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Abbie Hoffman, R.I.P.

Description: Abbie Hoffman is posthumously remembered for his career as a political activist. Footage of Hoffman's theatrics from political rallies and appearances from 1960s-1980s. Clips of reporters talking to Hoffman during his last activism and trial participation in Northampton, Mass.
Collection: Ten O'Clock News
Date Created: 04/13/1989

Ad agencies and minority students

Description: Deborah Wang reports that minority workers are underrepresented in the advertising industry. Wang interviews Bink Garrison (President of Ingalls, Quinn and Johnson) about the lack of minority workers in the industry. Wang's report includes footage of workers in the offices of Ingalls, Quinn and Johnson (advertising firm). Wang reports that Ingalls, Quinn and Johnson is participating in industry efforts to attract students into the industry. Wang notes that the Ad Club at English High School teaches students about advertising. Wang reports that Ad Club students wrote and acted in a public service announcement last year. Wang's report includes footage of the public service announcement produced by the Ad Club. Wang's report also features interviews of Pam Piligian (Ingalls, Quinn and Johnson) and students working in the Ad Club. B-roll follows of workers at the offices of Ingalls, Quinn and Johnson, interiors of the lobby, closeups on advertisements.
1:00:13: Visual: Footage of white workers in the offices of Ingalls, Quinn and Johnson advertising agency. Deborah Wang reports that most of the workers at the Ingalls, Quinn and Johnson advertising agency are white. V: Shots of workers discussing projects and working at their desks. Footage of Bink Garrison (Ingalls, Quinn and Johnson) being interviewed by Wang. Garrison says that Ingalls, Quinn and Johnson is typical of the advertising industry; that it is hard to break into the advertising industry. Shot of a young African American male working on a project at Ingalls, Quinn and Johnson. Footage of Garrison saying that talented minority students do not often choose to enter the advertising industry because entry-level salaries are low. Wang reports that minority workers are underrepresented in the advertising industry. Wang reports that the Ad Club at English High School teaches students about advertising and the advertising industry. V: Footage of white and minority students working on ads and discussing projects at the Ad Club. The students are in a classroom. Wang reports that students from the Ad Club wrote and acted in a public service announcement last year. V: Footage of the public service announcement about the importance of a high school diploma. Footage of an African American male student and an African American female student practicing lines for another public service announcement. Footage of Pam Piligian (Ingalls, Quinn and Johnson) saying that the students will be producing public service announcements for radio this year; that the kids are enthusiastic about the project. Footage of Michelle Wilcox (11th grade student) saying that the advertising projects allow her to express herself and her opinions. Wang reports that the advertising industry is trying to recruit minority workers through efforts like the Ad Club; that the industry is working to provide internships and mentors to students. Wang notes that the industry leaders hope that a few of the students will end up choosing a career in advertising. V: Footage of Garrison saying that the program introduces students to the industry; that the program allows students to become acquainted with the business world. Shots of minority students in the Ad Club.
Collection: Ten O'Clock News
Date Created: 05/01/1989

