the Tuskegee airfield during World War II. Interviews with Frank Roberts (retired US Army major), George Hardy (retired US Army Lieutenant Colonel) and John Roach (retired US Air Force Reservist) about their experiences in the military. The men talk about racism and the missions in which they participated. Roberts and Hardy describe their experiences while training at Tuskegee Airfield. Roach talks about the career of Benjamin Davis (first African American general in the US Air Force). The men point out photos in the exhibit and reminisce together.
1:00:14: Visual: Shots of Frank Roberts (retired US Army major) and another man at the "Black Wings" exhibit at the National Park Service Visitors Center on State Street. The men point to the red tail on a model of a WWII airplane. Shot of color picture of a red-tailed bomber plane. Shot of a of a red-tailed model plane. Jan von Mehren reports that red-tailed airplanes were piloted by African American pilots during WWII. V: Footage of Roberts talking about his experience as a pilot in WWII. He says that a group of white bomber pilots once expressed gratitude to him and his colleagues. Von Mehren reports that the African American pilots experienced blatant racism during WWII. Von Mehren reports that African American military pilots trained at the Tuskegee Airfield in Alabama; that Tuskegee opened in 1941 to the dismay of top military brass. Von Mehren reports that some people at the time believed that African Americans did not have the mental or moral fiber to fly in combat. V: Shots of a group of former Tuskegee pilots at the exhibit. The group includes Roberts. Shots of black and white photos of African American trainees and pilots at the Tuskegee Airfield. Footage of George Hardy (retired US Army Lieutenant Colonel) saying that his group flew over 200 missions; that they never lost a bomber to enemy fighters. Shot of a color image of a red-tailed bomber plane from the exhibit. Footage of John Roach (retired US Air Force reservist) talking about the distinct sound of the planes flown during the war. The other men agree that the planes had a very distinct sound. Roberts talks about filling gas tanks in mid-flight. Shot of a black and white photo of Roberts as a pilot during WWII. Von Mehren reports that Roberts graduated from Tuskegee in 1944; that he flew combat missions in Europe. V: Footage of Roberts saying that he was twenty-six when he graduated from Tuskegee; that he was one of the oldest men in his class. Roberts says that the men studied very hard in order to make the grade of lieutenant; that the men were committed to becoming Tuskegee airmen. Footage of Hardy saying that the Tuskegee Airfield provided a "cocoon" for the men. Hardy tries to recall the name of the local sheriff. Hardy says that the men tried to avoid getting into trouble outside of the airbase. Shot of an exhibit poster detailing the biography of Benjamin Davis (first African American general in the US Air Force). Footage of Roach saying that Davis graduated from West Point in the 1930s; that Davis was the only African American cadet at West Point at the time; that no one spoke to him for four years. Von Mehren reports that Roach is a retired colonel in the Air Force Reserve; that Roach left the military to work for the Federal Aviation Administration (FAA). Von Mehren reports that Roach worked to evaluate pilots for commercial airlines; that commercial airlines would not hire African American pilots at the time. V: Shot of a black and white photo of a group of African American pilots in front of a plane. Roach is among them. Shot of a black and white photo of Roach in the cockpit of a military plane. Shots of Roach and another man looking at part of the exhibit. Von Mehren reports that the Tuskegee Airmen were very young when they trained to become pilots during WWII; that this exhibit allows the men to see themselves documented in history. V: Shots of the group of men at the exhibit. Footage of Roberts as he points to a photo of himself in the exhibit. Powers says that the photo was taken after the group had completed 200 missions. Shot of the photo in the exhibit. Shot of a black and white photo of the Tuskegee Airmen lined up for an inspection.
Collection: Ten O'Clock News
Date Created: 02/19/1990