Description:
David Boeri profiles Teko Manong, a South African exile, author and playwright, who has been living in the US for thirty years. Boeri notes that Manong was jailed in South Africa for anti-apartheid activities. Manong escaped from prison and fled to Ghana and then to the US. Interview with Manong, who talks about apartheid in South Africa and his participation in the defiance campaign and the potato boycott in South Africa in the 1950s. Manong talks about Nelson Mandela. Manong tells Boeri that his plays have received little critical recognition or success in the US. He says that his time in exile has been wasted. Manong says that he does not want to return to South Africa because he does not trust white South Africans. Boeri reports that black playwrights like Manong have found little success with US audiences. He notes that Manong has been supporting himself by working in the kitchen of a local restaurant. Boeri adds that Manong represents the thwarted hopes of many black South Africans. Boeri's report includes footage of Manong working in the kitchen of a restaurant.
1:00:08: Visual: Footage of Teko Manong (South African exile) walking across a parking lot and entering a building. Footage of Manong working in the kitchen of a restaurant. Boeri reports that Manong is one of the thousands of South Africans who are exiled from their homeland. Boeri reports that Manong has been in the US for thirty years; that Manong grew up in Soweto. V: Shot of a black and white photo of Manong as a boy in Soweto. He stands with two other boys. Footage of Manong working in the restaurant kitchen. Boeri reports that Manong joined the defiance campaign and the potato boycott in South Africa in the 1950s. V: Footage of Manong being interviewed by Boeri. Manong says that white South African potato farmers would bury the bodies of murdered black South Africans in their fields. Manong says that the potato farmers would brag about the size of their crops and the effectiveness of their "fertilizer." Close-up shot of Manong flipping through his South African passbook. Boeri reports that black South Africans were forced to carry their passbooks at all times. Boeri notes that Manong organized a pass burning campaign in the 1960s; that the campaign resulted in mass arrests. Boeri reports that Manong was jailed without trial; that his promising career as playwright and composer was brought to an end. V: Footage of Manong in the restaurant kitchen. Manong breaks eggs into a large metal pan. Manong pours the eggs into a large pot. Shot of Manong leaving a building and walking across a parking lot. Boeri reports that Manong escaped from prison and journied to Ghana. Boeri notes that Manong worked for the South African resistance movement while in Ghana; that Manong met Nelson Mandela (black South African leader). V: Shot of a framed drawing of Mandela. Footage of Manong being interviewed by Boeri. Manong says that Mandela was a great leader; that Mandela helped him personally. Manong says that Mandela would often defend people without money when he was a lawyer; that Mandela was a remarkable man. Shot of Manong's US documents identifying him as a refugee. Boeri reports that Mandela helped Manong get to England; that Manong had hoped to pursue his career in England. Boeri reports that Manong has been politically silenced in South Africa; that Manong has been commercially silenced in the US. V: Shot of a poster for the South African play Survival. Boeri reports that white South African playwrights have found producers and audiences in the US; that Manong has had little success because he is black and foreign. V: Footage of Manong being interviewed by Boeri. Manong says that his time in exile has been wasted. Boeri asks about the plays he has written while in exile. Manong says that he never should have escaped from prison; that he should have served time in jail for the cause like Mandela did. Boeri reports that Manong has not seen his wife or daughter for thirty years; that he was unable to return to South Africa for the funeral of his mother. V: Shot of a photo of a young black South African woman; of a black and white photo of Manong's parents; of a black and white photo of a gathering of black South Africans. Footage of Manong being interviewed by Boeri. Manong says that he does not want to return to South Africa; that he does not trust white people in South Africa. Footage of Manong working in the restaurant kitchen. Boeri reports that Manong has written a play titled Excuse Me While I Disappear. Boeri notes that Manong represents the blighted hopes of many talented South Africans.
1:00:08: Visual: Footage of Teko Manong (South African exile) walking across a parking lot and entering a building. Footage of Manong working in the kitchen of a restaurant. Boeri reports that Manong is one of the thousands of South Africans who are exiled from their homeland. Boeri reports that Manong has been in the US for thirty years; that Manong grew up in Soweto. V: Shot of a black and white photo of Manong as a boy in Soweto. He stands with two other boys. Footage of Manong working in the restaurant kitchen. Boeri reports that Manong joined the defiance campaign and the potato boycott in South Africa in the 1950s. V: Footage of Manong being interviewed by Boeri. Manong says that white South African potato farmers would bury the bodies of murdered black South Africans in their fields. Manong says that the potato farmers would brag about the size of their crops and the effectiveness of their "fertilizer." Close-up shot of Manong flipping through his South African passbook. Boeri reports that black South Africans were forced to carry their passbooks at all times. Boeri notes that Manong organized a pass burning campaign in the 1960s; that the campaign resulted in mass arrests. Boeri reports that Manong was jailed without trial; that his promising career as playwright and composer was brought to an end. V: Footage of Manong in the restaurant kitchen. Manong breaks eggs into a large metal pan. Manong pours the eggs into a large pot. Shot of Manong leaving a building and walking across a parking lot. Boeri reports that Manong escaped from prison and journied to Ghana. Boeri notes that Manong worked for the South African resistance movement while in Ghana; that Manong met Nelson Mandela (black South African leader). V: Shot of a framed drawing of Mandela. Footage of Manong being interviewed by Boeri. Manong says that Mandela was a great leader; that Mandela helped him personally. Manong says that Mandela would often defend people without money when he was a lawyer; that Mandela was a remarkable man. Shot of Manong's US documents identifying him as a refugee. Boeri reports that Mandela helped Manong get to England; that Manong had hoped to pursue his career in England. Boeri reports that Manong has been politically silenced in South Africa; that Manong has been commercially silenced in the US. V: Shot of a poster for the South African play Survival. Boeri reports that white South African playwrights have found producers and audiences in the US; that Manong has had little success because he is black and foreign. V: Footage of Manong being interviewed by Boeri. Manong says that his time in exile has been wasted. Boeri asks about the plays he has written while in exile. Manong says that he never should have escaped from prison; that he should have served time in jail for the cause like Mandela did. Boeri reports that Manong has not seen his wife or daughter for thirty years; that he was unable to return to South Africa for the funeral of his mother. V: Shot of a photo of a young black South African woman; of a black and white photo of Manong's parents; of a black and white photo of a gathering of black South Africans. Footage of Manong being interviewed by Boeri. Manong says that he does not want to return to South Africa; that he does not trust white people in South Africa. Footage of Manong working in the restaurant kitchen. Boeri reports that Manong has written a play titled Excuse Me While I Disappear. Boeri notes that Manong represents the blighted hopes of many talented South Africans.
Collection:
Ten O'Clock News
Date Created:
06/21/1990