African American identity

Description: Marcus Jones reports that some African American leaders, including Jesse Jackson, are promoting the use of the term "African American" instead of the term "black." Comedian Charles Cozart on the Arsenio Hall Show. Interview with Northeastern lecturer Robert Hayden, who promotes the use of the term. Hayden says that it is an accurate term that reflects the roots and history of African Americans. Interview with Elma Lewis, the Director of the National Center of Afro-American Artists, who believes that the term "black" is more inclusive. Lewis says that not all black people in the US are Americans. Interviews with students and teachers at the Ellis School in Roxbury about which term they prefer. Following the edited story is additional footage of Jones speaking to students and teachers at the Ellis School. Jones answers questions about his report on Jackie Robinson and the race relations of the time. This edition of the Ten O'Clock News also included the following item: Meg Vaillancourt reports that the Boston School Committee is deeply divided over whether to renew the contract of Laval Wilson
1:00:11: V: Footage from the Arsenio Hall Show. Charles Cozart (comedian) tells jokes in front of the audience. Marcus Jones reports that the African American community is debating the use of the term "black." Jones notes that Jesse Jackson (African American political leader) is urging the use of the term "African American" instead of "black." V: Shots of Jackson addressing an audience. Shots of African Americans in the audience. Footage of Robert Hayden (Lecturer, Northeastern University) saying that many people of color have been calling themselves "African Americans" for years. Hayden says that many universities have departments of African American studies. Hayden says that people of African descent were living in Boston in the eighteenth century; that those people referred to their community as "African." Hayden says that the term is "accurate" and "useful." Footage of Elma Lewis (Director, National Center of Afro-American Artists) being interviewed by Jones. Lewis says that she does not have to follow the trend. Jones notes that Lewis is opposed to using the term "African American." V: Footage of Lewis saying that Africa is a whole continent. Lewis says that the terms "Nigerian American" or "Jamaican American" are more appropriate than "African American." Lewis says that the term "black American" is more inclusive. Footage of Jones addressing a class at the David A. Ellis School in Roxbury. Jones asks how many of the students are aware of the debate surrounding the term "African American." A few students raise their hands. Jones says that he asked students and teachers at the Ellis School in Roxbury about the terms "African American" and "black." V: Shots of students. Footage of an African American female student saying that it does not matter which term is used. Footage of a Latina teacher saying that there should be no mention of race in identification terms. Footage of an African American teacher asking if the term would be extended to "Afro-English" for blacks living in England. Footage of an African American male student saying that he likes the term "brown." Footage of a female student saying that it doesn't matter. Footage of Hayden saying that the term might inspire some to think about their African roots. Hayden says that some people might begin to look into their family histories. Footage of Lewis saying that it is important to teach children to be proud of their African roots. Lewis says that not all black people in the US are American; that all black people in the US are black. Shots of African Americans walking on a street; of a group of students walking away from a school.
Collection: Ten O'Clock News
Date Created: 02/15/1989

African Americans in Rockwell paintings

Description: Rockwell Museum in Stockbridge exhibit a collection of Norman Rockwell's paintings in celebration of Black History Month. The paintings in the exhibit depict African Americans, often in subservient positions, as well a his later works depicting moments in the Civil Rights Movement and African American history. People from the museum give historical context. Closeups on many of the paintings. Following the story is b-roll of the exhibit and individual paintings.
1:00:10: Visual: Footage of Maureen Hart Hennessey (curator, Rockwell Museum) saying that American painter Norman Rockwell's work tells a lot about how America viewed the civil rights movement. Hennessey points out that there was often a lag time between the occurrence of an actual event and the publishing of a Rockwell painting portraying the event. Hennessey says that it took time before these events entered "the mainstream consciousness." Shots of the Rockwell paintings, The Problem We All Live With and Murder in Mississippi. Shots of visitors on a tour of the Rockwell Museum in Stockbridge, MA. Carmen Fields reports that the Rockwell Museum is commemorating Black History Month by exhibiting Rockwell's work featuring African Americans. V: Shots of paintings on display for the exhibit. Fields notes that Rockwell's first piece of work featuring an African American was from 1934. V: Footage of a tour guide at the Rockwell Museum speaking to visitors. She stands in front of a painting. The tour guide talks about illustrations for the Saturday Evening Post done by Rockwell. The tour guide notes that the Saturday Evening Post was aimed at white readers; that African Americans were often pictured in a subserviant position or not at all. Shots of two pieces of art hanging on the wall of the museum. Fields says that Peter Rockwell was the model for The Boy in the Dining Car, which was on the cover of the Saturday Evening Post in the 1940s. V: Shot of The Boy in the Dining Car. Footage of Hennessey being interviewed by Fields. Hennessey says that the painting focuses on the white boy in the painting; that many people are more drawn to the African American waiter who is standing beside the table in the painting. Hennessey notes that most white Post readers encountered African Americans as workers in subserviant positions. Fields reports that none of Rockwell's work from the late 1940s to the early 1960s featured people of color; that Rockwell was caught up in the turbulence of the 1960s while working for Look Magazine. Fields notes that one of Rockwell's most famous paintings portrays school desegregation in the South. V: Shots of a male tour guide at the Rockwell Museum talking to visitors. Shots of visitors in the gallery. Shots of paintings in the gallery. Shot of the painting, The Problem We All Live With. Footage of Hennessey saying that Rockwell paid great attention to detail. Hennessey talks about Rockwell's efforts to capture the details of the painting, The Problem We All Live With. Footage of a tour guide at the Rockwell Museum speaking to visitors about the painting, Murder in Mississippi. Shots of the tour guide; of the painting. The tour guide talks about the details of the painting. Fields reports that Look Magazine opted to publish a less detailed version of the painting, Murder in Mississippi; that the original was too graphic. V: Shot of a less detailed version of the painting. Fields reports that Rockwell used his neighbors as models for his paintings of African Americans; that his neighbors were the only African Americans in the area. V: Shots of black and white photographs of Rockwell's models. Footage of Hennessey talking about an African American family who lived in Stockbridge. Hennessey says that the children of the family were used as models in the paintings The Problem We All Live With and New Kids in the Neighborhoodl Shot of the painting, New Kids in the Neighborhood. Fields reports that Rockwell has been described as apolitical; that his works were commissioned by others. V: Shot of a black and white photo of Rockwell sitting in front of his painting, The Golden Rule. Shots of the painting The Golden Rule. Audio of Hennessey saying that Rockwell was a "social commentator." Hennessey says that Rockwell could have retired when he left the Saturday Evening Post in 1963; that Rockwell began doing paintings about the civil rights movement after 1963. Hennessey says that she believes that Rockwell supported the civil rights movement.
Collection: Ten O'Clock News
Date Created: 02/24/1989

Appeal for Parcel 18

Description: David Boeri reports that African American community leaders and city officials have proposed to build the new headquarters of the Massachusetts Water Resources Authority (MWRA) in Roxbury. The MWRA headquarters would be the cornerstone in a project to develop Parcel 18, located near the Ruggles MBTA station. At a press conference with city officials and African American leaders, Charles Stith (Union United Methodist Church), Bruce Bolling (Boston City Council), mayor Ray Flynn, Harold Hestnes (member of "The Vault"), and James Kelly (Boston City Council) all speak out in favor of Parcel 18. The Massachusetts State Legislature is also considering the city of Quincy for the MWRA site. African American leaders are asking state legislators to show their support for the African American community by choosing Parcel 18. State Sen. Paul Harold speaks to the media and says that Quincy is the right place for the MWRA headquarters. At a press conference Paul Levy of the MWRA says that the MWRA site does not have to be in Quincy.
1:00:08: V: Footage of Bruce Bolling (Boston City Council) at a press conference. Supporters stand behind him. Bolling says that "this project won on the merits." Footage of Charles Stith (Union United Methodist Church) saying that the project is very important to the community; that the Massachusetts Water Resources Authority (MWRA) must locate its headquarters on Parcel 18. Shots of the vacant land of Parcel 18 in Roxbury. Shot of the Ruggles MBTA station and the Boston skyline visible from Parcel 18. Shots of traffic on the street near Parcel 18. David Boeri reports that the development of Parcel 18 is part of a plan to bring jobs and development to Roxbury. Boeri notes that the development of Parcel 18 is a $200 million public/private venture; that the venture includes minority developers. V: Shots of two people entering the Ruggles MBTA station. Boeri reports that the MWRA would be the major tenant in the development. V: Shot of Parcel 18. Shot through a chain-link fence of the Boston skyline looming above Parcel 18. Boeri reports that the Massachusetts state legislators are considering other sites for the MWRA headquarters; that supporters of Parcel 18 development are lobbying for the MWRA to be located on Parcel 18. V: Footage of Bolling saying that people of color are told that they will be treated fairly in this country. Bolling says that the process should not be manipulated to prevent people of color from receiving their due. Shots of members of the media and the audience at the press conference. Boeri reports that African American leaders consider the MWRA vote to be a crucial litmus test for state legislators on the issue of race. V: Footage of Stith saying that many "progressive politicians" seem to lack the courage to stand up for their principles. Shots of Bolling; of other Parcel 18 supporters at the press conference. Boeri reports that the coalition at the press conference was assembled by Ray Flynn (Mayor of Boston); that the coalition includes members of "The Vault" (Boston's powerful financial leaders). V: Footage of Harold Hestnes (member of "The Vault") speaking at the press conference. Hestnes says that the development of Parcel 18 would create a "climate of financial responsibility." Maura Hennigan (Boston City Council) is visible behind Hestnes. Shots of Richard Voke (State Representative) and David Scondras (Boston City Council) at the press conference. Boeri notes that the coalition is broad enough to include James Kelly (Boston City Council). V: Footage of Kelly turning around to look at the coalition standing behind him. Stith puts his hand on Kelly's shoulder and says, "You're with your own." The Parcel 18 supporters laugh along with Kelly. Shot of a reporter at the press conference. Boeri reports that Flynn believes that the development should proceed because it represents social justice and good business sense. V: Footage of Flynn at the press conference. Flynn says that this is a good opportunity for state legislators to prove their commitment to social and economic justice. Flynn says that the people of Roxbury have been disenfranchised and "left behind" in the past. Shot of a coalition member at the press conference. Boeri reports that the city of Quincy is competing with Parcel 18 for the MWRA headquarters. Boeri notes that Quincy will be the repository of the sludge from the Boston Harbor Cleanup project. V: Footage of Paul Harold (State Senator from Quincy) speaking to the media in a park. Harold says that the issue revolves around the survival of a sewage plant, a sludge plant and a landfill facility. Harold says that Parcel 18 has nothing to do with the real issue. Boeri reports that Paul Levy (Executive Director, MWRA) made a controversial decision today. V: Footage of Levy at an MWRA press conference. Levy says that Quincy must receive a premium from the MWRA; that the MWRA is open to discussing compensation for the city of Quincy. Levy says that compensation should not include locating the MWRA headquarters in the city. Footage of Harold saying that state officials have been ill advised on the issue. Harold says that the issue should have been decided days ago. Boeri stands in front of the Massachusetts State House. Boeri reports that the Parcel 18 coalition is trying to pressure a few state legislators to support Parcel 18. Boeri notes that the votes of those legislators will be necessary for Michael Dukakis (Governor of Massachusetts) to sustain his veto of any vote which tries to move the MWRA headquarters from Roxbury to Quincy. Boeri notes with irony that the MWRA was created by state legislators to remove politics from the Harbor Cleanup Project.
Collection: Ten O'Clock News
Date Created: 07/07/1989

BPL funding

Description: Mayor Ray Flynn proposes million-dollar cut in Boston Public Library funds. Flynn cites funding used for new positions, fringe benefits, and unnecessary accouterments instead of library services. Library representative speaks in BPL courtyard about the effect of cutbacks. Footage of employees working at circulation and card catalog. Brief clip of Congressman William Bulger in court. Various Library representatives explain job functions and loss at BPL. Flynn explains that library fund must be focused on branch services instead of fringe benefits.
Collection: Ten O'Clock News
Date Created: 06/27/1989

Baltics in Boston

Description: Immigrants from Baltic states of Latvia, Lithuania, and Estonia march on City Hall plaza to demonstrate nationalistic pride and support independence movement in Soviet Union. Interviews with participants. Edited story is followed by b-roll of the demonstration. Participants act out the "blood pact" between Hitler and Stalin. They sing the American National Anthem.
Collection: Ten O'Clock News
Date Created: 08/22/1989

Bank of Boston affirmative action

Description: Marcus Jones reports on the affirmative action program at the Bank of Boston. Twenty percent of the employees at the bank are minorities. Interview with Charles Gifford from the Bank of Boston, who says that a diverse workforce makes sense. Gifford says that the bank will hire any qualified candidate, regardless of race. Gifford adds that he would like to hire more minorities in top bank positions. Jones reports that bank managers have set affirmative action goals that exceed federal requirements because they believe that an integrated workforce is good for business. Interview with Rosa Hunter, the Director of Affirmative Action Planning for the Bank of Boston. Hunter talks about the bank's commitment to diversity. Jones reviews statistics concerning minority professionals and minority managers at the Bank of Boston. He notes that most minority employees are hired for entry-level and mid-level positions. The edited story is followed by additional b-roll footage of Bank of Boston employees in the offices and cafeteria. This edition of the Ten O'Clock News also included the following item: Meg Vaillancourt reports on affirmative action in the Boston Fire Department
1:00:10: Visual: Shots of Bank of Boston employees riding on an escalator in a Bank of Boston building; of a sign for the Bank of Boston. Shots of tellers helping customers in a Bank of Boston office. Marcus Jones reports that the Bank of Boston employs almost 20,000 people; that 20 percent of the employees are minorities. Shots of an African American bank teller; of employees eating lunch in a cafeteria. Jones reports that the bank has doubled its number of minority employees in the past ten years; that bank executives see room for more minorities among their employees. V: Footage of Charles Gifford (Bank of Boston) being interviewed by Jones in his office. Gifford says that a diverse work force makes sense regardless of affirmative action guidelines. Shots of the interior of the Bank of Boston; of customers and tellers inside of the bank. Jones reports that the Bank of Boston receives federal funding; that the Bank of Boston is obligated to comply with federal affirmative action guidelines. Jones notes that the bank management has often set goals which exceed federal requirements. Jones reports that the bank managers believe that an integrated workforce is good for business. V: Shots of employees in a Bank of Boston office. Footage of Gifford saying that the Bank of Boston is growing; that they need more employees. Gifford says that the bank will be at an advantage if it is known as an employer who is open to all. Gifford says that he wants the bank to hire people according to qualifications and performance. Jones reports that Rosa Hunter (Director of Affirmative Action Planning for the Bank of Boston) has worked at the Bank of Boston for 21 years; that Hunter has directed the Bank of Boston's affirmative action effort for two years. V: Footage of Hunter being interviewed by Jones. Hunter says that the Bank of Boston is committed to diversity; that the Bank of Boston will continue its diversity efforts regardless of court rulings against affirmative action programs. Shot of an African American employee at the Bank of Boston. Jones reports that the number of minority managers at the Bank of Boston increased from 4.3% to 9.7% between 1978 and 1988. Jones notes that the number of minority professionals at the Bank of Boston increased from 6.6% to 12.4% from 1978 to 1988. V: On-screen text and visuals detail statistics on the percentage of minority managers and the percentage of minority professionals at the Bank of Boston. Shots of employees eating at a cafeteria. Jones reports that minority employees are being hired for entry-level and mid-level postions; that few minority employees are being appointed to top-level management positions. V: Footage of Gifford saying that the bank is not satisfied with the low number of minority and female employees among its top positions. Gifford says that he expects those numbers to improve because the bank is open to promoting qualified employees to top positions regardless of race or gender. Shot of an African American female bank employee in a Bank of Boston office.
Collection: Ten O'Clock News
Date Created: 06/15/1989

Barney Frank contrite

Description: Interview with Representative Barney Frank regarding the Steve Gobie prostitution scandal. Frank denies knowledge of Gobie's escorting activities while in residence at Frank's home. Discusses pressures of being a closeted gay man that led to Frank hiring prostitutes. Following edited story is b-roll of interview between reporter David Boeri and Frank. Frank frequently expresses displeasure with Boeri's questioning. Discussion of Frank's moral views of prostitution; interactions with House Committee on Ethics; nature of relationship with Gobie. Footage of Boeri posing for cutaways.
Collection: Ten O'Clock News
Date Created: 08/29/1989

Barney Frank under scrutiny

Description: Rep. Barney Frank press conference where he admits to hiring male prostitute and taking him on as personal aide, but denies knowing an escort service was conducted from his apartment. Republicans respond.
Collection: Ten O'Clock News
Date Created: 08/25/1989